Not exact matches
Polanyi places this
idea in historical context: «when the supernatural authority
of laws, churches and
sacred texts had waned or collapsed, man tried to avoid the emptiness
of mere self - assertion by establishing over himself the authority
of experience and reason.»
But the
idea behind a
sacred text is that in your interaction with it, you would be moved and the Spirit would speak on something to you, and you wouldn't need to be convinced
of its divine nature or origins.
The
idea of revelation is then confused with the
idea of a double author
of sacred texts, and any access to a less subjective manner
of understanding revelation is prematurely cut off.
One by one, the keepers
of our era's biggest franchises, the
sacred texts to be drawn on and embellished for generations to come, have had the same bright
idea: What if, instead
of hiring seasoned hacks or promising but untested newcomers, they gave the movies to actual filmmakers?