Sentences with phrase «identity construction through»

Identity construction through self - narration is empowering.»
Few themes are as prominent today as identity construction, not least identity construction through acquisition and consumption.

Not exact matches

The point being asserted has to do with the tendency in contemporary Hindu nationalism through the various units of the Sangh Parivad (the Bharatiya Janata Party [BJP], the Rashtriya Swayamsevak Sangh [RSS], the Vishwa Hindu Parishad [VHP], Bajrang Dal [BD] and the Shiv Sena party [SS]-RRB- to further the process of taming all heterogeneous and plural forms to fit into the unitary construction of a religiously synthesized India, while defining the core of this disciplined pan-Indian identity in Hindu (specifically Brahmanic) terms.
But among artists and scholars alike, the Asian nonhuman has also posed the utopic possibility of an identity free from the white gaze through the construction of a new life.
The fact that consumption as opposed to production assumed a central role in identity construction and ensuring respectability, contributed significantly to the loss of the respectable status created / earned through being a worker during the pre-1980s.
This is the first work in a second generation of his celebrated Wind Sculpture series and continues Shonibare's ongoing examination of the construction of cultural identity through the lens of colonialism.
The slideshow cycles through pairs of images presented on a pair of monitors, and these looping still photographs show the Hollywood icon self - consciously posing, reflecting, brooding, and generating a model for the construction of identity through images.
American artist Hank Willis Thomas discusses his work and the construction of black identity through popular culture.
While Glenn Ligon focuses on the construction of «blackness» and «queerness» in his photographic rethinking of Robert Mapplethorpe's erotic images, Iñigo Manglano - Ovalle explores the notion of identity through the processes of genetic mapping in his DNA photographs.
Over and over again in the catalog, we read about Ligon's love for painting — de Kooning's Pirate (Untitled II)(1981) is a favorite, apparently — and how he, um, «opened up the semantic rules of identity and linguistic constructions between object - text and image - sign relations through the use of photography and text based on the appropriation of language, sign, text, and speech as material for his painting practice.»
Her work deals with ideas and notions of power structures, identity, memory, construction of history, architecture and how these are interlinked and interpreted culturally, spatially, and through representation.
Each artist in this show explores through their medium the construction of an environment or space and its identity, be it man made or natural.
In her first solo museum exhibition, Oakland - born artist Sadie Barnette maps identity construction and personal mythology through the FBI file amassed during her father's years as a Black Panther.
Through human exchange, Ramírez Jonas aims to enunciate the possibilities of self - determined constructions of identity within the limits of datafication imposed by state, corporate, and social systems.
Fortunately during his residency, Ingram, a queer artist originally from Jackson, Mississippi, got to work through some ideas for his exhibition, Skin Thick, which uses «found images and materials to question the process of identity construction» with the Mexico City - based Perea.
He's interested primarily in the investigation of the construction of black identity through popular culture in the 17th and 18th century but also in the more recent times.
The exhibition is structured in chapters whose themes are the man - eating outsider or non-human; the relationship with others and construction of an individual and group identity through a dual movement of incorporation and rejection; the body as an organism capable of transformation, and which feeds on and feeds others; eroticism and all - consuming passion; violence and horror; ritual and sacrifice; and images from childhood, derived from tales and legends.
Based in Paris, Esther Shalev - Gerz is internationally recognised for her artistic practice that investigates the construction of knowledge, histories, and cultural identities through the potentialities of unexpurgated expression.
Brown is concerned with the stylistic appropriation of African - American cultural forms and with the global construction of identity through consumerism.
Working in painting, sculpture, photography, film and installation, Shonibare's work examines race, class and the construction of cultural identity through a sharp political commentary of the tangled interrelationship between Africa and Europe and their respective economic and political histories.
Sibande is celebrated for her practice in which she employs the human form as a vehicle — through painting and sculpture — to explore the construction of identity in a postcolonial South African context.
On view through Dec. 16 in the Big Medium Gallery, Skin Thick references «certain material surfaces that have a specific relationship to the body» through which Ingram unites his printmaking and sculptural concerns, as well as creative writing and making objects, to question the process of identity construction.
Through his oeuvre — which includes sculpture, painting, drawing, installation, and video — , Cruzvillegas reveals a close and constant engagement with the material world, immersing himself in the ongoing construction and transformation of personal and collective identities.
Shonibare, a self - described post-colonial hybrid, explores ideas of race, class, and the construction of cultural identity through his work.
Film plays a central role in their mutual explorations of identity and movement: Through the work of three emerging international artists, Quarantina, currently exhibiting at John Hansard Gallery, questions the place of the individual within social constructions.
This group of works, selected from the 1980s, examines the cultural constructions of power, identity and sexuality through -LSB-...]
Maintained brand identity through fit, styling, and consistent construction specifications.
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