• Movement Early
ideas of kinetic art, epitomized by Bird in Space (1925 - 31, Kunsthaus, Zurich) by Constantin Brancusi (1876 - 1957); Rotative Plaques (1920, Yale University Art Gallery) by Marcel Duchamp (1887 - 1968); Kinetic Construction (1919 - 20, Tate London) by Naum Gabo (1890 - 1977); numerous «mobiles» by Alexander Calder and works like Light - Space - Modulator (1930, Busch - Reisinger Museum) by Laszlo Moholy - Nagy (1895 - 1946).
Not exact matches
Illustrated with performance, private videos, and recollections from those who knew him, this detailed and innovative documentary looks at the life
of the always provocative artist Chris Burden, whose work consistently challenged
ideas about the limits and nature
of modern
art, from his notorious performances in the 1970s to his later assemblages, installations,
kinetic and static sculptures, and scientific models.
This week, we'll hear a sample from Seattle - based sound artist Rob Kunz, who makes sound
art from
kinetic sculpture (here's an
idea of what that'll look like).
Carlos Cruz - Diez, a Venezuelan artist recognized for
kinetic and Op
art, was then commissioned to work with the
idea of «dazzle» camouflage to cover a historic pilot ship owned and conserved by Merseyside Maritime Museum in bright, dizzying designs.
So many modern artists derive their
ideas from this movement and probably don't even realize it - from David Ellis»
kinetic sculptures, to most interactive performance
art I've seen out there, Fluxus thought
of it first, and 50 years ago.
M.C. Richards, Centering: 100 Years, Life +
Art Begin to See: The Photographers
of Black Mountain College Zola Marcus:
Kinetic Origins Randy Shull / Wide Open: Architecture + Design at BMCM+AC Ray Spillenger: Rediscovery
of a Black Mountain Painter Convergence / Divergence: Exploring Black Mountain College + Chicago's New Bauhaus / Institute
of Design Dan Rice at Black Mountain College: Painter Among the Poets Black Mountain College: Shaping Craft + Design John Urbain: No
Ideas But Things In Site: Late Works by Irwin Kremen Pat Passlof: Selections 1948 - 2011 From BMC to NYC: The Tutelary Years
of Ray Johnson Dorothea Rockburne: Astronomy Drawings Emerson Woeffler: At the Center + At the Edge Hazel Larsen Archer: Black Mountain College Photographer
In an earlier letter to Kunsthalle Bern, regarding a forthcoming exhibition Light and Motion /
Kinetic art / New Trends in Architecture to which kinetic artists had been invited to contribute, Soto made it clear that: «Eager to avoid all confusion between our work [the kinetic artists] and the very different work of the so - called «optical» school, we are particularly concerned that the Bern [exhibition] selection be respected — a selection exclusively founded, as its title suggests, on the idea of real mo
Kinetic art / New Trends in Architecture to which
kinetic artists had been invited to contribute, Soto made it clear that: «Eager to avoid all confusion between our work [the kinetic artists] and the very different work of the so - called «optical» school, we are particularly concerned that the Bern [exhibition] selection be respected — a selection exclusively founded, as its title suggests, on the idea of real mo
kinetic artists had been invited to contribute, Soto made it clear that: «Eager to avoid all confusion between our work [the
kinetic artists] and the very different work of the so - called «optical» school, we are particularly concerned that the Bern [exhibition] selection be respected — a selection exclusively founded, as its title suggests, on the idea of real mo
kinetic artists] and the very different work
of the so - called «optical» school, we are particularly concerned that the Bern [exhibition] selection be respected — a selection exclusively founded, as its title suggests, on the
idea of real movement.