Sentences with phrase «idea of studio practice»

Not exact matches

Here at Five Pillars one of our primary goals was to establish a studio that offered a deeper context for the physical practice, so you will often hear teachers bringing in ideas, poems, history or other teachings («Dharma»).

After leaving my residency with the Joan Mitchell Center and completing my last show «The Lies We Believe» I've moved into a new studio and began trying to establish a bit of a studio practice to focus on a few new ideas.

The layers of ideas the artist explored in his early performance art, conceived of as existential explorations and social commentaries, have carried through to the more traditional studio practice he embraced upon moving to Shanghai in 2005, after living and working for eight years in New York City.

The scale model of my studio space partly signifies an inadequacy of me being able to reach a concrete state; perhaps because I spend too long in the actual space, which is wrapped up in the unfolding of ideas and practicing them.

And although the idea may seem counter-intuitive to those emotionally beholden to the old ideal of the cloistered genius flattered and enriched by virtue of shining talent alone, artists who think beyond their own careers, leave the confines of the studio, and contribute to the art community tend to have more rewarding art practices over the long haul.

It is easy in her latest exhibition, the inaugural show at Rachel Uffner's new gallery, to sense the olfactory appeal of her process — and, in fact, her practice offers another idea of the studio as a factory.

A fully functioning studio, the installation draws on ideas related to the history of artists working in collaboration with one another, referencing the practices of General Idea, Tom Thomson and the Group of Seven among others.

Weekly informal gatherings, inter-studio visits and activities, as well as monthly field trips and meals together, are designed to form a community, foster cultural and exchange of artistic practices and ideas among residency and studio artists, and provide exposure to New York based artists and art institutions.

The layers of ideas the artist explored in his early performance art, conceived of as existential explorations and social commentaries, have carried through to the more traditional studio practice he embraced upon returning to China, after having lived and worked in New York City for eight years.

Sparked by the realization that disparity exists between the institutionalized art world and the new wave of rising artists, Alt Esc was founded to vocalize the leading ideas and trends in young contemporary studio practice.

Through public talks and intimate seminars and studio visits with UH students, internationally recognized scholars, curators, artists, and critics will investigate the idea of the contemporary as both a temporal and aesthetic framework to broaden critical understanding about how we situate current artistic practices.

The facilitation of introductions, studio visits and research expanding opportunities will help grow not only the artist's network, but hopefully spawn new ideas and processes in their practice.

We encourage artists to translate their studio practice, not only into a month long installation, but into a social context that allows the public to actively connect with the central concepts and ideas of the exhibition through opportunities for participation.

Boston - based artist Andrew Witkin's studio practice involves aggregating, arranging, collecting and / or fabricating everyday ideas, images and objects to investigate systems and frameworks of information and their intellectual and psychological effects in the world.

The Fall and Spring semesters are periods of deeper contemplation and productivity during which the MFA students work off - site in their personal studios to incorporate the ideas and insights gained from the Summer into their studio practice, research, and writing.

More importantly, as an artist who incorporates a social practice component within my studio practice, it's important for me to recreate ideas of memory that have personally created a sense of community and diaspora that exists independently of our smart phones, and create conversation,» Rolón states.

The exhibition showcases new work and projects created by the artists during their residency period, shedding light on the development of their innovative ideas and diverse studio practices.

The layers of ideas this artist explored in his early performance art, were made out of existential explorations and social commentaries, and have carried through to the more traditional studio practice he embraced upon moving to Shanghai in 2005, after living and working for eight years in New York City.

The exhibition associates this idea of «offshore art» with past developments in Land Performance and Conceptual Art of the 1960s and 70s — a time when artists moved the creative process beyond the studio — and forms new dialogues with contemporary artists whose processes continue the interdisciplinary and site - specific practices that began with pioneers such as Bas Jan Ader, Dennis Oppenheim, and Robert Smithson.

Maya Lin (b. 1959, Athens, Ohio) is known for a wide - ranging practice that encompasses large - scale environmental installations, intimate studio artworks, architectural works, and memorials, after she virtually redefined the idea of the monument with her design for the Vietnam Veterans Memorial (1981).

Yet, due to the visual superimpositions of present times, artists have started to shy away from the rigid limitations of - isms related to the «non-objective» or «reductive» and have embedded existing ideas, confluence of styles and approaches into the contemporary world, the here and now, mingling with popular culture as well as branching out of the studio practice inherent in painting as we know it and as the majority still likes to understand it.

Time spent on a painting has often been seen as the concern of people who don't know anything about art, who can't see the ideas in art, but in 2006, when there are so many demands on our time, time spent making each painting makes Charles's studio practice into a kind of extremely radical solitary performance.

They experimented with new ways of teaching and learning; they encouraged discussion and free inquiry; they felt that form in art had meaning; they were committed to the rigor of the studio and the laboratory; they practiced living and working together as a community; they shared the ideas and values of different cultures; they had faith in learning through experience and doing; they trusted in the new while remaining committed to ideas from the past; and they valued the idiosyncratic nature of the individual.

These subjects, themes, and ideas have been the careful product of a long and meaningful practice in the artist's Brooklyn and Maine studios.

Artists of Hawai`i now includes a stronger curator - artist dialogue for all participating artists, with regular studio visits by the curator over eight months in the production of all new work; a shift from object - centric practices to artworks based on spatial experience and participatory visitor experiences to rethink how visitors engage with art and ideas.

Some of our notable entertainment and media attorneys are: John Quinn, General Counsel of the Academy of Motion Picture Arts and Sciences, who has also represented entertainment and media clients in a number of high profile cases; Kathleen Sullivan, the former Dean of Stanford Law School, First Amendment scholar, and nationally renowned appellate advocate, who heads the firm's appellate practice group; Bob Raskopf, an expert in the sports, entertainment and media bars in New York, who is perhaps best known for his work on behalf of professional sports leagues and teams, newspapers and publishers; Claude Stern, who has represented a broad array of leading software developers, videogame manufacturers, online publishers and other media clients in all forms of intellectual property litigation, including copyright, patent, trade secret, trademark, and licensing disputes; Bruce Van Dalsem, who has tried and resolved disputes for studios, producers and performing artists in the film, television, music and finance businesses, securing a top five verdict in California based on the misappropriation of a film library; Gary Gans, an expert litigator in motion picture financing, production and distribution disputes, as well as copyright and idea theft cases, who has been named in 2012 by The Hollywood Reporter as one of America's «Top Entertainment Attorneys;» Jeff McFarland, who has litigated entertainment related cases for more than 20 years, including cases involving motion picture and television series profits, video game licenses, idea theft and the «seven year rule;» and Michael Williams, who represents a satellite exhibitor and other media clients in trademark, copyright, patent, antitrust and other commercial litigation.