Sentences with phrase «ideas of other artists»

Not exact matches

Both the artist and entrepreneur must get their ideas and products into the marketplace and into the hands of others.

There is perhaps no other tribe more obsessed with others» personal routines and rituals than creatives — a visceral desire to peek into the lives of great artists and to borrow any or all ideas that champion creativity.

Dave Asprey: That's such an elegant way of thinking about it is just one rep.. The other thing that impress me about Sayoc is that the idea of a pattern, and I've done some training in judo, I'm not a mixed martial artist by a longshot.

«I guess I must be, because this film represents a lot of ideas and feelings I have as an artist,» he said, going on to highlight his movie's «environmental message and the idea that we are all connected to each other as human beings.»

I strive to share unique ideas and opportunities as well as the work of artists, artisans, and other craftspeople I encounter while traveling and work with including theatre, fashion, and similar organizations.

The work of these newly emerged artists is bringing new dimensions and ideas to the market, inspiring millions of others.

Karan brought in artists (Stewart Uoo and Sarah Grace Powell), musicians and DJs (Angel Haze and Chelsea Leyland), and others who, with Karan, took the idea of street style to a new level.

So here I am... at the very least looking for other artists to bounce ideas off of and hopefully get more involved in the art community.

Some people become really good at being «pick - up artists» or flirting like pros, while others are much more uncomfortable with the idea of making small talk or trying to be charming with a total stranger.

Sydney, Australia About Blog Arent & Pyke are interior designers based in Sydney and In / Out is their blog, where they share with you their interior projects, and bring to light the ideas and works of other engaging and dynamic designers, artists and creatives that inspire them.

When onlline dating and social networking first made an appearance, there wasn't really much of a difference in the members.Whether you are a musician, a musician wannabe, or just enjoy chatting with other music lovers, Music Passions is the site for you.Single Artist Dating Dating and Friendship for Creative Individuals «Nothing gets your creative ideas flowing quite as much as being around other creative people.We talked to the men and women behind niche dating websites to find out what makes their crazy ideas so successful.From simple revenue models to familiarity with their customers, niche dating site creators believe they have a handle on their specific market.

It allowed you to get a sense of Linklater's ideas as an artist through more laidback means, rather befitting of the nature of his films, as he goes about doing various activities with Benning, such as hiking or playing catch, offering anecdotes to the other artist, instead of delivering filmmaking mantras to camera in an interview set - up.

It could be the story of two artists who hold different aesthetic philosophies but who find themselves attracted to each other for the other's ideas and personality.

Sundance really likes to push the idea that it's a «community» — a network of artists converging on the same Utah ski town every January to support each other's work, exchange positive reinforcement, and just bask in the glow of general movie appreciation.

«We know that closing our borders to these and other artists will stop the flow of ideas and inspiration that are so vital to the global community,» Putnam asserted to loud applause.

«We know that closing our borders to these and other artists will stop the flow of ideas and inspiration that are so vital to the global community,» Putnam said to cheers from the crowd.

Performance artist Laurie Anderson offers up something of a living painting with «Heart of a Dog,» her provocative free - form reflection on life and death, humans and animals, the moon and the stars and other big picture ideas.

ASSESSMENT OBJECTIVE: develop ideas through sustained and focused investigations informed by contextual and other sources, demonstrating analytical and critical understanding Analysis Activity - follow Mark - making analysis of artists Put students into PAIRS give out an example of each of these artists drawing — photocopy to pair CULLEN AND AUERBACH, VAN GOGH AND POLLOCK FEININGER AND GILMAN NICOLSON AND MICHELANGELO Students to describe the marks, the quality of the lines and shapes that define the artist.

Learning objectives To develop a detailed collage on oneself and to discover how other artists have represented their own identity - Cindy Sherman, Barbara Kruger and Mariel Amelia Showing examples of composition planning of collage - drawing out ideas for collage Using a text artists like Miss Wilcox and adding in words to add to identity image of oneself - adding in text in the photoshop work and then in the fabric work.

In her quotes she reports about the other Blue Rider artists like Paul Klee, Jawlensky, Marianne Werefkin, Franz Marc - and their daily cooperation and art exchange of ideas, comments and art critic.

The works of other artists, the effect of a busy and curious life, the active exercise of my imagination and memory through a journal — these are the three main sources of ideas.

So far, the company has invited American artists to do covers and other special art for manga volumes, but when the USA branch of the company brought up the idea for a Western - created anthology, everyone got on board.

Re-purpose an old blog post, post reviews of your favorite or recently read books, invite people in the publishing world other authors, illustrators, artists, book marketing gurus to guest blog for you, post excerpts from your book and write something around the theme, post tips and ideas for writing inspiration, news about you, a video or audio clip of you talking about your present or upcoming projects, the possibilities are endless.

Sydney, Australia About Blog Arent & Pyke are interior designers based in Sydney and In / Out is their blog, where they share with you their interior projects, and bring to light the ideas and works of other engaging and dynamic designers, artists and creatives that inspire them.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

A good video game artist must also communicate clearly with other team members and adjust their ideas and visions to the give and take of a project.

The GDC attracts over 23,000 attendees, and is the primary forum where programmers, artists, producers, game designers, audio professionals, business decision - makers and others involved in the development of interactive games gather to exchange ideas and shape the future of the industry.

When we started approaching artists — some we knew, some we didn't — almost all of them said yes; they loved the idea of using their talents in a commercial product that could also help others.

Comparing Motherwell and Wool, Schor writes: «thinking back on the echoes in Wool's paintings of Rauschenberg and Polke and a host of other artist going back to the Abstract Expressionists and to Cobra, two things seem clear: the facility of Wool's marks, including in particular those moments when he seems to be riffing off the idea of wiping out a drawn loop of paint, is only simulacral of the notion of discovery within a painting.

At the heart of it is «the idea of memory and the afterlife and how we hold on to people,» said Victoria Cooke, director of Gallery 1957, which was founded two years ago to focus on work by West African artists and others from the diaspora.

Any young artist without insight into these forms of expression, without a key to understanding the art of other times and places, who is tuned in only to current ideas, is indeed poverty - stricken.

@CoryHuff Not necessarily «easy» — and I do believe Kiva works with artists, too (so I / we could ask how they do it)-- but I wonder if the beginning could look like this: a trip (by you or you and Melissa) to a country / town / village that is having a well dug through the water charity project — with eyes to see what the art of the area is, who the artists are — very face to face... I like the idea of broadening the vision and helping others.

On the other hand, if you're able to use your creative mind to offer somethingon fivrr that would be fun, easy, and related somehow to the work you really love to do (rather than something that feels trivial) then it could be a stream of income to test ideas, practice sketching out quirky concepts, and as Chris said above, «create value, relationships or a portfolio that will build over time», selling work on fivrr / or donating work to silent auctions for organizations you believe in could complement a proactive artist's other marketing efforts.

«In general, I think resale royalties are a pretty good idea,» said painter Chuck Close, who, with a number of other artists, filed a class - action lawsuit against the auction houses this past October.

On the other hand, though the group of painters represented here form a tight - knit «generation» (one constraint of the show is that all the artists were born between 1939 and 1949), and though the selected works originate from the same period and place, the works are aesthetically independent enough to resist any easy categorization according to style or aims... Rubinstein's curation in Reinventing Abstraction proposes something — an idea, a possible history — that may connect with others but which is, nevertheless, its own.

Studying other artists will give you ideas on things you could try with your own art business and even inspire the style of art you create.

Many of the ideas for fine artists and photographers would work just as well for jewelry designers, but here are a few others that could work especially well.

Artists are paired with critics, curators, gallerists, writers or other artists to converse about art and the potential of exploring newArtists are paired with critics, curators, gallerists, writers or other artists to converse about art and the potential of exploring newartists to converse about art and the potential of exploring new ideas.

Collection, Museum of Art, Fort Lauderdaie, FL; travelled to Oklahoma Museum of Art, Oklahoma City, OK; Santa Barbara Museum of Art, Santa Barbara, CA; Grand Rapids Art Museum, Grand Rapids, MI; Madison Art Center, Madison, WI; Montgomery Museum of Fine Arts, Montgomery, AL 1981 Drawing Invitational, Harm Bouckaert Gallery, New York, NY 1981 New Work, Roy Boyd Gallery, Chicago, IL 1981 Artists Books, Metrònom, Barcelona, Spain 1980 Little Books, Franklin Furnace, New York, NY 1980 New York 1980, Banco - Massimo Minini, Brescia, ltaly 1980 Pool Project Documentation, Artists Space, New York, NY 1980 New York Painters, University of Rochester, Rochester, NY 1980 Works of Art, Patricia Sneed Gallery, Rockford, IL 1980 Group Show, Roy Boyd Gallery, Chicago, IL 1980 Collection of Dr. Milton Brutten and Dr. Helen Herrick, Ben Shahn Gallery, William Patterson College, Wayne, NJ 1980 Group Exhibition, Susan Caldwell, Inc., New York, NY 1980 Pool Projects, Wake Forest University, Winston - Salem, NC 1980 Faculty Exhibition, Hillwood Commons Gallery, C.W. Post College, Greenvale, NY 1979 Prospectus, Aldrich Museum, Ridgefield, CT 1979 New Wave Painting, The Clocktower, MoMA P.S. 1, New York, NY 1979 Artist's Postcards, Ananas Gallery, Abrau, Switzerland 1979 Poets and Painters, The Denver Art Museum, Denver, CO; traveled to Atkins Museum of Fine Art, Kansas City, MO; La Jolla Art Museum, La Jolla, CA 1979 14 Painters, Lehman Gallery, CUNY, Bronx, NY 1979 Drawings, Hal Bromm, New York, NY 1979 Summer Show, Hal Bromm, New York, NY 1979 Drawings, Pyramid Gallery, Providence, MA 1978 Detective Show, Gorman Park, Jackson Heights, NY 1978 Works on Paper, Studio La Citta, Verona, Italy 1978 Group Exhibition, Arte Fiera, Bologna, Italy 1978 Group Exhibition, Art - 9, Basel, Switzerland 1978 Black and White on Paper, Nobe Gallery, New York, NY 1978 Paperworks, Galerie Wirz, Milan, Italy 1978 Selections from the Collection, Aldrich Museum, Ridgefield, CT 1978 Artists Books: USA, New Gallery, Cleveland, OH 1977 Fine / Fleishman / Stamm, Franklin Furnace, New York, NY 1977 Painting 75,76,77, Sarah Lawrence College, Bronxville, NY; traveled to American Foundation for the Arts, Miami, FL; Contemporary Arts Center, Cincinnati, OH 1977 Book Objects, Albright - Knox Art Gallery, Buffalo, NY 1977 A Painting Show, MoMA P.S. 1, Long Island City, NY 1977 New York Group Show, Galerie Denise Rene, New York, NY 1977 Group Exhibition, Art Fiera, Bologna, ltaly 1977 Group Exhibition, Documenta - 6, Kassel, Germany 1977 Collection in Progress, Moore College of Art, Philadelphia, PA 1977 Ideas — Images, Eugenia Cucalon Gallery, New York, NY 1977 Postcards and Other Mail, Jock Truman, New York, NY 1977 Wrapping Paper Invitational, Nobe Gallery, New York, NY 1977 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1976 Group Exhibition, Art Fiera, Bologna, Italy 1976 Summer Group, Max Protetch Gallery, Washington D.C. 1976 SoHo and Downtown Manhattan, Akademie Der Kunste, Berlin, Germany 1976 Selections SoHo - Berlin, Louisiana Museum, Humlebaek, Denmark 1976 Works on Paper, Hal Bromm, New York, NY 1976 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1975 Contemporary Reflections 1971 — 1974, AFA; travelling exhibition Spare, Central Hall Gallery, Port Washington, NY 1975 Group Indiscriminate, 112 Greene Street, New York, NY 1975 A Collection in Progress (Herrick - Brutten Collection), The Clocktower, MoMA P.S. 1, New York, NY 1975 Group Exhibition, International Art Fair, Cologne, Germany 1975 Five from SoHo, Rose Art Museum, Waltham, MA 1975 Spare, Central Hall Gallery, Port Washington, NY 1975 Abstraction Alive and Well, SUNY, Potsdam, NY 1975 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1974 Tight and Loose, State University, Albany, NY; travelled to State University, Potsdam, NY 1974 Black as Color, Reed College, Portland, OR 1974 Drawings, Albright - Knox Art Gallery, Buffalo, NY 1974 Paperworks, Rosa Esman Gallery, New York, NY 1974 10th Anniversary Exhibition 1964 — 1974, Aldrich Museum, Ridgefield, CT 1974 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1973 Painting in America, Decorative Arts Center, New York, NY 1973 Black Paintings, Nancy Hoffman Gallery, New York, NY 1973 DiDonna / Stamm, O.K. Harris Gallery, New York, NY 1973 Nine New York Artists, Hartwick College, Oneonta, NY 1973 Recent Acquisitions, Phoenix Museum, Phoenix, AZ 1972 Contemporary Reflections 1971 — 1972, Aldrich Museum, Ridgefield, CT 1971 What's Happening in SoHo, University of Maryland, College Park, MD 1971 Faculty Show, Brooklyn Museum Art School, Brooklyn, NY 1971 Alumni Show, Hofstra University, Hempstead, NY 1970 Young Artists: New York 1970, Greenwich, CT

MPA seeks works by artists who explore the idea of overstimulation, excessiveness and bombardment, be it through too much information, activity, expectation, or by any other means.

Except I learned within a year of doing my installation that Marcel Broodthaers, among a handful of other conceptual artists, had beat me to the punch with a series of 1970s installations very like my own, so I clearly wasn't the first to come up with the idea.

This group show will feature preparatory drawings and ideas «so you can glimpse some indicative sketches, meaningful items or other types of procedural steps in the creative practices of a range of local artists» (Legends of Drafts press release, Centotto).

To highlight the importance of exchange for Rauschenberg, this exhibition is structured as an «open monograph» — as other artists came into Rauschenberg's creative life, their work comes into these galleries, mapping the play of ideas.

In reaction to the swelling art world in New York, Mr. Deitch said, «artists are now more and more interested in this idea of the salon and building a real community with other artists.»

The idea for that show was that these were artists who were trying to re-assimilate other already - known properties of painting, other already - known connections, but the real curatorial connection there was that everybody touched the canvas.

During her residency she was able to establish a dialogue with other artists on the ideas of cultural art - representation in the context of a contemporary society.

Since then he is one of the most important and most popular British Artists, maybe the only one who transferred the Pop Art idea from Andy Warhol and others to the present.

Other People and Their Ideas: Beatriz González, one of the most influential Colombian artists today, interviewed by Mark Rappolt.

«This is about how you can see some of Bob's biggest works, how you can see some of the newest ideas about Bob and how you can see what other artists are coming out with.»

This idea of an artist - driven museum (reinforced by Kerry James Marshall's succinct speech, at the opening, about all art coming from other art) also connects to Met's digital strategy via its web video series «The Artist Project,» which dispatches contemporary artists through the halls of the Met in search of inspirational artist - driven museum (reinforced by Kerry James Marshall's succinct speech, at the opening, about all art coming from other art) also connects to Met's digital strategy via its web video series «The Artist Project,» which dispatches contemporary artists through the halls of the Met in search of inspirational Artist Project,» which dispatches contemporary artists through the halls of the Met in search of inspirational works.