Sentences with phrase «idea of the painted canvas»

I like Luc Tuyman's idea of the painted canvas as something of an «anachronism», existing through time, in its own time, outside the parameters of our own reality.

He is recognized as the first artist to introduce the idea of a painted canvas hanging without stretchers bars.

The show revolves around a simple yet interesting idea of painting the canvases on location of the walls, in the cities he artist traveled.

Not exact matches

The idea was to illuminate each mural with a pattern of light that would project the missing aspects of the lost colours onto the original canvases, returning them to their original hues without disturbing the paintings» textures.

Now, you've got my brain swirling with ideas of painting actual canvas / cotton yardage and then creating a garment!!!

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The advanced, independent artist as a martyr of society was a standard fixture of Romantic hagiography, apotheosized in Vigny's Chatterton, and he had been immortalized on canvas by at least two obscure artists by the middle of the nineteenth century; both of these paintings serve to remind us that there is no necessary connection between advanced social or political ideas and pictorial adventurousness.

Boycotting the idea of design or arrangement, and encompassing the entire color spectrum, Steir divides her square paintings directly in the center of the canvas.

The idea for that show was that these were artists who were trying to re-assimilate other already - known properties of painting, other already - known connections, but the real curatorial connection there was that everybody touched the canvas.

In a kind of ironic way, being drawn to good - old fashioned painting on canvas gave her a lot of space, a lot of freedom to explore ideas,» said Scott Rothkopf, the Whitney Museum's chief curator and organizing curator of this exhibition.

Through the classic technique of oil painting on canvas, his idea is to introduce a humanistic and poetic dimension into the highly technological hospital environmen...

When British artists saw the first London exhibitions of American abstract painters such as Jackson Pollock and Mark Rothko in the late Fifties, they were astonished by the improvisatory freedom of their works, in which paint appeared to have been hurled on to the canvas without any preconceived ideas, and by the sheer size of the paintings.

Other histories are bubbling up, too, like the drawings of Josef Albers, the shaped canvases of Charles Hinman, and the very idea of painting's «forever now.»

Eventually he hit on an idea he called «Anthropometry», or using the bodies of nude female models, painted blue and laid on top of canvases.

By spraying the canvases for a definite period of time, Latham's spray paintings serve as a visual manifestation of his «event structure» theory: the idea that all things in existence may be thought of as «events» of different durations.

Mitchell worked for the most part on large - scale canvases and multiple panels, striving to evince a natural rhythm that emanated from the expansiveness of gesture and from uninhibited use of color; Chamberlain's emphasis on discovered or improvised correlations between material and color rather than a prescribed idea of composition have often prompted descriptions of his work as three - dimensional Abstract Expressionist paintings.

From his signature «blackboard» paintings (which are oil on canvas) to the more representational landscape paintings in this exhibition, Fisher constructs constellations of ideas, thoughts, and images much like the disjointed nature of the unconscious and that of memory.

She chooses to push organic life to a level of entropy and encourage the viewer to put preconceived ideas of landscape painting aside to become involved with the world on the canvas before them.

With regard to the conflicting ideas of abstraction and figuration, Butler has always considered this conflict to be a natural and unavoidable effect of putting paint on canvas.

Gilliam was a critical figure within the colour field school and is recognised for his unique idea of draping a canvas, painting on it as it hung without a stretcher.

Moyer fuses painted canvas and reclaimed fragments of granite, marble, and limestone — stones used in capacities ranging from classical sculpture to kitchen design — into color field abstractions that address ideas of labor, luxury, and beauty.

LIU WEI's two - by - four - meter canvas piece The East No. 5 (2015) was supposedly an attempt to mash up ideas of monumental painting with the tranquility of landscape painting.

When referring to ideas, it implies that as a painter, I am not facing my canvas as a neutral being but as an acting being who is investing into the act of painting.

Yet in the Bacchus paintings, there's an extraordinary sense of release, so you have this idea of reprise and release, which moves in a kind of temporal action through the different eras of Twombly's work, as though he returns again and again to a problem and then finds new energy in the way he releases it both in gesture and in the way he addresses each canvas.

Narrator: In his Copper Paintings, Stella took the idea of the shaped canvas in increasingly radical directions.

There's no better symbol of emptiness than an empty canvas and through this process the artist wants to reveal his idea that the materials used in painting, even empty canvases, are meaningful and carry a certain aesthetical value.

The same year he began exploring the idea of monochromatic canvases — a series of acrylic drawings consisting of white and off - white squares arranged into groups of three to five panels — but tabled the idea a year later to focus his attention on paintings organized around a nine square grid structure.

The surfaces of the canvases were covered with latex and are reflecting an almost sculptural idea of painting.

With mixed - media paintings, Thornton examines the textural possibilities of spray and acrylic paint, while, on the other hand, with collaged found objects the artist tries to span over the restrictions of canvas and transcend the ideas in the third dimension.

is a group show of paintings, prints, relief objects and works on canvas that seem to require minimal intervention on the artists» behalf, but actually belie the often complex ideas or extended periods of time spent contemplating, reworking and refining these processes.

He does not blend them, but isolates an idea on a single canvas, making each painting a concise summary of its subject.

Doug Reina's recent work involves painting the figure while exploring ideas about how to manipulate the treatment of the paint on the canvas surface.

A lot of the artists who I looked at while I studied — Charline von Heyl, Amy Sillman, for example — talk about painting as an open process, where the finished piece is a result of ideas that are worked gradually out on the canvas.

Sometimes Wood also experiments with the idea of collage, superimposing objects over others or simply playing with the distortion of images by creating the illusion of separate or fragmented painted canvas surfaces brought together in one, such as in Still Life Collage, 2015.

The answer may be found partly in the consideration that these artists are not concerned with representing a preconceived idea, but rather with being involved in an experience of paint and canvas, directly, without interference from the suggested forms and colors of existing objects.

With Nelson's work, there has long been a preoccupation with the basic material elements of painting: canvas, stretcher, and paint, which comes out of a Minimalist idea of specificity.

He discusses Pop Art's place in art history; his initial feelings about being considered a Pop artist; the influence of Los Angeles and its environment on his work; his feelings about English awareness of America; a discussion of his use of words as images; a discussion of the Standard Station as an American icon; a discussion of the notion of freedom as it is perceived as a Southern California phenomenon; how he sees himself in relation to the Los Angeles mural movement (L.A. Fine Arts Squad); the importance of communication to him; his relationship with the entertainment world in Los Angeles and its misinterpretation of him; his books; collaboration with Mason Williams on «Crackers;» his approach toward conceiving an idea for paintings; personal feelings about the books that he has done; the importance of motion in his work; a discussion of the movies «Miracle» and «Premium;» his friendship with Joe Goode; his return from Europe and his studio in Glassell Park; his move to Hollywood in 1965; the problems of balancing the domestic life and the artistic life; his stain paintings and what he hopes to learn from using stains; a disscussion of bicentemial exhibition at the L.A. County Museum: «Art in Los Angeles: Seventeen Artists in the Sixties,» 1981; a discussion of the origin of L.A. Pop as an off shoot from the American realist tradition; his feelings about being considered a realist; the importance for him of elevating humble objects onto the canvas; a discussion on how he chooses the words he uses in his paintings; and his feelings about the future direction of his work.

Compound Flat 50, 52, 59, and 58 (subtitled Pink Dropout) are based on stacked double rectangles, suggesting open sash windows — or, again, stretcher bars — divested of their glass or canvas, with swaths of fabric (actually pigmented epoxy) inserted into the mechanisms, holding them in place, or together; the window idea is borrowed, of course, from traditional painting.

An idea of «Frankenstein Painting» (in response to discussions about «Zombie Paintings» over the past few years) include forms of abstraction that attempt to spark life and animate the canvas as its own entity.

Though painting was definitely king at this year's Expo Chicago — with a veritable sea of canvases flooding the gallery booths — nestled among them was a wealth of dynamic, compelling sculpture in a wide range of styles, materials and ideas.

Livingston asserts that by abandoning the canvas she is able to push the idea of painting as a «flexible» medium that can be expanded upon while still engaging with the traditions that have come before.

Bui commented that both curatorial ideas were inspired by Jackson Pollock's admiration for Albert Pinkham Ryder, whose modest - sized paintings, such as Moonlight Marine (1870 - 90) which measured 11 1/2 x 12 inches, evoke monumental scale and immensity of space, while Pollock's large - sized canvases attain a sense of intimacy.

Sewing into to canvas or linen heightens my awareness of the cloth I paint on and becomes another way to express my ideas about craft and material.»

Inspired by the idea and reliant on the money, Basquiat prepared for New York / New Wave by producing more than 20 drawings and paintings in a very short space of time, using a wide variety of surfaces: metal, rubber, paper, canvas and wood.

She focuses on breaking preconceived ideas of painting by targeting the essential structural component of the canvas: the stretcher.

Her work emerges from recent technological innovations, such as 3 - D printing, which she has used to create monochrome paintings that evoke the idea of canvas.

I had the idea of making a series of paintings — dawn in New York City, noon in the Midwest and then sunset in LA, with each canvas progressively bigger than the last.

He was intrigued by Rothko's interest in the metaphysical qualities of color and the idea of the viewer being enveloped by the painting through their unique perception and engagement with the canvas.

While Remi's art has always been about creating dimension within the depths of a canvas or a wall, his new works have taken that idea in an exciting new direction, by transforming a three dimensional object such as a skull through the application of paint and by extracting complex shapes from the flat canvas into sculptural forms.