Sentences with phrase «iconic objects including»

Johnson works predominantly in mixed media sculptures, paintings, and drawings, combining bare materials such as mirror, wood, and shea butter with loaded iconic objects including record covers, CB radios, historical books, and common domestic objects.

Johnson works predominantly in mixed media sculptures and paintings, combining bare materials such as mirror, wood, and shea butter with loaded iconic objects including record covers, CB radios, historical books, and common domestic objects.

Not exact matches

Iconic 20th - century plastic objects are beginning to degrade, so London's Victoria and Albert Museum is working with researchers to find ways to conserve plastic items in its collection, including an inflatable chair and a 1960s PVC dress.

Earth - based and space telescopes, including NASA's iconic Hubble Space Telescope, also will be in position to observe the unique celestial object.

The environment design is faithful to the subject matter as it includes iconic environments from Star Wars films such as the remote desert planet of Jakku and the ice planet of Starkiller Base containing a deadly energy weapon within the core of the planet, while a new feature which generally sets environments apart from this game in comparison to other LEGO games is the introduction of multi-build paths that effectively allows players to build an object to complete a new objective or reach a new area, dismantle it, then re-build it as an alternative object in order to complete another new objective or reach another new area.

His felt work «Back to Life» draws upon motifs found in Phoebe Phillo's collection for Chloé including objects from dancehall culture, Vogue branding and the iconic Eiffel Tower.

The students researched Noguchi's history, studied select objects included in the Museum's Highlights from the Collection: Iconic Display exhibition, and applied their knowledge to design a hypothetical annex for the Museum in the Brooklyn neighborhood of DUMBO.

The exhibition opened with MoMA's first decade, including such iconic works as Edward Hopper's House by the Railroad (acquired in 1930), Paul Cézanne's The Bather (acquired in 1934) Constantin Brancusi's Bird in Space (acquired in 1934), as well as Walker Evans's Posed Portraits, New York (acquired in 1938), Walt Disney's Steamboat Willie (acquired in 1936), and utilitarian, machine - made objects, such as an outboard propeller, a flush valve, and a self - aligning ball bearing (acquired in 1934).

The Friends of the Collection has historically supported the acquisition of many iconic objects, including Hiram Powers» marble bust of Henry Wadsworth Longfellow; Charles Frederick Kimball's Coal Sheds, Topsham and Brunswick; Marsden Hartley's Kinsman Falls; Marguerite Zorach's Diana of the Sea; Celeste Roberge's Rising Cairn; and Charles Duback's The Coopers; among many others.

A number of cast bronze sculptures that appropriate objects from outside of the Western canon will also be on view, including Gamelan Figures, Naga Effigy, and Little Dancer (all from 2017); as well as Monochromes after Van Gogh Sunflowers: 1 - 12 (2015) in which the artist makes use of pixelation to produce a series of monochromatic panels where the individual colors are derived from Van Gogh's iconic paintings.

I feel that the time is ripe to mount an installation or cubby hole featuring small intimate portraits in my iconic make - up style of famous female courtesans and concubines from the Belle Epoch to Hollywood's Golden Era plus tiny sculptural art objects similar to my votive bread effigies of well endowed male hustlers, rent boys which of course will include some well known names of mainstream he - man box office stars and of the legendary art rock band The Voluptuous Horror of Karen Black, «We all monkey down the street.»

These are situated atop large, white - plaster sculptures that have been alternately modeled after iconic works from the Greco - Roman era, including the Farnese Hercules and the Esquiline Venus, or after such quotidian objects from the contemporary residential landscape as a rustic mailbox, a birdbath, and an inflatable garden snowman.

The exhibition also includes works that focus on familiar objects, both everyday and iconic.

Some of Fabre's most iconic works are born in this context: the series Ilad of the Bic Art; Tivoli (the film is included in the show) from 1991; the Blaue Raum of 1988; the monumental The Hour Blue in the S.M.A.K. Ghent Collection and Das Medium from 1979, one of the earliest Bic - art works, where drawing becomes the object and the medium becomes the actual body of the work.

It included works by iconic international artists such as Andy Warhol as well as works by local artists including Carol Panaro - Smith and James Hajicek plus David Emitt Adams — whose photographs on objects found in the Sonoran desert were also part of the 2015 Arizona Biennial exhibition at Tucson Museum of Art.

Iconic works including The Menin Road (1919) are displayed alongside his later experiments in photography, collage and painting, which involved juxtapositions of found objects and landscapes.

The objects on view include rare daguerreotypes and vintage photographs, such as Roger Fenton's iconic The Valley of the Shadow of Death (1855) from the Crimean War and an early print of Joe Rosenthal's Old Glory Goes Up on Mount Suribachi, Iwo Jima.

Organised by the Los Angeles County Museum of Art (LACMA) and curated by Wendy Kaplan (Curator and Department Head) and Bobbye Tigerman (Associate Curator) from LACMA's Decorative Arts and Design Department, the exhibition presents over 250 objects, including an iconic aluminium 1936 Airstream «Clipper» trailer.

That version of Myra was made using casts of an infant's hand, however this print is based on a 1997 version created with plaster casts of sundry plastic objects, including children's toys and iconic sweet brands that Harvey associated with the period.

Featuring over 50 masterpieces of modern Japanese art from the Tokyo National Museum, the exhibition includes six objects designated «Important Cultural Properties of Japan,» including Dancing Lady Maiko Girl by Kuroda Seiki and the iconic Portrait of Reiko by Kishida Ryusei as well as other important works in Japanese modern art history such as Mount Fuji Rising above Clouds by Yokoyama Taikan and Spring Rain by Shimomura Kanzan.

Consistent with Shaw's iconic practice of appropriating found images and objects, guest curator Philipp Kaiser encouraged the artist to consider these enigmatic artifacts, including the Freemasons» monumental theatrical backdrops, as a starting point.

Too associated, perhaps: she was the only woman in an iconic photograph of the so - called irascibles, including Pollock, Reinhardt, Motherwell and de Kooning, co-signatories of a momentous letter objecting to the aesthetic conservatism of the Metropolitan Museum of Art in 1950.

In 1989, The Eugene and Margaret McDermott Art Fund, Inc. established the foundation for the Museum's now - unparalleled collection of American silver of the 19th century through the purchase of several important objects from the Sam Wagstaff Collection, including Gorham's iconic «ice» bowl and a Tiffany & Co..