Sentences with phrase «identify editorial work»

Not exact matches

As for the errors in its database, «Thomson Reuters» editorial team continuously works with publishers, identifying ways to improve item - level matching, providing authors with simple processes to correct their records, contributing to cross-industry initiatives and encouraging use of standard identifiers.»

In an editorial that accompanied the afore - mentioned study, Whyte (2014) stated that «If a longer course of tDCS can accelerate recovery for a subgroup of the DOC population, perhaps a positive response to a single session of tDCS can identify the subgroup of individuals who are treatment responders to this or to other treatments that modulate attention and working memory circuitry.

The NAS and Annenberg group identified several ways to change incentives for quality and correction, including rewarding researchers for publishing high - quality work rather than publishing work more often; mentoring young peer - reviewers to increase clarity and quality of editorial responses during the journal publishing process; and using «voluntary withdrawal» and «withdrawal for cause» instead of the blanket «retraction» term, which has negative connotations that can prevent some researchers from taking action when a paper is wrong, but not as a result of fraud or misconduct.

These can be the most frustrating «hybrids» of all, since they might be identifying themselves primarily as a traditional publisher and be listed in market guides such as Writer's Market, but could use that as a bait - and - switch: Oh, sorry, your work doesn't meet our editorial needs for our traditional publishing operation, but would you like to pay for our hybrid publishing [or self - publishing] service?

Worked with Editorial staff to identify requirements and acceptance criteria for the GUI design

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Professional Experience United Media — a division of E.W. Scripps (New York, NY) 1988 — 2011 SVP / General Manager — Syndication & Web (2002 — Present) • Outline financial and strategic direction of business operations, directing all aspects of syndication division including sales, editorial, web, customer service, administration and production • Identify, develop and launch unique, valuable IP created by artists, writers and producers, including Dilbert and Big Nate • Negotiate client, talent, licensing and vendor agreements, working closely with in - house and external legal teams • Develop pricing strategies, competitor and market analysis, marketing and business plans for over 200 properties • Manage key talent relationships with IP including Charles Schulz / Peanuts, Scott Adams / Dilbert and Gemstar • Oversee and direct content for first and largest consumer - facing website in industry, comics.com, developing subscription and ad - based models and creating new features including e-commerce, widgets, RSS feeds and animations • Increase revenues, manage expenses, streamline workflows and create team environment to increase productivity, consistently exceeding profitability goals within a declining market segment