In 1935, she had her first solo exhibition of paintings at Midtown Galleries, New York, and following this show, she was offered a job installing works and selling paintings on commission, sparking her curatorial interest and developing her professional
identity as an art dealer.
Not exact matches
Our two fairs (Basel and New York) began with their own unique
identities: VOLTA Basel was founded by three galleries
as a fair «by
dealers, for
dealers», meaning first and foremost we have the galleries» (and their artists») best interests in mind, from the quality and curation of
art to the venue and presentation of it.
As it turned out, Melgaard tried playing both the «art as critique» and the identity - politics card in his defence: in a joint statement issued with his dealer Gavin Brown, the artist declared that the sculpture existed «to destabilize and unhinge our hardened and crusty notions of race and sex and powe
As it turned out, Melgaard tried playing both the «
art as critique» and the identity - politics card in his defence: in a joint statement issued with his dealer Gavin Brown, the artist declared that the sculpture existed «to destabilize and unhinge our hardened and crusty notions of race and sex and powe
as critique» and the
identity - politics card in his defence: in a joint statement issued with his
dealer Gavin Brown, the artist declared that the sculpture existed «to destabilize and unhinge our hardened and crusty notions of race and sex and power.
As a black man born in Manchester and now living in Trinidad, half a world away from the endless machinations of the London
art world and London's
art dealers, how has Ofili defined his own experience of being alive, and succeeded in establishing his own black cultural
identity through his
art?
Through her studio she has worked on many award - winning projects:
as lead in the process of identifying a design strategy, and team, for the Whitney Museum's new graphic
identity, and its consequent spatial implementation in the Renzo Piano - designed architecture;
art directing, designing and implementing the graphic identity for the New Art Dealer's Alliance (NADA); designing and producing art catalogues for publishers such as Rizzoli Publishing, Koenig Books, and Dashwood Books; as well as consulting for The Menil Collection and Casa Wabi Puerto Escondi
art directing, designing and implementing the graphic
identity for the New
Art Dealer's Alliance (NADA); designing and producing art catalogues for publishers such as Rizzoli Publishing, Koenig Books, and Dashwood Books; as well as consulting for The Menil Collection and Casa Wabi Puerto Escondi
Art Dealer's Alliance (NADA); designing and producing
art catalogues for publishers such as Rizzoli Publishing, Koenig Books, and Dashwood Books; as well as consulting for The Menil Collection and Casa Wabi Puerto Escondi
art catalogues for publishers such
as Rizzoli Publishing, Koenig Books, and Dashwood Books;
as well
as consulting for The Menil Collection and Casa Wabi Puerto Escondido.