Sentences with phrase «identity as a black woman»

The artist has made a point of highlighting the way her identity as a black woman has unavoidably become central to the conversations around her work.

Not exact matches

Unlike my preference for black coffee vs. lattes, my sexual identity (and sexual relationship with my wife) is a very significant aspect of who I am as a person... Do you disagree with the assertion that sexuality is integral to the identity, and what are your thoughts on why God created you as a gay woman while forbidding you to ever live that out in a relationship with another woman?

BBW I identity myself as Black but I'm a multiracial woman with all the colors of the rainbow in my family.

... Superhero movies have long needed this kind of representation in terms of men and women of color, and for black audiences, «Black Panther» will undoubtedly be as culturally significant in the way it addresses subjects of identity, race and gender as «Wonder Woman» was to female fans.&rblack audiences, «Black Panther» will undoubtedly be as culturally significant in the way it addresses subjects of identity, race and gender as «Wonder Woman» was to female fans.&rBlack Panther» will undoubtedly be as culturally significant in the way it addresses subjects of identity, race and gender as «Wonder Woman» was to female fans.»

Providing opportunities for other black women is one way in which Himid's designation as a black feminist — dual identities which «are not separate» — can be seen in practice.

The critical «intention» of a male white artist is trumped by those with a greater claim to the identity at stake — «As a black woman, I'm offended».

Broadly interviews artist - friends Precious Okoyomon and Phoebe Collings - James about their experiences as immigrant black women and how their identities inform their respective works.

In White Girls, his critically acclaimed collection of essays from 2013, he examines his identity as a gay black man through the white women who have caused him pain.

Knowing that the artist proudly embraces her identity as a black, gay woman, one understands the cultural implications of this artistic gesture.

Carmen Neely's work — a combination of painting and found objects — is imbued with deep intention and awareness of her identity as a young black woman making art in the twenty - first century.

Lorraine O'Grady Crossing disciplines including performance, criticism, photography and video, Lorraine O'Grady's meditations on Black identity and women's representation have positioned her as a fore - bearer of conceptual and activist practice.

Alison Saar creates artworks that reflect themes of cultural and social identity, history, and religion, and reflecting the plurality of her own experiences as a black woman artist.

Howardena Pindell's work has been featured in many landmark museum exhibitions, such as: Contemporary Black Artists in America (1971, Whitney Museum of American Art), Rooms (1976, P.S. 1 Contemporary Art Center), Another Generation (1979, The Studio Museum in Harlem), Afro - American Abstraction (1980, P.S. 1 Contemporary Art Center), The Decade Show: Frameworks of Identity in the 1980s (1990, New Museum of Contemporary Art), and Bearing Witness: Contemporary Works by African - American Women Artists (1996, Spelman College Museum of Fine Art, Atlanta).

Expect vibrant large - scale tableaux that challenge traditional notions of identity in art, such as Mickalene Thomas's restaging of famous works by the likes of Manet and Monet with glittering, provocatively dressed black women.

Rawan Althomali: «Nonentity» Trois Gallery 6 - 7 p.m. Join SCAD graduate student Rawan Althomali (M.F.A. photography) as she debuts a series of stark, black and white photographs of women that portray identities both specific and obscure.

While her improvised, thrift - store DIY aesthetic smacks of the populism of this year's Whitney Biennial and her global themes and global identity (she is a black South African woman and an international artist) should have made her a shoe - in for Documenta XI, Rose's videos are ultimately as much about her art practice — a fine combination of video, performance, and photography — as about any «issue» of identity or globalization.

As an artist critically aware of her role in the art world as an African - American woman, Jones calls upon her training and her identity to construct a revisionist history, one which acknowledges abstract work by black artists left out of art history's Modernist canoAs an artist critically aware of her role in the art world as an African - American woman, Jones calls upon her training and her identity to construct a revisionist history, one which acknowledges abstract work by black artists left out of art history's Modernist canoas an African - American woman, Jones calls upon her training and her identity to construct a revisionist history, one which acknowledges abstract work by black artists left out of art history's Modernist canon.