Sentences with phrase «ideas line the spaces»

I can't tell you how many notebooks filled with sketches and ideas line the spaces in my home.

Not exact matches

The idea is to take advantage of optimal spacing — with as many as four Blue Devils stationed outside the three - point line at once — and maximize Paulus's court vision.

The idea was presumably to stop Napoli from playing out from the back, but since Wolfsburg's defensive line didn't push up behind their holding midfielders, perhaps worried about Gonzalo Higuain looking to run in behind, it only succeeded in leaving Marek Hamsik in acres of space.

Honouring yourself and giving yourself the space to process new ideas or get lined up with your vision of yourself has to become a high priority.

Various lines of evidence, including observations from NASA's Fermi Gamma - ray Space Telescope, support the idea that shock waves from the expanding debris of stars that exploded as supernovas accelerate cosmic rays up to energies of 1,000 trillion electron volts (PeV).

We decided that instead of partying in a cluster of people, our idea of a good night these days is no lines, no standing, personal space, and of course tapas and drinks.

Zombi U was suppose to be this alien game, Killer Freaks From Outer Space or something along those lines and then they changed it to Zombi U. Borrowed some ideas from the original Zombi that came out in like 86.

Includes space for children to draw a Gurdwara as well as lines to write their ideas on.

We softened the edges, sculpted the lines, and took the idea of open space inside.

(EDIT: hmmm... maybe my creating and ordering dummy books that include different samples of font sizes, line spacing, margins, etc. isn't such a bad idea after all.

Carissa Crowley, communications director for Soneva Fushi resort revealed the idea behind the new Villas by saying «There are few things in life more special than holidaying with a group of friends or extended family — and the latest in the line of Soneva larger villas at Soneva Fushi in the Maldives are designed to ensure bigger parties have room to relax in unadulterated, laid - back Intelligent Luxury settings, Truly vast multiple bedrooms, tropical open living spaces, romantic outdoor bathrooms... so much attention has gone into creating the perfect holiday hideaway you won't want to leave.»

Looking at the idea of illustration in space a start point Lynch will use premade gridded rubber stamps to mark out anything angular in the room and then describe the rooms» use with quick overlaid line drawings.

Finding that he could explore his ideas about line and space more succinctly with metal, he began making box - like constructions of varying sizes and finishes and engraving them with geometrically ordered lines and patterns.

And in that satire, formal ideas about shape, line, texture, space, interval, plane and void are scrambled.

Formal issues of line, surface and color intermingle with conceptual ideas of sacred space, solitude, spirituality, the passage of time and of leaving one's mark.

The specific arrangement of the tones and their linear movement sees the line between two - dimensionality dissolve, simultaneously suggesting the idea of an endlessly expanding space.

He toys with the idea of the physical self being one with architecture and the surrounding space and brings sexuality into his artwork through the blurring of these lines.

It appears as if an original sketch or idea was blown apart within the gallery space, exploding a concept into a fractured myriad of lines.

In this video interview, Kim Beck talks about the idea behind her work «Space Available», the challenges of realizing the project, the unique character of the High Line, and future projects.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

This variety, and the ease with which the work slips between more and less referential imaging allows us to find that the edge of a mountain is similar to her idea of a line in space; or to track the use of idiosyncratic color combinations and compositional strategies over visually unrelated series.

Recent and forthcoming exhibitions include; The Space Between, Parasol Unit (2016) Into boundless space I leap, Maxwell Centre, UK (2016); 11th Gwangju Biennale, Korea (2016); Solo Show, Galerie Christian Lethert, Cologne, Germany (2016); New Visions, Tensta Konsthall, Sweden (2015); Towards an Infinite Geometry, Jhaveri Contemporary, Mumbai, India (2015); Future Light, Vienna Biennale 2015: Ideas for Change; Solo Show, Galeri Mana, Istanbul, Turkey (2014); Solo Project, Dhaka Art Summit, Dhaka, Bangladesh (2014); No. 10, The Third Line, Dubai, UAE (2013); Manifold, Galerie Christian Lethert, Cologne, Germany (2013); The Folded Page, Jhaveri Contemporary, Mumbai, India (2011); New Works, Delfina Foundation, London, UK (2010); and Fractured Symmetry, Bischoff / Weiss, London, UK (2Space Between, Parasol Unit (2016) Into boundless space I leap, Maxwell Centre, UK (2016); 11th Gwangju Biennale, Korea (2016); Solo Show, Galerie Christian Lethert, Cologne, Germany (2016); New Visions, Tensta Konsthall, Sweden (2015); Towards an Infinite Geometry, Jhaveri Contemporary, Mumbai, India (2015); Future Light, Vienna Biennale 2015: Ideas for Change; Solo Show, Galeri Mana, Istanbul, Turkey (2014); Solo Project, Dhaka Art Summit, Dhaka, Bangladesh (2014); No. 10, The Third Line, Dubai, UAE (2013); Manifold, Galerie Christian Lethert, Cologne, Germany (2013); The Folded Page, Jhaveri Contemporary, Mumbai, India (2011); New Works, Delfina Foundation, London, UK (2010); and Fractured Symmetry, Bischoff / Weiss, London, UK (2space I leap, Maxwell Centre, UK (2016); 11th Gwangju Biennale, Korea (2016); Solo Show, Galerie Christian Lethert, Cologne, Germany (2016); New Visions, Tensta Konsthall, Sweden (2015); Towards an Infinite Geometry, Jhaveri Contemporary, Mumbai, India (2015); Future Light, Vienna Biennale 2015: Ideas for Change; Solo Show, Galeri Mana, Istanbul, Turkey (2014); Solo Project, Dhaka Art Summit, Dhaka, Bangladesh (2014); No. 10, The Third Line, Dubai, UAE (2013); Manifold, Galerie Christian Lethert, Cologne, Germany (2013); The Folded Page, Jhaveri Contemporary, Mumbai, India (2011); New Works, Delfina Foundation, London, UK (2010); and Fractured Symmetry, Bischoff / Weiss, London, UK (2010).

Extraordinary pieces of public sculpture, luminous with reflected light, they distort ideas of space and play with the line between art and architecture, exerting a curious, totemic power over their often - genteel settings.

The concept for the show is that «Castellani has always been working with this idea of his works as interfering or an intervention in space, and working with light, and blurring the lines of perspective and angles», says Emilio Steinberger, senior director at Dominique Lévy, who has worked with Castellani for several years.

The concept for the show is that «Castellani has always been working with this idea of his works as interfering or an intervention in space, and working with light, and blurring the lines of perspective and angles», says Emilio Steinberger, senior director at Dominique Lévy

One of the most important artists of SoCal's postwar period, McLaughlin is known for quiet, minimalist works that explore total abstraction: geometries and lines that explore ideas of shape and space, but not representation.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

Selected group exhibitions include It Is What it Is, National Gallery of Canada, Ottawa (2010); Following a Line, Contemporary Art Gallery, Vancouver (2010); 17th Sydney Biennial, Sydney (2010); Cubes, Blocks and Other Spaces, Musée d'art contemporain, Montréal (2009); GETTING EVEN: Oppositions & Dialogues in Contemporary Art, Kunstverein Hannover (2009); eXponential Future, Morris and Helen Belkin Art Gallery, Vancouver (2008); Modelle für Morgen, European Kunsthalle, Cologne (2007); Canada Dreaming (Desires And Ideas For The Future By Artists Of The Biggest Country In America), Kunstverein Wolfsburg (2006); Die Jugend von heute / Youth of Today, Schirn Kunsthalle, Frankfurt - am - Main (2006); Post No Bills, White Columns, New York (2005); I feel mysterious today, Palm Beach Institute of Contemporary Art (2004); Making Space, Platform Garanti, Contemporary Art Center, Istanbul (2003); Das Spyder Män, Los Angeles Contemporary Exhibitions (2002); Belvedere, Henry Moore Institute, Leeds (2000).

He most recently organised an exhibition and symposium at the Herbert F. Johnson Museum of Art at Cornell University (NY) entitled «Lines of Control,» part of an ongoing project that looks at the idea of partitions as a productive space — where nations are made.

Yuz Project Space of Art invites the artist to get inspired with new ideas by engaging himself with the museum space and try making some breakthrough artworks that are different from his own Space of Art invites the artist to get inspired with new ideas by engaging himself with the museum space and try making some breakthrough artworks that are different from his own space and try making some breakthrough artworks that are different from his own line.

The idea was to look at artists who take the grid's rigidly straight lines and reimagine them as the boundaries of a game, space of ritual and repetition or to subject it to natural forces, such as gravity, or decay.

With the screen as a space and fingertips as the action, Jefford's idea of «surface as a line of flight» comes in this «precarious vehicle for closeness, knowledge, aspiration and red herrings».

(Berlin, Germany) Galan's first solo exhibition in Berlin will feature an array of works, from sculptures to objects and drawings, which deal directly with the idea of the line, as a representation of space in geometry and the line intended in its geometric form.

October 2017 — Spring 2018 The Winter display from the IMMA Collection throws a line around a display of diverse artworks and archival materials that explore similar ideas of geographical place and physical space, perception, representation and memory, as well as language and systems that map human experience.

Also opening in October is IMMA Collection: Coastlines which throws a line around a display of diverse artworks and archival materials that explore similar ideas of geographical place and physical space, perception, representation and memory, as well as language and systems that map human experience.

IMMA Collection: Coastlines October 2017 — Spring 2018 The Winter display from the IMMA Collection throws a line around a display of diverse artworks and archival materials that explore similar ideas of geographical place and physical space, perception, representation and memory, as well as language and systems that map human experience.

Presenting a concise overview of the artist's career, the show closes with a selection of large Castle paintings (1976 - 80) as well as two bodies of later drawings from 1995 and 1999, in which Law alters the proportion of the line to test ideas of the void and negative space.

My own ideas about how feeling is transmitted involve «color desire»: how color and everything else related — shape line, expanse, space, etc. — «draw» the viewer through the painting, searching for unity.

Explore ideas of proportion, positive and negative space, and foreground and background as well as the expressive potential of line, texture, and gesture while sketching from live models.

None of the sea - ice specialists I've interviewed since 2000 on Arctic trends ever predicted a straight - line path to an open - water Arctic, but quite a few have stressed the longstanding idea that as white ice retreats, solar energy that would have been reflected back into space is absorbed by the dark sea, with that heat then melting existing ice and shortening the winter frozen season.

From the Department of Someone Really Should Have Thought of This Sooner comes the idea of a co-working space with built - in day care: [Portland entrepreneur Glaucia] Martin - Porath says she's already got a child care provider lined up and is currently on the hunt for 6,000 to 8,000 square feet for the co-working space, plus another -LSB-...]

I also think it might be a great idea to use some of «your» fabric line in this space

The simplicity of geometric shapes created with straight lines add a great touch to floor carpets, staircase designs, wall decor and all the rest interior decorating ideas, transforming rooms into unique and modern living spaces.