Sentences with phrase «iconoclasm in»

In fact, staging a limited but razor - sharp exhibition about iconoclasm in parallel with one about the taste for ruins actually makes a lot of sense.

The Daily Telegraph's Richard Dorment wrote: «When some bright spark at Tate Britain came up with the idea of doing a show about the history of iconoclasm in this country, why wasn't the plan strangled at birth?»

How else to explain the abrupt popping up of the Chapman brothers in an exhibition devoted to the sickening and violent history of iconoclasm in Britain?

According to James Simpson in Under the Hammer: Iconoclasm in the Anglo - American Tradition, Pope Gregory declared famously between 599 and 600 that images were like books for the illiterate.

Seventy - five educators picked for their iconoclasm in pursuit of reform met for three days at the Lansdowne resort here last month to dream up the ideal school system for the coming century.

She continues: «The justification for the literal iconoclasm in Catholic churches could hardly have been more clearly expressed by Cromwell's Roundheads after they had systematically beheaded every image in the Lady Chapel of Ely Cathedral or smashed all the stained glass windows at Canterbury, although Cromwell's soldiers were undoubtedly responsible for destroying far fewer sacred images than the liturgical «experts» who imposed their views of renewal on the Catholic churches across America.»

But even though iconoclasm in the material sphere was the characteristic act of Christian intransigence at the beginning of the Church's history, at the time of the monks of the Egyptian desert in the fourth century, and in the Reformation, it no longer seems to concern us much.

«There's some permanent iconoclasms in my psyche.

Not exact matches

Considered a pioneer in the field, and with over 20 years of experience, Diamond's iconoclasm is well founded.

The implications of Israel's understanding of YHWH, as expressed in the first two commandments, are completely at variance with the way ancient man thought of the gods, and explain the iconoclasm which has been prominent from time to time in both Judaism and Christianity.

In our era, iconoclasm attacks the spiritual trinity of Money, State, and Technique.

A similar iconoclasm had occurred in the Byzantine Empire in the eighth century under the influence of Islam.

indifference stopped short of the vigorous iconoclasm of Calvin, who claimed in the Institutes of the Christian Religion that the only images that belong in churches are «those living and symbolical ones which the Lord has consecrated by his Word.

For perhaps more than any other philosopher of modernity Nietzsche espouses the fiercest version of iconoclasm, an attack on the image that, for sheer ferocity, has its only philosophical counterpart in Plato.

As everyone now knows, this movement eventually terminated in one more dreary episode of modernist iconoclasm.

Indeed, this complex mixture accounts for the frequent outbursts of iconoclasm that have punctuated Church history down through the ages in both Eastern and Western churches.

This uneasiness with Christ's true flesh becomes especially clear in a passage from Origen that Besançon quotes as the most telling expression of Origen's implicit iconoclasm:

Never was that internally generated ambivalence expressed more strongly than in Plato's iconoclasm.

As it happens, the same hostility can actually be ascribed to all the plastic arts, as Alain Besançon demonstrates in his remarkable history of iconoclasm, a history he traces from Moses and the pre «Socratic philosophers down to the Soviet commissars of art.

In that sense, it is accurate to say that Plato is the father of iconoclasm.

Radical iconoclasm has, in my judgment, a shameful history.

But, claims Gorringe, professor of theology at the University of Exeter, there was a «pull» as well: «There is not simply an iconoclasm, but also an iconpoiesis in the Reformation which understands that the world mirrors the divine in its banal, day - to - day reality.»

There is surprising element of iconoclasm towards the traditional subjugation and subordination of women in Jesus» life.

While both of these factors — an inherited distrust of physical form, and a current focus on monetary economies — clearly shape our feelings and actions in relation to art, the equivocal nature of the Protestant relationship to the arts becomes ever clearer if we look at what lies behind the question of iconoclasm.

Eire first made his mark as a historian in 1989 with The War Against the Idols, a study of Reformation iconoclasm and the theology that underlay it.

That division was expressed in Reformation iconoclasm and the rejection of the notion that material objects — the bread and wine of the Mass, relics, images — could be vehicles of spiritual reality.

Our inheritance of Reformation iconoclasm is usually put forward as the traditional reason for our discomfort; and in the mainline churches our commitment to social justice and our resulting decisions about stewardship are cited as contemporary explanation and justification.

It has often been noted that an earlier Protestant reverence for the Bible was later transformed into an equally Protestant disintegration of the Bible at the hands of the «higher critics» in nineteenth - century Germany, with the bibliolatry of the first three centuries of the Reformation transmogrifying into the biblical iconoclasm of the last two centuries.

In large part, its iconoclasm.

Plus, iconoclasm against feminine ideals carries heavier consequences in Tehran than in Sacramento.

Director Paul Bartel infused puckish iconoclasm into his original drive - in quickie, complete with cartoonish pro-wrestling-style drivers engaged in its cheerfully violent cross-country car race.

The aftereffects of historical occurrences (iconoclasm), risk economics (implosions) and geological processes (earthquakes & implosions) are revealed in fracturing and damage.

As the international art world touches down in Turkey against a backdrop of ISIS iconoclasm, it's worth asking: Just where does festival culture leave us?

«The Zone» forms part of Ortega Ayala's current research project «From the Pit of Etc.», which deploys methodologies used in History and Archaeology for an ongoing series devoted to the concept of absence, trace, and iconoclasm.

He is currently exploring other methodologies used in History and Archaeology for an ongoing series «From the Pit of Etc.» devoted to the concept of absence, trace, and iconoclasm.

As the specter of iconoclasm continues to resurface in current events, «The Keeper» will present the complex lives of images and objects that have escaped a tragic end alongside the existential adventures of individuals driven by unreasonable acts of iconophilia.

Tate Britain's «Art Under Attack» fails to address acts of contemporary iconoclasm, such as the destruction of the Chartist Mural in Wales

In recycling historical materials, loaded with meaning, such as Han Dynasty vases or wood from destroyed temples, Ai distils ancient and modern aesthetics in works of salvage or iconoclasIn recycling historical materials, loaded with meaning, such as Han Dynasty vases or wood from destroyed temples, Ai distils ancient and modern aesthetics in works of salvage or iconoclasin works of salvage or iconoclasm.

His stainless steel series entitled Deflated Sculpture (2009) refigures Jeff Koon's iconic balloon rabbit in various stages of collapse; letting the air out isn't an act of iconoclasm so much as giving the original idea new life.

In the exhibition, Tate presents iconoclasm as largely a historical phenomenon, but in doing so overlooks acts of image - breaking that are taking place all too frequently today both outside and inside the gallerIn the exhibition, Tate presents iconoclasm as largely a historical phenomenon, but in doing so overlooks acts of image - breaking that are taking place all too frequently today both outside and inside the gallerin doing so overlooks acts of image - breaking that are taking place all too frequently today both outside and inside the gallery.

In an effort at control, or perhaps a defiant act of iconoclasm, these works reject our gaze.

A rare phenomenon for contemporary art exhibitions were the queues that formed soon after the show opened, in response, no doubt, to the positive press reviews, testament to the fact that Duchamp's ironic iconoclasm is still relevant.

One of the inspirations for this return to drawing was, in fact, an act of erasure - Robert Rauschenberg's Erased De Kooning Drawing (1953), an act of seemingly destructive iconoclasm that itself became an iconic moment in 20th century art history.

To make matters worse, two exhibitions were on anti-art themes of iconoclasm («Art Under Attack» in 2013) and ruins («Ruin Lust» in 2014), which seemed to betray a loss of faith in British art and a mood of pessimism within the museum.

With characteristic iconoclasm, Prince has taken the esteemed legacy of some of the most serious schools of painting and subverted it, resulting in a picture that is disarmingly resonant despite the simplicity and understated elegance of its execution.

2010 The End, Aleksander Ochs Gallery, Berlin, DE The Way, LETO Gallery, Warsaw, PL Fake Fauna, Arsenal Municipal Gallery, Poznan, PL Iconoclasm, White Space, Bejing, CN The Way, National Museum in Szczecin, Szczecin, PL

P.B. - Iconoclasm and censorship have always been present in your career.

The history of mankind is basically the history that mediates between the icon and iconoclasm, in other words, from the obedient reverence of the image to the fierce repudiation of it.

In three essays and an extended interview, he makes a compelling case for the renegotiation of the stakes of art after the long period of postmodern iconoclasm.

1987 Message Units, 516-277-4338, New York, US About Sculpture, Anthony d'Offay Gallery, London, UK Perverted by Language, Hillwood Art Gallery, Long Island University, Brookville, New York, US Saga 87 (premiere foire), Eric Linard Editions, Grand Palais, Paris, FR Ohne Die Rose... Grusse an Beuys von 199 Kunstlern, Stadtisches Museum Haus, Monchengladbach, and Koekkoek, Kleve, DE XXX Anniversary Exhibition, Leo Castelli Gallery, DE Group Exhibition, Rudiger Schottle Gallery, Munich, DE Hyperspaces, Art City, New York, US Group Exhibition, Marian Goodman Gallery, New York, US Snow, Weiner, Nannucci, Art Metropole, Toronto, CA; Alberta College Art Gallery, Calgary, CA; MacDonald Stewart Art Center, Guelph, Ontario, CA; Anna Leonowens Gallery, NSCAD, Halifax, CA; Forrest City Gallery, London, Ontario, CA; Emily Carr College of Art, Vancouver, B.C., CA Marc Hostettler und die Editions Media, Graphik - Sammlung ETH, Zurich, CH Stichting Fort Asperen, Asperen, NL Group Exhibition, Galerie Francoise Lambert, Milan, IT Group Exhibition, Castello di Rivoli, Museo d'Arte Contemporanea, Turin, IT Jack Goldstein, John Lamka, Lawrence Weiner, Piezo Electric, New York, US Folkwang Video, Videogalerie Gerry Schum, Essen, DE Incrocio - Un Racconto, La Saleriana, Erice, Sicily, IT Aspects of Conceptualism in American Work, Part II, Avenue B Gallery, New York, US Leo Castelli y Sus Artistas, XXX Anos de..., Centre Cultural Arte Contemporaneo, Polanco, MX Leo Castelli: A Tribute Exhibition, Butler Institute of American Art, Youngstown, Ohio, US Comic Iconoclasm, ICA, London, UK; Douglas Hyde Gallery, Dublin, IR; CornerHouse Gallery, Manchester, UK Dessins, Gallerie Catherine Issert, Paris, FR In Print - Artists» Books, Power Gallery of Contemporary Art, University of Sydney, AU Director's Invitational, David Brown Gallery, Provincetown, Massachusetts, US Musee St. Pierre Art Contemporain Lyon, Frankfurter Kunstverein, Frankfurt, DE Strong Statements in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, in American Work, Part II, Avenue B Gallery, New York, US Leo Castelli y Sus Artistas, XXX Anos de..., Centre Cultural Arte Contemporaneo, Polanco, MX Leo Castelli: A Tribute Exhibition, Butler Institute of American Art, Youngstown, Ohio, US Comic Iconoclasm, ICA, London, UK; Douglas Hyde Gallery, Dublin, IR; CornerHouse Gallery, Manchester, UK Dessins, Gallerie Catherine Issert, Paris, FR In Print - Artists» Books, Power Gallery of Contemporary Art, University of Sydney, AU Director's Invitational, David Brown Gallery, Provincetown, Massachusetts, US Musee St. Pierre Art Contemporain Lyon, Frankfurter Kunstverein, Frankfurt, DE Strong Statements in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, In Print - Artists» Books, Power Gallery of Contemporary Art, University of Sydney, AU Director's Invitational, David Brown Gallery, Provincetown, Massachusetts, US Musee St. Pierre Art Contemporain Lyon, Frankfurter Kunstverein, Frankfurt, DE Strong Statements in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, in Black and White, James Goodman Gallery, New York, US Hommage a Leo Castelli, Galerie Daniel Templon, Paris, FR Group Show, Galerie Johnen and Schottle, Cologne Art Fair, Cologne, DE Group Show, Galerij de Lege Ruimte, Brugge, BE Nachtvuur, Stichting De Appel, Amsterdam, BE