Wrapped in
identical white robes, we entered the sweltering bathhouse sauna to watch two actors, a white woman and a black man, perform the sexually and racially charged play.
Like a procession of Japanese monks with black
robes and shaven heads, the 13 late paintings by Ad Reinhardt circle a large
white room at David Zwirner Gallery: ascetic, elegant,
identical at first glance but subtly different on closer inspection.