Sentences with phrase «identify as feminist»

You identify as a feminist artist.

For me, I didn't identify as feminist until well into my 20s, but I acted like one long before then.

One needn't identify as a feminist to participate in the redemptive movement of God for women in the world.

Watson is the latest to join a growing group of young celebrities who not only identify as feminists, but are working to make the label socially acceptable and representative of a necessary movement.

Those who identify as feminists have been harassed as well as those who don't.

The number of women identifying as feminists currently in the states are what 20 % and in the UK 7 %?

But, looking back, I was having feminist conversations long before I identified as feminist.

Many women in my life have warned me that identifying as a feminist will «turn men off» from me and «don't you want to get married someday?»

But women who self - identify as feminists are more likely to practice Attachment Parenting than women who identify as non-feminist.

He publicly identifies as a feminist.

Meghan Markle will marry Prince Harry in a white bridal gown designed by Clare Waight Keller, a fitting choice as she, like Markle, identifies as a feminist.

Former ugly duckling Lauren Urasek, 26, who identifies as a feminist, said she responded to.

Roughly 63 percent of female students identify as feminists, and while no similar statistic is available for female faculty or staff members, most likely an even... Continue reading «Campus Feminism: The Real War on Women»

In the late 1960s and early 1970s artists became more political, even sometimes identifying as feminists or activists.

AMCDIn the late 1960s and early 1970s artists became more political, even sometimes identifying as feminists or activists.

Not exact matches

I shun labels of all kinds but am identified by others as a feminist, so often people will ask me if I think God is a man or a woman.

They wondered what this model signaled for women and men who are feminists but also identify themselves as Christians.

I believe that feminists who identify as pro-life need to be careful to qualify how they discuss the abortion issue and the reasoning behind the stance

The emergence of the women's movement in the 1960s and its criticism of the role of the Bible in the oppression of women posed a challenge to those who identified themselves as both Christian and feminist, or both Jewish and feminist.

First, feminists identify with Whitehead's emphasis upon experience as the basis of metaphysics.

To quote Kenyan feminist theologian Musimbi Kanyoro, «Those cultures which are far removed from biblical culture risk reading the Bible as fiction,» Conversely, societies that identify with the biblical world feel at home in the text.

Moreover, from a Whiteheadian analysis, if feminist, nonsexist, or androgynous images are used to organize and name experience, there will be a change in what is identified as important in the experience.

This gives womanist scholars the freedom to explore the particularities of black women's history and culture without being guided by what white feminists have already identified as women's issues.

Her concept contains what black feminist scholar Bell Hooks in From Margin to Center identifies as cultural codes.

Feminists have taught us to read our history in a way that shows how even the more favored women have been treated as male property, excluded from the possibility of developing and expressing their independent capacities, identified chiefly by their relations to men, and expected to shape their lives for the sake of husbands and children.

Separatist feminists move from identifying this split with socialization to seeing it as constituting inherent male and female «natures.»

I am not a modern feminist if I «only» identify as «mother»?

We identify as partner, mother, lover, sister, child, feminist... and much more.

Many to most members of crunchy - mom mafia tend to identify as «feminist,» which has proven to be a remarkable shield that largely prevents observers from noticing that each new item on the must - do list increases the burdens and demands on mothers, who already have a full plate living in a sexist society that doesn't really do much to make it easier for women raising small children.

found that Philip Morris identified a female market niche, the feminist values of individuals in that niche, and the stimuli to which they respond as they attempt to fill their needs.As women's needs change with age and over time, advertisements were developed to reflect the needs encountered at different stages in women's lives.Cigarette brands for younger women stressed female camaraderie, self confidence, freedom, and independence; cigarette brands for older women addressed needs for pleasure, relaxation, social acceptability, and escape from daily stresses.

But this then presents many with an internal conflict when their political beliefs as self - identified feminists seem to clash with their preferences as far as their dating lives.

Gavlak Los Angeles is pleased to present, Not I, We, a group exhibition curated by Julie Russo and Lauren Wood featuring artists that identify as women and / or LGBTQ, and feminists that support them.

Ringgold is one of the few artists included in the exhibition who aligned herself with the mainstream feminist movement, though she, like other black women, often found it lacking, and identified more pointedly as a black feminist.

A single word designed to merge craft and social activism, identifying a movement that, in line with the Third - wave feminist movement, utilized craft as subversive.

While this aversion to naming and categorization positions her vast and diverse body of sculptures, drawings, paintings and mixed media works into a relational practice that defies the specificities of medium or periodization, it also takes form in the artist's blatant refusal to identify herself or her work as feminist.

This invitational exhibition highlights recent work by feminist artists who were active in the Twin Cities in the 1970s and «80s as well as artists who self - identify as «third - wave» feminists.

The centrality of these forms after the mid-1960s, each featuring a void as its prominent nucleus, led feminist aestheticians to identify her work as quintessentially woman - identified.

As a feminist publication, we are committed to supporting the work of self - identified women and queer / trans / gender non-conforming individuals and strive to share the experiences and distinctive voices of those who identify as sucAs a feminist publication, we are committed to supporting the work of self - identified women and queer / trans / gender non-conforming individuals and strive to share the experiences and distinctive voices of those who identify as sucas such.

Joan Snyder is an avowed feminist and belongs to the first generation of women artists to identify themselves as such.