Not exact matches
Marfa, largely through the renowned Chinati Foundation, is
identified as a centre for
minimalist and land art.
While a growing number of artists were making
Minimalist work through the»60s, it wasn't until the 1966 «Primary Structures» exhibition at the Jewish Museum in New York that this style was
identified as a more widespread American phenomenon.
Judd
identified actual space
as «inherently more powerful and specific than paint on a flat surface,» a sentiment characteristic of
Minimalist faith in the productive reality of embodied,
as opposed to purely visual, experience.1 Hammons, however, combines the purified geometry of a Judd or an early Robert Morris with the cast - off traces of African - American urban life.
While Mangold's work is viewed
as minimalist art, he has said that he doesn't
identify completely with the term, stating that it creates an idea of being overly simple.