Sentences with phrase «ideas of the artists who»

This happens because we have no way to interpret and internalize the supposedly profound conceptual ideas of the artists who made them.

Not exact matches

The idea behind the platform, according to executives, is to tip the music business» scales in favor of artists, who will have a stake in the company.

Nutrition as well, is a load of nonsense, and just like Keynes, it had its own con artist, Ancel Keys, who has popularized the absolutely criminal idea that animal fats are dangerous, that carbohydrates are essential, that 6 - 10 servings of grains a day are necessary, that seed oils are not just edible but also healthy, and so on.

Freedom of speech is the realm of the artist who must be protected especially if they express ideas that are distasteful to us.

I find my ideas of children and art confirmed as I nod my head at each artist's thoughts on the subject, such as Ashley Bryan who says:

And artists who are feeling a bit stuck and blocked have done the course and the fact we all work together sharing ideas, artists, techniques, and materials has meant for me a wonderful community has been created in the name of experimenting with art.

Whether you are a fashion lover or a veritable connoisseur of LES ARTISTS gear, joining the members of Vestiaire Collective is possible for all who fancy the idea.

«It's about presenting conceptual ideas at a digestible level,» says Ross, who has been inspired by the work of British artists Rachel Whiteread and Anthony Caro, who has often used scaffolding in his sculptures.

Karan brought in artists (Stewart Uoo and Sarah Grace Powell), musicians and DJs (Angel Haze and Chelsea Leyland), and others who, with Karan, took the idea of street style to a new level.

This site gathers thousands of people, both men and women, who all come from the USA, and who are thrilled by the idea that they could be dating a real artist.

Whether you're watching Beck at a rural drive - in movie theater, backed up by 40 gospel singers, blowing into his rambler's harp, or the artist who dips marbles in ink and then sets them loose on a canvas, allowing the momentum of the train to dictate the drawing, every portion of Aitken's odyssey is a worthy addition to his collective ode to ideas and the endless possibilities of aesthetic communication.

It could be the story of two artists who hold different aesthetic philosophies but who find themselves attracted to each other for the other's ideas and personality.

It's about time someone took the whole «Bad Santa / Teacher» idea and pushed it into the hands of awards caliber artists who will bring something emotional to the table.

One of those affected is artist (and fan) Hector Moran, who came up with these awesome Deadpool and X-Men ideas for the game.

is a deliriously biblical portrait of the artist as a godlike monster (for the record, I liked it), this new film by Paul Thomas Anderson offers a more graceful and far more complicated version of the same idea... Quiet, moody, and deeply perverse (I'll say no more), this fascinating movie reminds us that Anderson is the kind of alchemist - director who can turn somebody ordering breakfast into a classic scene.»

Illustrated with performance, private videos, and recollections from those who knew him, this detailed and innovative documentary looks at the life of the always provocative artist Chris Burden, whose work consistently challenged ideas about the limits and nature of modern art, from his notorious performances in the 1970s to his later assemblages, installations, kinetic and static sculptures, and scientific models.

To make the movie idea work, he flies to Los Angeles, where he brings in an old colleague, John Chambers (John Goodman, breezy and reined in), a real makeup artist who received an honorary Oscar for «Planet of the Apes.»

There are also a number of different artists like David Bomberg, Joan Miro, Stuart Davis, Escher, Lisa Milroy and Henri Matisse - artists who use a simplified shape in their work and students can interpret there own ideas from these artists.

I love the idea that these remarkable and lasting works of art were done by unschooled young artists who were basically inventing the art of painting — just as the caves were the first art galleries!

«Mopar's branding since 1937 looks like design ideas run through a blender at max speed,» said my friend, Angela Riechers, who teaches typography at New York's School of Visual Arts and writes a weekly column on typefaces for Eye on Design, the American Institute of Graphic Artists» blog.

It was about a succubus, who gave writers and artists and songwriters ideas, in exchange for some of their lives.

She mentioned the importance of honesty from the author, the idea that communication between the author and artist is the key to successful cover design, and the point about cover designers who work primarily with stock images.

I have a basic idea before I get with a friend of mine who is a very talented artist.

There have been precedents for this long ago and particularly if you step back behind modern art where that whole idea of the artist as somebody who starves and dies.

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

The core Rusty Oak team is made of artists such as musicians, painters and designers, who came together to realize their ideas in the form of an atmospheric, interactive puzzle game Hurl VR.»

I've been very pleased with their quality and prices, plus I like the idea of supporting local artists who contribute to my community.

Emily is a sharp artist who had a great idea: What if you could help hundreds of artists sell their creative ideas?

Its the idea of the solo artist who is making millions from their work.

«I've found that in working this way — with this bodily, physical experience of landscape — it's possible to be both engaged in the idea of an empathetic response to what's going on while at the same time having this sort of ironic detachment,» says Seattle - based artist Vaughn Bell, who built Personal Forest Floor (Portable Mountain), 2003 — 8.

Baker writes: «Drawing a connection between the redrawing of political borders and the subsequent exchange of ideas among previously alienated artists, the exhibition theorizes that the surge of creativity in the 1920s and 30s could have been a direct response to the mingling of Russian Constructivists (who migrated west due to the increasingly conservative Soviet policies against the avant garde) and the radical Dutch conceptualists they encountered.

The project is very close to the artist who came up with the idea as a way of representing feelings of regret for choosing art as a career instead of medicine.

Any young artist without insight into these forms of expression, without a key to understanding the art of other times and places, who is tuned in only to current ideas, is indeed poverty - stricken.

@CoryHuff Not necessarily «easy» — and I do believe Kiva works with artists, too (so I / we could ask how they do it)-- but I wonder if the beginning could look like this: a trip (by you or you and Melissa) to a country / town / village that is having a well dug through the water charity project — with eyes to see what the art of the area is, who the artists are — very face to face... I like the idea of broadening the vision and helping others.

It is we artists who will serve you as avant - garde [Saint - Simon has his artist proclaim in an imaginary dialogue between the latter and a scientist]... the power of the artists is in fact most immediate and most rapid: when we wish to spread ideas among men, we inscribe them on marble or on canvas....

«In general, I think resale royalties are a pretty good idea,» said painter Chuck Close, who, with a number of other artists, filed a class - action lawsuit against the auction houses this past October.

am a 70 some artist who rarely sold anything, despite years of being online... for one, I paint with pen and ink, and do not put out anywhere enough for galleries to want to bother with, plus my work is realistic tho from my head... also, I work from themes, visualizing metaphoric ideas, so they're not the usual still life or landscapes..

a small group of 10 artists who I've hand picked to work together in a group so you can generate new ideas and have people to discuss them with and not be alone any more

Following along the lines of your idea about a micro-loan to an artist who wouldn't be able to bring their at to the world otherwise, I offer a service called Getting to Exhibition: Practical Coaching for Artists.

New Geometries presents artists who use the idioms of historical modernism to speak to ideas of the present, including the parallel modernisms of indigenous cultures; art and utility; and modernism as folk art.

The idea is to feature every artist who participates in the 2015 exhibition with an image of the work donated and their information.

Founded by Lucy Mitchell - Innes and David Nash, who previously headed the worldwide Contemporary and Impressionist & Modern Art divisions of Sotheby's, Mitchell - Innes & Nash places exemplary contemporary artists within a historical context, revealing a continuity of ideas and aesthetic virtuosity from the Modern era through the present day.

The 2017 Whitney Biennial traces an immeasurable circumference around our contemporary moment, looking for the «edge of an irregularly shaped idea,» according to co-curator Mia Locks — who, together with Whitney Associate Curator Christopher Y. Lew, assertively orchestrated a perpetually shifting fugue of sixty - three artists and collectives for its seventy - eighth edition.

Tschabalala Self is a visual artist based in New York who builds a singular style from the syncretic use of both painting and printmaking to explore ideas about the black female body.

MPA seeks works by artists who explore the idea of overstimulation, excessiveness and bombardment, be it through too much information, activity, expectation, or by any other means.

The raw aesthetic of Cass Corridor art also seemed most in tune with the conceptual ideas and attitudes of artists such as Eva Hesse, Tony Smith, Mark di Suvero, and Robert Rauschenberg, who used unconventional materials and produced unorthodox assemblages.

The second nests these ideas about abstraction and the sculptural in an emphatically feminist argument, one that asserts that the production, display, and reception of such art has been shaped by the personhood of the artists who tended to practice it, and by the sexist social and institutional conditions those individuals faced under modernism.

As noted by the late critic and historian Franz Roh — who coined the term «Magic Realism» in an essay in 1925 — artists are capable of acknowledging and expressing the idea that «the mystery does not descend to the represented world» as Surrealists would later contend, but rather «hides and palpitates behind it.»

A riff on the Pavillon de l'Esprit Nouveau — a show house Le Corbusier created for the 1925 Paris Exposition des Arts Décoratifs that appeared revolutionary for its ideas about mass production and home mechanization — Burrichter's rendition features works by more than 30 artists and designers who push the boundaries of design today.

As this dialogue indicates, Fontana was working at the very forefront of avant - garde art even late in his career, and advancing the ideas of the generation of artists who would succeed him after his death in 1968.