Sentences with phrase «idea about contemporary art»

The work is very similar to what I'm doing now, though back then I had no idea about contemporary art.

The goal was to promote young people's ideas about contemporary art and about the art museum as a site, and to share the knowledge of what art can be and how art is made.

The work challenges viewers to consider new ideas about contemporary art, artifice, and authenticity, and the phenomenology of experience in the desert environment.

The Master of Fine Arts Program at CalArts is a two - year, full - time, studio - based program... An interdisciplinary forum for the intellectual, cultural, and experimental possibilities in production, the program pushes students to question conventional ideas about contemporary art.

2521 Oakdale, a cross between a gallery and a project space housed in a historic home in the Museum District promotes big ideas about contemporary art - making and community from a place of authenticity.

Not exact matches

Don't Talk to Me About Love, a new online literary journal, is encouraging readers, writers, and artists to do quite the opposite — «to explore contemporary ideas about love in all its myriad expressions (romantic and platonic), in prose, poetry, and visual art.&rAbout Love, a new online literary journal, is encouraging readers, writers, and artists to do quite the opposite — «to explore contemporary ideas about love in all its myriad expressions (romantic and platonic), in prose, poetry, and visual art.&rabout love in all its myriad expressions (romantic and platonic), in prose, poetry, and visual art.»

Molesworth, who is chief curator at MOCA and has become known for her work reassessing contemporary art's canon, first contacted him about the idea of a painting survey around six years ago, on behalf of the MCA Chicago.

Catharina Manchanda, the museum's curator of modern and contemporary art, said she began thinking about the ideas of history and representation in art during the Obama administration.

The exhibition The World was Flat shows contemporary art that engages with ideas about time and space.

This idea of an artist - driven museum (reinforced by Kerry James Marshall's succinct speech, at the opening, about all art coming from other art) also connects to Met's digital strategy via its web video series «The Artist Project,» which dispatches contemporary artists through the halls of the Met in search of inspirational works.

Several of these artists engage with strategies of conceptual art, addressing themes about contemporary experiences such as technology and the internet, notions of migration, local and mainstream cultures, or ideas of representation.

The program exposes students and the public to a range of artistic approaches, and fosters discussion about contemporary art and ideas.

Using ceramic practices as a cue, the group exhibition explores ideas about the division between fine art and craft initiated in the 19th century, and the position of decorative arts within 20th century art history calling into question the relationship between contemporary aesthetics and social life.

The National Museum of Women in the Arts will gather 36 contemporary artists who, inspired by Womanhouse, once again challenge traditional ideas and stereotypes about domesticity and gender, some 46 years later.

The concept of absolute originality is a contemporary one, born with Romanticism; classical art was in vast measure serial, and the «modern» avant - garde (at the beginning of this century) challenged the Romantic idea of «creation from nothingness,» with its techniques of collage, mustachios on the Mona Lisa, art about art, and so on.

In addition to the artist's own popular published writings, which detail the unique challenges facing female artists, Memory Work draws on unpublished manuscripts, private recordings, and never - before - seen working drawings to validate Truitt's original ideas about the link between perception and mnemonic reference in contemporary art.

«Villar Rojas and his dedicated team of jewelers, fabricators, conservators and artists travel around the world creating large - scale, sitespecific installations that defy our contemporary ideas about art,» says chief curator Helen Molesworth.

If his abstractions are «about» anything, they are about resuscitating a pragmatic concept of holistic experience and modifying that naturalistic idea to meet the needs of a dedicated contemporary art practice in which emotion and contingency interact with larger structures of personality, and philosophical problems interact with real production.

Complemented by an active online network, they aim at creating vibrant conversations about contemporary art and ideas.

Art in Context: Hear ideas from contemporary thinkers about art, the business of art, the history of art, and the controversies and challenges of public aArt in Context: Hear ideas from contemporary thinkers about art, the business of art, the history of art, and the controversies and challenges of public aart, the business of art, the history of art, and the controversies and challenges of public aart, the history of art, and the controversies and challenges of public aart, and the controversies and challenges of public artart.

2014 Absent - minded young typist, RONGWRONG, Amsterdam I»LL MAKE THE WORK EXPLODE, Buenos Tiempos Inc., Brussels @the Shrink, Shanaynay, Paris Galerie Neu a la Douane, Galerie Chantal Crousel La Douane, Paris The Reluctant Narrator, Museo Berardo, Lisbon The Library Vaccine, Artists Space, New York New Ways Of Doing Nothing, Kunsthalle Vienna, Vienna Black House, Museum of Contemporary Art of Estonia, Tallin Read the room / you've got to, Salts, Basel House, Hollybush Gardens, London Infinite Jest, Schirn Kunsthalle, Frankfurt UPSTAIRS DOWNSTAIRS, Galerie Neu, Berlin Everything Is About To Happen, Corvi - Mora and Greengrassi, London The Hawker, Carlos / Ishikawa, London Dead Reader, Idea Store Whitechapel, London Eight Poems by Karl Holmqvist, Gavin Brown's Enterprise, New York The Fifth Dimension, Logan Center Exhibitions, Chicago The Crime Was Almost Perfect, Witte de With, Rotterdam Poetry will be Made by ALL, LUMAS Editionsgalerie — Zürich, Zürich Looking Back: The Eighth White Columns Annual — Selected by Pati Hertling, White Columns, New York

The road to understanding what formalism in art really is about takes us from philosophical ideas of Plato, Aristotle and Immanuel Kant, through the experiments of the avant - garde, all the way to contemporary ideal of socially - engaged and conceptual art.

In 2016, she launched The Gallery at Calabar in Harlem focused on contemporary African Artists and African Diaspora artists globally whose work is inspired and influenced by black and global African culture globally investigating dynamic ideas about art, culture and society.

Solely featuring work made since 2000, this exhibition highlights a wide range of contemporary approaches to art making, and explores thought - provoking ideas about our everyday reality, from the various ways we experience time to the personal impact of migration, loss, and desire.

These Bauhaus designs remain startlingly contemporary and the exhibition will serve as a reminder that the simplicity and importance of the ideas born out of the Bauhaus can still, nearly 100 years after its inception, teach us much about how the art and design around us can improve our lives.

Based on the thoroughness of these class notes, and also on the syllabuses for the Asian art courses that Reinhardt took from Alfred Salmony at the IFA in the late 1940s, the essentializing of Reinhardt's published essays was intentional, part of a larger strategy to promote his own ideas about contemporary abstract painting by means of paintings from a foreign past.

About Dallas Contemporary: Dallas Contemporary is a non-collecting art museum presenting new and challenging ideas from regional, national and international artists.

As a University Art Gallery the Whitworth sees its role as a creative laboratory for ideas about contemporary visual culture and actively prioritises the collection of art, both British and international, that interrogates place, politics and identiArt Gallery the Whitworth sees its role as a creative laboratory for ideas about contemporary visual culture and actively prioritises the collection of art, both British and international, that interrogates place, politics and identiart, both British and international, that interrogates place, politics and identity.

About Mathaf: Arab Museum of Modern Art, Doha, Qatar The first institution of its kind in the region, Mathaf supports creativity, promotes dialogue and inspires new ideas about modern and contemporary ArabAbout Mathaf: Arab Museum of Modern Art, Doha, Qatar The first institution of its kind in the region, Mathaf supports creativity, promotes dialogue and inspires new ideas about modern and contemporary Arab aArt, Doha, Qatar The first institution of its kind in the region, Mathaf supports creativity, promotes dialogue and inspires new ideas about modern and contemporary Arababout modern and contemporary Arab artart.

This work has grabbed the headlines and generated lots of chat about ideas and value in contemporary art, which in itself is always a good thing.

The discussion series pairs one critic with two McKnight Visual Artist Fellows and offers the audience an opportunity to learn more about the fellowship recipients as well as how their work intersects with broader contemporary art ideas and concerns.

Ann Hirsch is a contemporary artist who uses video and performance art to communicate ideas about women's sexual self expression and female identity.

Recent projects include Nearness, a multisensory performance dealing with virtual communication and physical presence by artist - duo OK Do presented at New Museum's IDEAS CITY festival (2013); and Fashion Interventions, a symposium and exhibition about the interconnections of contemporary art and fashion for Parsons the New School for Design in November 2013.

This collaboration between the DESTE and the Museum of Cycladic Art falls withing the scope of the latter's «Young Views» program, which aims to develop artistic discussion with younger generations, inform the general public about contemporary art, and establish the necessary environment for the fruitful exchange of ideArt falls withing the scope of the latter's «Young Views» program, which aims to develop artistic discussion with younger generations, inform the general public about contemporary art, and establish the necessary environment for the fruitful exchange of ideart, and establish the necessary environment for the fruitful exchange of ideas.

This discussion series pairs a nationally - recognized art critic or curator with two McKnight Visual Artist Fellows and offers attendees an opportunity to learn more about the fellowship recipients as well as how their work intersects with broader contemporary art ideas and concerns.

About Iniva Iniva (Institute of International Visual Arts) engages with new ideas and emerging debates in the contemporary visual arts, reflecting in particular the diversity of contemporary sociArts) engages with new ideas and emerging debates in the contemporary visual arts, reflecting in particular the diversity of contemporary sociarts, reflecting in particular the diversity of contemporary society.

Anish Kapoor talks about his ideas and influences as he prepares for an exhibition of his work at the Lisson Gallery, a famous venue for contemporary art in London.

How to See seems pitched for a general audience, or perhaps an audience of art students: «The idea for this book is to write about contemporary art in the language artists use when they talk among themselves,» Salle says in his introduction.

She has written for specialist and generalist publications (African Arts, NKA: Journal of Contemporary African Art, Prospect, the Financial Times), lectured at museums and galleries (SOAS, Cambridge, Birkbeck, Photographer's Gallery, British Museum, Tate Modern), and is interested in communicating ideas about culture, history, art and the negotiation of identities to a wide audienArt, Prospect, the Financial Times), lectured at museums and galleries (SOAS, Cambridge, Birkbeck, Photographer's Gallery, British Museum, Tate Modern), and is interested in communicating ideas about culture, history, art and the negotiation of identities to a wide audienart and the negotiation of identities to a wide audience.

The idea of a merger would have been considered heresy back in 2008 (Eric Garcetti hated the idea), but many folks in L.A. seem to be resigned to the notion of the County Museum taking over one of the premiere bastions of contemporary art in the United States — in the same way that you might feel resigned about having to resignedly take in some hot mess of a family member who, despite having every social, cultural and financial advantage, can't seem to pull their shit together.

«I think contemporary ideas are always important and the more people can come in contact with contemporary ideas, which to me is the bedrock of what contemporary art is about, is always healthy for society,» he said.

Teacher Tours are led by MCA Artist Guides who are experts at using inquiry and dialogue to engage students in learning about contemporary art and ideas.

Lowery Stokes Sims — co-curator of a Colescott exhibition scheduled to open at the Contemporary Arts Center in Cincinnati next year — writes in the catalogue for the Seattle exhibit that Colescott uses «satire and parody of art - historical masterpieces with the idea of interjecting black people into art history and tricking us into a conversation about what constitutes the art - historical canon.»

About Iniva Iniva (Institute of International Visual Arts) engages with new ideas and emerging debates in the contemporary visual arts, reflecting in particular the cultural diversity of contemporary sociArts) engages with new ideas and emerging debates in the contemporary visual arts, reflecting in particular the cultural diversity of contemporary sociarts, reflecting in particular the cultural diversity of contemporary society.

Beasley co-facilitated, with Kathleen McLean, the 2013 iteration of the Center's project No Idea Is Too Ridiculous, and he contributed to Pigeons on the Grass: Contemporary Curators Talk About the Field, published by The Pew Center for Arts & Heritage in 2013.

This hybrid art that is a mix of contemporary western style and Arabic ideas is, Kanoo insists, part of the global history of art, just the latest movement in a long tradition of East - meets - West visual culture, and he talks knowledgeably and enthusiastically about the mutual influence of Constantinople and Venice before the Renaissance, of Andalucian Spain, of Baghdad, destroyed by the Mongol invasion, the Golden Horde.

If artist Robert Rauschenberg and Bell Labs engineer Billy Kluver were still alive today to visit the Contemporary Jewish Museum's new exhibition, «NEAT: New Experiments in Arts and Technology,» it's a fair bet they would both be pleased to see the once - radical ideas they espoused in the 1960s — about breaking down barriers between artists and engineers — thriving in the current work of the Bay Area digital artists on display.

The 14 participants in the Atlanta contemporary Art Center's Studio Artist Program open their spaces to share recent works and talk with the public about their ideas and interests.

Lisboa, Portugal www.carloscarvalho-ac.com Carlos Carvalho Arte Contemporânea promotes multiple supports and languages, prioritizing pertinent artists and ideas to encourage wider reflections and questions about contemporary art and all its related issues.

The idea for the exhibition reportedly came about when Tobias Meyer, Sotheby's Worldwide Head of Contemporary Art, had dinner at the Cohen's and was struck by the juxtaposition of Warhol's Turquoise Marilyn (1964) and Picasso's Le Repos (1932).