Sentences with phrase «idea of public sculpture»

Opening on May 24, Common Ground, a group exhibition featuring sculpture, installation, and performance, looks at how different works of art approach the idea of public sculpture and civic engagement.

Not exact matches

, known for her large - scale sculptures and public installations that often interrogate and explore the idea of a landscape contributes a large - scale charred and disjunctive map of America, suggesting the fraught history of this deeply divided country.

She remains unsure of how to position the piece so that the public know it is intended to be eaten, but is excited by the idea of installing her work at a place where people are not previously aware of the nature of her sculptures.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

For a public symposium held on January 19, 2018, Miguel de Baca further explores ideas first introduced in his book Memory Work: Anne Truitt and Sculpture by considering Truitt's oeuvre in the context of the cultural practice of historic preservation and the idea of the 20th - century «monument.»

In contrast to Miyajima's large scale public artworks, which give an idea of the immersive nature of his work but are not on display during the exhibition in Sydney, his exhibited Pile Up Life sculptures (2009) are small «stupas» moulded from dried earth and studded with blue or red LEDs.

This idea of casting a narrative shadow over the work extends to other elements of the show, including a newspaper that strings together loose visual associations relating to the sculpture, as well as materials instructing docents, preparators, and even interns on how to present the work to the museum public.

Known for his investigations of identity and a career - long engagement with ideas of power, authority, artifice and illusion, Mark Wallinger works in a wide range of media, covering painting, sculpture, photography, film, installation, performance and public art.

The twelve works on display by established and emerging artists build on a dialogue begun in previous years, developing a debate about art in public places and the condition of sculpture as an evolving conversation that proceeds by example, as an exchange of ideas between artists and artworks.»

Madrid Abierto Public Sculpture Competition, Madrid, ES 2005 Go - Between, Magazin4 / Bregenzer Kunstverein, Curated by Dr. Wolfgang Fetz and Peter Lewis, Bregenz, AT 2005 Library, Librarie, Institute of Contemporary Art, Curated by IDEA London, UK 2005 New Economy, Columbia University Art Gallery, Curated by Eric Angles, New York, NY, US 2005 CAC TV, Contemporary Arts Center, Curated by Raimundas Malašauskas, Vilnius, LT 2004 Synesthesia, a Neuroaesthetics Exhibition, Institute of Contemporary Art, Curated by Chloe Vaitsou, London, UK 2004 Everything is Connected, He, He, He, Astrup Fearnley Museum of Modern Art, Curated by Gunnar Kvaran, Oslo, NO 2004 Silent: A State of Being, Madrid Abierto Public Sculpture Competition, Curated by Jorge Diaz, Madrid, ES 2003 Harlem Postcards, The Studio Museum in Harlem, Curated by Christine Kim, New York, NY, US 2003 Fröhliche Wissenschaft, Brandenburgischer Kunstverein, Curated by Wilfried Dickoff, Potsdam, DE 2001 Bitstreams, Whitney Museum of American Art, Curated by Larry Rinder, New York, NY, US 2001 Urban Pornography: Project Room, Artists Space, Curated by Lauri Firstenberg, New York, NY, US 2001 Optical Verve, Ottawa Art Gallery, Curated by Sylvie Fortin, Ottawa, CA 1997 Making It Real, Aldrich Museum of Art, Curated by Vik Muniz, Ridgefield, Colorado, US.

It was lack of pretence, not colossal might, that excited a lot of people, including me, about his idea to build a giant white horse as a public sculpture for Ebbsfleet.

Extraordinary pieces of public sculpture, luminous with reflected light, they distort ideas of space and play with the line between art and architecture, exerting a curious, totemic power over their often - genteel settings.

Oldenburg became interested in the idea of «poetry of scale» as he received numerous public commissions for sculpture parks, museums and college campuses, defying the concept that monuments need to depict iconic events or historical figures.

«The Sculpture Studio operates rather like a laboratory where ideas can be developed and risks taken without the exposure of the public gallery or museum.»

I think I speak for us all when I say that the ideas which are inherent to public art are dated, stagnant and, in some cases, boring, so we are all trying to purposefully redevelop the foundations of what public sculpture should be and can be.

This group show questions the traditional idea of «public sculpture» and is a reprisal of an earlier group show in 2012 entitled Fabricators at the Hannah Barry Gallery, featuring the same five sculptors, James Balmforth, James Capper, Alex Chinneck, Luke Hart and Zealey.

We all see the importance of making ambitious thought - provoking large - scale sculpture that poses questions about ideas around «public art» and how to push these ideas to new levels.

Among the group exhibitions we mention: 99 Cents or Less, MoCAD, Detroit, MI (2017); FRAC Poitou - Charentes, Poitou - Charentes (2016); Global Positioning Systems, Perez Art Museum, Miami, FL (2015); Joie de Vivre, Palais des Beaux - Arts, Lille (2015); Ugo Rondinone: I love John Day, Palais de Tokyo, Paris (2015); Room To Live: Recent acquisitions and works from the collection, MOCA, Los Angeles (2013); Retour du monde, a commission for public transport in Paris, Musée d'art moderne et contemporain, Geneva (2013); Hors les Murs, FIAC Jardin des Tuileries, Paris (2012); Mapping the Studio: Artists from the François Pinault Collection, Palazzo Grassi / Punta della Dogana, Venice (2009); Château de Tokyo / Tokyo, Redux, Ile de Vassivière (2008); The Uncertainty of Objects and Ideas, Hirshhorn Museum and Sculpture Garden, Washington DC (2006); 5 Milliards d'Années, Palais de Tokyo, Paris (2006); Whitney Biennial, Whitney Museum of Art, New York (2004); Terminal 5, JFK Airport, New York (2004).

From his work with humble, readymade materials to his ambitious public sculptures and his rock band, Creed demonstrates how his ideas circulate through the variety of media he engages in his art.

Renowned artist Kendall Buster is best known for her sculptures and public works that explore the idea of «biological architecture.»