From the same period, Abstraction (1949 — 50) revealed the potent religious symbolism that permeated the artist's
iconography, which spans from lust and perdition to salvation, making it a modern take on the reflections on the human condition rendered by the masters
of classical painting.
«There is, in Frize, a sort
of iconography of operations that allows one to retrace the istoria
of a
painting — and doing so is as crucial to understanding a Frize as identifying characters and scenes is to comprehending a
classical painting,» [II] writes French art historian and critic Jean - Pierre Criqui.