Sentences with phrase «iconic square paintings»
Paul Kasmin Gallery is pleased to announce «Geometric Variations,» the first New York gallery exhibition to explore the historical importance of Frank Stella's iconic square paintings from the 1960's and 1970's.
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The photographs of Roy Lichtenstein span several decades and document the artist in his studio with his paintings and completing his iconic murals, such as: the fleeting 1963 «Greene Street Mural,» the permanent 1989 «Tel Aviv Museum of Art Mural,» and the collage for «Times Square Mural».
Having already executed Concentric Squares in all grayscale and all chromatic scale, the Diderot paintings represent a joining of these two motifs for Stella and a culmination of an iconic series.
The presentation will feature a selection of rarely shown early paintings, iconic canvases from Albers's Homage to the Square and Variant / Adobe series, and works on paper.
The current exhibition is a modest homage to Kazimir Malevich (1878 — 1935) on the 100th anniversary of his iconic 20th - century painting Black Square.
Gallagher's group of four paintings, Negroes Battling in a Cave (2016), is a direct reference to handwritten marginalia found on the edge of one of Kazimir Malevich's iconic black square paintings.
European Art, 1949 ‐ 1979 will include many other donations: a Letter to Palladio by Giuseppe Santomaso, early and late paintings by Armando Pizzinato, decoupages by Mimmo Rotella, two paintings by Lucio Fontana including a 1955 example of «holes» bequeathed in 2011, a major painting by Pierre Alechinsky, an aluminum relief by Heinz Mack, prints by Eduardo Chillida, a Homage to the Square by Josef Albers, an «extroflexed» canvas by Agostino Bonalumi, an entire room of sculptures by Mirko as well as his iconic tempera study for the Gates of the Fosse Ardeatine, a late monotype by Emilio Vedova, works by Bice Lazzari, Gastone Novelli and Toti Scialoja, and two paintings by Carla Accardi, including the magnificent Concentric Blue of 1956.
Personified by his iconic painting Black Square, this bold new visual language was, and still remains for many, the ultimate expression of purity and universality.
Stanley Whitney's now - iconic compositional approach to painting consists of loosely gridding squares of vibrant color.
The presentation features a selection of rarely shown early paintings, iconic canvases from Albers's «Homage to the Square» and «Variant / Adobe» series, and works on paper.
The placards form iconic images from Mexican culture, as well as Red Square, Kasimir Malevich's modern painting of 1915.
This year began with the announcement of Feuerman's public art installation with New York City Parks & Recreation from May through September; her most iconic monumental sculpture, Survival of Serena, was unveiled in hyperrealistically painted bronze at Petrosino Square, SoHo for the first time courtesy of Jim Kempner Fine Art.
Bringing a touch of that warmth to London's midwinter climate, Sunny Side Up will present an extensive selection of the artist's iconic Homage to the Square paintings, begun in 1950 and elaborated on until his death in 1976.