Sentences with phrase «ideas of art history»

Personally, I think some of these developments owe to a mixture of two elements: first, nostalgia towards different moments in Italian history in which we could still appear to play a crucial role internationally; and second, a desire to celebrate a polyphonic idea of art history that is too often flattened by mainstream narratives in international museums.

But our idea of art history is dead already; it just doesn't know it.

Not exact matches

I told them that one can not speak of the history of the United States without acknowledging how much Christian culture is embodied in American music, art, institutions, ideas, etc..

Outstanding Science Books for Kids — Take science beyond the lab with these great reads that integrate history, math, visual art, poetry and plenty of hands - on activity ideas.

Other «cultured» date ideas: an exhibit opening at Henry Art Gallery, the Seattle Poetry Festival, the Museum of History and Industry, the Seattle Symphony Orchestra, the Seattle Opera, or an improv show.

Even the smallest cities in America will have some kind of museum and spending an afternoon learning and appreciating history, science, culture, and / or art together makes for one of the best country - wide US date ideas.

I became interested not only in the history of the canon, but also in the history of Aesthetics, the history of Art, and, by extension, the history of Ideas.

FINE ARTS: Visual Arts GRADES 9 - 12 NA - VA.9 - 12.3 Choosing and Evaluating A Range of Subject Matter, Symbols, and Ideas NA - VA.9 - 12.4 Understanding the Visual Arts In Relation to History and Cultures NA - VA.9 - 12.6 Making Connections Between Visual Arts and Other DisciplARTS: Visual Arts GRADES 9 - 12 NA - VA.9 - 12.3 Choosing and Evaluating A Range of Subject Matter, Symbols, and Ideas NA - VA.9 - 12.4 Understanding the Visual Arts In Relation to History and Cultures NA - VA.9 - 12.6 Making Connections Between Visual Arts and Other DisciplArts GRADES 9 - 12 NA - VA.9 - 12.3 Choosing and Evaluating A Range of Subject Matter, Symbols, and Ideas NA - VA.9 - 12.4 Understanding the Visual Arts In Relation to History and Cultures NA - VA.9 - 12.6 Making Connections Between Visual Arts and Other DisciplArts In Relation to History and Cultures NA - VA.9 - 12.6 Making Connections Between Visual Arts and Other DisciplArts and Other Disciplines

«I maintain the idea that, along with the knowledge of history, math, science, language arts, fine arts, and other curriculum areas, teachers must demonstrate the ability to use hardware, software, and peripherals for technology integration.

I supported the idea of a national curriculum that defined core bodies of knowledge in English, mathematics, science, history, geography, art, music, physical education, information technology, design technology, and, in secondary schools, a modern foreign language.

Dubuffet launched the idea of Art Brute in the 1950's as an unique concept in modern art histoArt Brute in the 1950's as an unique concept in modern art histoart history.

The idea of studying history and art through a cemetery trip is catching on.

K - 4.6 Making Connections Between Visual Arts and Other Disciplines GRADES 5 - 8 NA - VA.5 - 8.3 Choosing and Evaluating A Range of Subject Matter, Symbols, and Ideas NA - VA.5 - 8.4 Understanding the Visual Arts In Relation to History and Cultures NA - VA.5 - 8.6 Making Connections Between Visual Arts and Other Disciplines GRADES 9 - 12 NA - VA.9 - 12.3 Choosing and Evaluating A Range of Subject Matter, Symbols, and Ideas NA - VA.9 - 12.4 Understanding the Visual Arts In Relation to History and Cultures NA - VA.9 - 12.6 Making Connections Between Visual Arts and Other Disciplines

Books represent a lot of things — our history, our culture, a snapshot of what our lives are like, the best ideas of our time, the worst ideas of our time, art, science, and a lot, lot more.

Her study of art history is employed not only as an instructive tool but also to stimulate her own ideas and creative process.

4 Road trip Ideas from Milan, Italy Milan maybe known as the fashion capital of the world, but art and history take a share in Milan's fame too.

Kojima could very well be pointing out how, despite constant advancements in technology within the video game industry, most games are themselves hypertextual in that they are not completely original, but amalgamations of established thematic ideas borrowed from literature, cinema, history, the arts, and other games.

I still think that a 150 - 175 $ tiers could be a big success, and many 100 $ backers would upgrade to 150 $ if they could get these rewards: - Download of Broken Sword - the Serpent's Curse - DRM FREE - PC (Windows and Linux) & Mac - Regular Developer Diaries, ideas Exchange Forum and Video Updates - Access to exclusive digital content: Game Artwork (inc. poster and wallpaper); Director's Commentary on previous Broken Sword games & Archive Videos - Android Version - Hi - Res Digital Comic Books of Broken Sword - The Serpent's Curse, Broken Sword: Director's Cut, and Broken Sword - The Smoking Mirror: Remastered - History of Broken Sword eBook - Broken Sword - the Serpent's Curse digital Concept Art - character sheets, layouts etc. - Broken Sword - the Serpent's Curse Digital Soundtrack - Copy of any one previous Revolution game on GOG.com (Broken Sword or otherwise - PC only - Exclusive digital Game Design Content: Scripts of Broken Sword: Director's Cut, Broken Sword - The Smoking Mirror: Remastered, and Broken Sword - the Serpent's Curse; Game Design Document for Broken Sword - the Serpent's Curse; Archive of existing Game Design Documents for previous games - All Revolution game titles on GOG.com: Broken Sword 1 - 4, In Cold Blood, Lure of the Temptress and Beneath a Steel Sky (PC only)- Boxed Kickstarter special edition of the Game, includes: CD / DVD game with full packaging, Game Comic Book for Broken Sword — Director's Cut, Broken Sword 2 — Remastered, Broken Sword — the Serpent's Curse; game Poster; CD with full Soundtrack; Kickstarter Backer T - Shirt.

Catharina Manchanda, the museum's curator of modern and contemporary art, said she began thinking about the ideas of history and representation in art during the Obama administration.

Elkins» writes an uncommon book of discomforting ideas that might just be crazy enough to work as a primer for a new self - conscious kind of art history.

It brings together painting, sculpture, and photography by iconic modern and contemporary artists whose work and ideas have changed the course of art history.

Trained in art history and sculpture, her body of work is distinctive in its layering of sound, images and ideas in sophisticated and ethereal multimedia collages, encompassing video, drawing, installation, sound, performance and text.

A suite of four sculptures by Larry Rivers created in 1970, collectively titled Me and My Shadow, share the gallery and offer a valuable addition to the history of photography - based art in the 1970s, prefiguring similar ideas of the Pictures Generation.

Presenting perhaps lesser known works by such influential artists upends our usual assumptions and base of knowledge, allowing us to reevaluate our own ideas about this work and affords the challenge and the pleasure of grappling with ideas and the ever - changing web of art history.

The history of art is crammed with the ideas and works of western men.

He scribbled the phone numbers of his friends on them, outstanding debts, take - out menus, names of people and places, lists from reference books, his idea of history» (P. Hoban, Basquiat: A Quick Killing in Art, London 1998, p. x).

We tend to think of the history of art as a series of exceptionally unique ideas, but in fact, the figurative painting tradition is deeply conventional, and artists have mined narrow spaces for invention.

Af Klint is now finally credited with making the first non-objective painting in the Western fine - art tradition, and it is both her grand imagination and sense of purpose, and the idea of how histories are and can be constantly re-written, that has informed and inspired McElheny's new works.

The title phrase is taken from art historian George Kubler's seminal book, The Shape of Time (1962), in which the author proposes a history of «things» — including artworks — that traces connected ideas developed in temporal sequence, sometimes over centuries.

These exclusions were a catalyst for studying the history and ideas of women artists and for a new approach to art history.»

The Performa Institute presents a range of in - depth programs for the presentation and exploration of ideas and the exchange of research and knowledge, with a focus on the study of history and on forging a new intellectual culture surrounding contemporary art.

Rosenberg's idea of painting as «action», of «becoming» through «doing», is returned to us by Johns as an activity of undoings — undoing the myriad signs given us by the modern world or the history of art.

The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding into ideas of history and place.

And naturally the means of illusion, as well as the idea of a commentary on illusion, belong to a critical history of art.

Focused, welcoming and more than abundant in terms of aesthetic ideas to chew on, «Miriam Schapiro: The California Years, 1967 - 1975» opens a window on the mind of a significant figure in American art history.

Garage Museum of Contemporary Art is a place for people, art, and ideas to create histoArt is a place for people, art, and ideas to create histoart, and ideas to create history.

Using ceramic practices as a cue, the group exhibition explores ideas about the division between fine art and craft initiated in the 19th century, and the position of decorative arts within 20th century art history calling into question the relationship between contemporary aesthetics and social life.

Ritchie is currently Mellon Artist in Residence and Adjunct Professor in the Graduate Visual Arts Program at Columbia University, New York, where he has organized two public workshops this spring to examine how we can extend understanding and use of our new, current dimension — where every image in history can be seen at once, every idea can be communicated, rebutted and digitally reformatted, and every space can host any form of presence — in the shared space of culture.

Beyond this, the iconic significance of the gallery, and the historical moment necessitates that certain artists whose ideas and actions impacted on society, and on the course of art history, be included.

It's an inconvenient truth, but much of art history is based on that very idea.

Both directly and indirectly influenced by Calder, all of the artists are looking towards modernist forms and ideas, challenging and recontextualizing what is for many a familiar art history.

And yet, though the early decades of 20th - century Russia have been firmly registered in today's art history as a time of radical social and artistic change, the uncompromising and often absurd ideas in Avant - Garde Museology appear alien to a contemporary art history that explains suprematism and constructivism in terms of formal abstraction.

Pairing two seemingly different artistic practices, CROSS / / ROADS aims to create a productive confusion that pushes the viewer towards a nuanced reading of both the art objects on display and the multi-layered set of ideas about abstraction, history, and artistic practice they represent.

LG: There have certainly been moments in contemporary art history where the idea was to get rid of stuff.

IT»S LIKE EISENSTEIN PUTTING ONE THING NEXT TO ANOTHER AND CREATING A LANGUAGE THAT WAY, AND IT IS ALSO RELATED TO SURREALISM AND JUXTAPOSING DISPARATE IDEAS, OBJECTS AND IMAGES JJ: At the same time that I was looking at contemporary work and studying art history I was looking at film — going to Anthology Film Archives [in New York] and a lot of places that don't exist any more that were showing film in the 1960s and 70s.

The exhibition is one which questions each member's personal histories, cultural background and beliefs as a means of unsettling the idea of a homogenised black experience and its acceptance by white art institutions and discourse.

In Chris Ofili's work painterly and cultural elements — both sacred and profane, personal and political, from high art and popular culture — come together to play on ideas of beauty while carrying messages about black culture, history and exoticism.

For noted art historian and author James A. Porter, Charles White was one of the great interpreters of the history and culture of black Americans: «Charles is an artist steeped in life; and his informed artistic vision conduces to an understanding of vivid pictorial symbols which, through large as life itself, are altogether free or false or distorted ideas or shallow and dubious emotion.»

This scepticism can extend to the issue - based art that draws on ideas from post-colonialism, feminism, post-structuralism and political history, an assortment of which often inform the content of much of the installation, film and performance work that features in biennials in Asia and the rest of the world.

Judd hosted dinner parties and social gatherings, and had a genuine curiosity for new ideas and debate about the intersection of art, culture, history, and politics at a time of great tumult and change in the United States and the world.