Sentences with phrase «ideas on paper first»

It is very important to sketch, write, and layout ideas on paper first.
Sketch some ideas on paper first, then use the sketch to draw out the design on your walls.

Not exact matches

It is as though the effort of greening the administration, starting in the late 1980s and culminating in the genesis of the country's first ever White Paper on the environment, exhausted their pool of ideas.
It's much better to have your paper published with one more person on it than having someone completely outside the lab publish similar work first, and get all the credit for the idea.
But one of your first papers on the subject was rejected, many of your peers thought your ideas were wrong at first, and Stephen Hawking bet against the discovery of the boson.
The first step is to sit down somewhere quiet and write the ideas I'll be presenting here down on paper.
Many people don't take the time to consider how many ideas are first set on paper before being totally revised, eliminated, morphed, added later, or expanded in the filmmaking process.
This was a real time saver because when I came down the end of August to set up my room ~ I just removed the paper and could move to other tasks needing to be done for the first day of school ~ I found many other teachers eventually joined in on this «pre» readiness idea.
The first group agrees that it is rather easy to write a reflection paper because it doesn't require much research, it has a simple structure and should be based on your own story or your personal ideas.
When I first get an idea, I plan a rough outline on paper (chapter headings for the non-fiction books, scribbly random notes for the rest) and let them simmer for a while.
But, as of this point, I first take some time developing an idea in my mind before I'm ready to put it on paper.
I've got Scrivener now, which will be a HUGE help with my outlines (I'm a pantser, not a plotter, which means I kinda throw a bunch of words on paper and go from there... okay at first, but not after you've written 190 pages and have no idea where to put a scene).
I had a seed idea for what I wanted to write, so I wrote and self - published my book in ninety days, from putting the first word on paper to having it available through CreateSpace and Amazon.com.
Despite the allure of programmatic advertising, it's increasingly difficult to argue with the idea that it's a dead end: it wouldn't be the first technology (or company) that made sense on paper but failed because of the lack of proper incentives for those involved.
Here's what our writing platform gives you: first and foremost, an intuitive, straightforward digital writing pad for you to get your ideas down on virtual paper.
When I'd first written a book, I had no idea what I was doing other than putting words on paper.
Below, you will find useful tips on how to write a term paper as well as possible ideas to consider in it.The first step you need to take in order to write a good paper is to outline your ideas.
What idea is going to be the first to consider in your college term paper on personal success?
So, think what idea should be presented first, then second, third, etc. before you start expressing your thoughts directly on the paper.
Heading back to explore the early days of the XCOM universe, tackling humanities first encounter with the aliens, is a great idea on paper, but the plot of the Bureau quickly falls apart thanks to insane leaps of logic by characters, massive plot holes and all manner of stupidity.
A simple and addictive idea on paper, but actually digging into FIFA Ultimate Team to manage a squad can be another thing entirely, especially for first - timers (including myself).
The British Journal of Photography interviews Miles Aldridge about where he gets his inspiration and how his ideas first evolve on paper
This idea is reinforced in the first room where Swinging, 1925, an abstract painting by Wassily Kandinsky, is juxtaposed with Homage to Kandinsky, 1937, by Marta Hoepffner (pictured right); she emulates Kandinsky's subtle geometry by placing stencils on photographic paper and exposing them to light.
His process of working ideas out first on paper parallels my practice of using watercolor studies as a springboard into painting.
First of all, I'll concede that it's a good ideaon paper.
In a series of works started in 2012 Thomas Ruff essentially takes an idea that was first introduced my artists like Man Ray, Laszlo Moholy - Nagy who simply placed objects of various shapes, textures and opacities onto photographic paper and captured their physical qualities through the optical traces they left on the light sensitive surface of the paper.
Overture will present over 25 new works exploring philosophical and theoretical ideas surrounding global displacement and conflict, demonstrating Khan's profound interrogation into language and meaning over a wide array of media — painting, sculpture, photography, works on paper, and, for the first time in his career, works on glass.
CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.
Sketches on paper are the first materialized traces of an idea, but they are also an instrument that makes a meandering thought concrete.
These works show LeWitt's wide range of mediums, from an early pencil on paper schematic rendering of cubes, done only a year after his first gallery exhibition, to folded works from the early 1970s, to late gouaches that explore the artist's ideas of abstraction.
for me it worked better before with your first version... secondly, when I've watched some videos, the artist already has his / her painting drawn out, and I've no idea what it looks like, I think that it would be better when I can see from scratch how he / she has done their drawing details... as in the pastel video of the tiger for example, I think it would be a great help to those who are not fantastic at drawing, but love to paint... perhaps yes, just one more thing: I know there are hundreds of brands of all the different mediums, and papers, so how can a beginner know on earth which one to invest in if they want to take their work serious?
The Estate of General Idea (1969 - 1994) had their first exhibition with the Mitchell - Innes & Nash Gallery on view in Chelsea through January 13, featuring several «ziggurat» paintings from the late 1960s, alongside works on paper, photographs and ephemera that highlight the central importance of the ziggurat form in the rich practice of General Idea.
«A paper published in the British journal Biology Letters on Wednesday provides the first lab - scale investigation into this idea, although its authors stress it does not provide proof that warship sonar is to blame.»
* According to the Berkeley group, the Earth's surface temperature will have risen (on average) slightly less than what indicated by NASA, NOAA and the Met Office * Differences will be on the edge of statistical significance, leaving a lot open to subjective interpretation * Several attempts will be made by climate change conformists and True Believers to smear the work of BEST, and to prevent them from publishing their data * After publication, organised groups of people will try to cloud the issue to the point of leaving the public unsure about what exactly was found by BEST * New questions will be raised regarding UHI, however the next IPCC assessment's first draft will be singularly forgetful of any peer - reviewed paper on the topic * We will all be left with a slightly - warming world, the only other certitude being that all mitigation efforts will be among the stupidest ideas that ever sprung to human mind.
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The first conversation I have with nearly every C - level executive who comes to me starts with their sheepish confession that, although they know the value they offer and they're pretty good writers, they have no idea how to put that on paper so they'll get the attention they deserve.
With all the advice out there about the myriad ways to present your best self on paper, it's hard to know if you've captured enough good ideas and made enough adjustments to your resume and cover letter to make them -LSB-...] The post 5 Ways to Get Your Cover Letter Noticed appeared first on WorkAlpha.
Since I'm a novice at hand lettering, I first googled it to get some ideas, and then I practiced on paper.
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