Not exact matches
Some
ideas for writing
about abstract art... How did you
paint it?
Challenging and re-inventing
ideas about pictorial space, the
paintings on view relate to Color Field
painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking
abstract forms and mesmerizing optical illusions.
The very
idea of
abstract painting was not
about logic; there was an individual anarchy
about making truly
abstract paintings, and of course Sam Francis was
about that.
Based on the thoroughness of these class notes, and also on the syllabuses for the Asian art courses that Reinhardt took from Alfred Salmony at the IFA in the late 1940s, the essentializing of Reinhardt's published essays was intentional, part of a larger strategy to promote his own
ideas about contemporary
abstract painting by means of
paintings from a foreign past.
Their fractured, planar,
abstract approach to depicting 3 - dimensional subject matter on a 2 - dimensional canvas ushered in new
ideas about representation and vision, irrevocably altering what
painting could be.
But whilst I agree with that ambition of «more
abstract», I am much more ambivalent
about the
idea that certain things that could be done in figurative
painting can not now be done in
abstract painting, and that by so restricting the scope of
abstract painting it will inevitably come to fulfil that ambition of «more
abstract».
All that stuff
about abstract painting... like the Malevich
paintings are outer space
paintings, like this weird
idea that the place to be is in outer space with nothing else around, and that's what's really great and
abstract.
What is important
about abstract painting is an
idea.
Challenging and reinventing
ideas about pictorial space, the
paintings on view relate to Color Field
painting and Op Art, and reflect Fangor's distinctive use of saturated color and blurred silhouettes to create striking
abstract forms and mesmerizing optical illusions.
Well, there is or has been an
idea that space in
abstract painting is
about «interval», i.e. across the canvas, as per your aerial thing, like distance on a map.
In discussing the place of
painting and sculpture in the culture of our time, I shall refer only to those kinds which, whether
abstract or not, have a fresh inventive character, that art which is called «modern» not simply because it is of our century, but because it is the work of artists who take seriously the challenge of new possibilities and wish to introduce into their work perceptions,
ideas and experiences which have come
about only within our time.
These interpretations relate Richter's
abstract paintings to Conceptual Art since they claim his works explore
ideas about contemporary
painting and are not important as individual images.