Sentences with phrase «identities around race»

That requires education, that requires commitment, it requires time in order to really come to understand the ways that dominant identities around race or gender or class has entrenched themselves, almost become calcified within the structures of any firm, or pick an organization in this country, whether it's higher ed or the non-profit sector, medicine, et cetera.

Not exact matches

While Bannon dismissed his would - be allies in the alt - right or ethnonationalist right, he still argued for the importance of focusing politics around race: «The Democrats, the longer they talk about identity politics, I got»em.

Everything is centered around this one moment where people of all ages, gender identities, races, ethnicities, sexual orientations, political beliefs, and backgrounds are welcome to come to the table and receive the elements.

The games and matches often stand in for cultural struggles around race, class, gender, and national identity — but that struggle is the subtext, and the movie brings it to the fore.

With support from McDaniel College in Western Maryland, MCPS developed a series of 12 - week courses that discuss topics ranging from the myths and misconceptions around race in the U.S. to the influence of teacher perception on student identity and performance.

While she believes there is great work being done around these issues, Camacho Lewis feels like opportunity is missed when we don't think about how to differentiate those spaces for educators who may be at different stages in their awareness of race, class, and other lines of identity that intersect.

And while a new report by Scholastic on principals and teachers» views on education equity describes that overwhelmingly, educators agree that equity in education for all children should be a national priority, it is also evident that such leadership requires clarity around the nuances of what it means to provide students a well - rounded education — regardless of race, national origin, immigration status, gender identity, disability, or religion.

I seemed to have missed this when it was assigned in high schools across America (though I also missed junior - year English altogether, so maybe that's where it was lurking), but I finally got around to this masterwork of race and political identity.

Like Ligon, their work often deals with the shifting experience of American identity, examining loaded questions around language, power, race, gender and sexuality.

Organized by Tumelo Mosaka (Curator of Contemporary Art at the Krannert Art Museum), University of Illinois, this exhibition focuses on the various ways artists from around the world respond to issues about identity particularly those defined by race and ethnicity.

Building on a growing interest in reassessing the role of the Black Arts Movement in the construction of contemporary ideas around race, national identity, gender and aesthetics, the conference asserts the continued and dynamic presence of the «Critical Decade».

Us is a show of new work by younger and more established local and international artists around the theme of group identity, whether nation, culture, class, gender, sexuality or race.

The messages that usually accompany these illustrations are often centered around the issues of cultural topics, such as, identity, society, and race.

Following in this tradition, «Trigger» extends the conversation around identity, considering how even a fluid conception of gender is marked by ongoing negotiations of power and can not be understood outside its complex intersections with race, class, sexuality, and disability.

Since then, using a wide range of media including video, sculpture, performance, installation, and works on paper, she has generated an artistic practice centered around issues of ritual, race, consumerism, and the politics of identity.

This exhibition examines constructions of racial identity to complicate popular rhetoric around race.

The show looks at artists from the sixties up until today who deal with notions of identity and ideas around gender, sexuality, and race.

There's also no shortage of Simpson's usual paintings, which this time around stick to a blue palette, as well as her favorite themes like gender, race, and identity through images lifted from vintage Jet and Ebony magazines.

Often my work has been critically framed around issues of race and identity.

«Trigger» extends the conversation around identity, considering how even a fluid conception of gender is nonetheless marked by ongoing negotiations of power and can not be understood outside its complex intersections with race, class, sexuality, and disability.

«Many of these works also encourage dialogue around intersections of art with race, identity, human rights and social justice, which are topics of great importance to the High and the Atlanta community.»

Recent highlights include Building Bridges, a group show of 26 artists organized around the theme of creating a peaceful global community that transcends borders, religions, sexual identity, race and gender.

His work shrewdly explores and confounds stereotypes of race and class, engaging with ideas around identity and authenticity as well as dislocation, multiculturalism, global food production and revolution, often addressed through playful conceits.

Lewis's work has appeared in a number of publications around themes of race, identity, and representation.

But as we have moved beyond that moment and into the 21st century and as we have moved into the era of post-modernism, particularly that category post-black, I really felt that it would be worth revisiting Archibald Motley to look more critically at his work, to investigate his wry sense of humor, his use of irony in his paintings, his interrogations of issues around race and identity.

«GLENN LIGON: Encounters and Collisions» @ Nottingham Contemporary Nottingham, England Curated by Glenn Ligon, this exhibition brings together the work of 45 artists whose work «often deals with the shifting experience of American identity, examining loaded questions around language, power, race, gender and sexuality.»

Kalup Linzy is primarily known for his live performances, video works, and animation that invoke a satirical narrative inspired by soap operas and Hollywood melodramas to investigate stereotypes around sexual identity, race, and gender.

The show revolves around the theme of appropriation; with work that explores / deals with desire, race, sexuality, identity and gender, often via magazine formats and camera-less techniques (such as photograms).

Diversity is about the wealth around human differences — including gender, race, ethnicity, gender identity, sexual orientation, disability, and life experiences.

Scholars at the Wellesley Centers for Women have conducted research studies and evaluations on issues related to child and adolescent development, including issues around race, ethnicity, immigrant status, and identity; the effects of early child care; the value of physical activity; preventing depression; examining unique family dynamics; and exploring sexuality and evaluating sex - education programming.