Sentences with phrase «identity in the blurring»

She is fascinated by digital semiotics and the situation of identity in the blurring contexts of real and virtual.

She is fascinated by contemporary modes of digital communication, the power (and sometimes the perversity) of popular iconography, and the situation of identity in the blurring contexts of technological virtuality and biological reality.

Not exact matches

One's identity as person is established in community, contrary to the fears of some that participation in intensive group life will blur and diffuse one's individuality.

You will notice that the pictures are blurred out, but as you know, we always do that to protect the identities of those using these dating sites in case they don't want that shared with the world.

Lines of morality blur and nothing is as it seems in this eerily fascinating exploration of identity, voyeurism and loss of self.

In his review for The Times, Justin Chang called the film «an incorrigible, unapologetic blast,» before adding «the movie is a big, brash tale of American striving as well as an identity - blurring, chronology - fudging bit of storytelling business.

When teachers go through a design process and emerge on the other side with a designer identity, they have a greater degree of agency in blurring the line between teacher and student, and in supporting each other as they rethink what learning can be in the 21st century.

Hunters in the Dark is a sophisticated game of cat and mouse redolent of the nightmares of Patricia Highsmith, where identities are blurred, greed trumps kindness, and karma is ruthless.

In The Strange Case Of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson uses fog to create an atmosphere of mystery and as a metaphor for the blurring of identities that occurs in the noveIn The Strange Case Of Dr. Jekyll and Mr. Hyde, Robert Louis Stevenson uses fog to create an atmosphere of mystery and as a metaphor for the blurring of identities that occurs in the novein the novel.

And yet that same journey can lead to a radical rediscovery of love, peace and identity in a world blurred by confusion, unworthiness and anxiety.

A recent work, Triptych (2009), portrays the artist — now nearly 80 but still voluptuous — in the nude, three times, as if in motion, the last figure blurred like a multiple exposure, its identity less fixed.

In Unseen, we meet Goodwin's father and his son, Jeffrey and Fynn Cole, while there is space in the display too for a section about three figures in maritime history; Goodwin is deliberately blurring identity and historIn Unseen, we meet Goodwin's father and his son, Jeffrey and Fynn Cole, while there is space in the display too for a section about three figures in maritime history; Goodwin is deliberately blurring identity and historin the display too for a section about three figures in maritime history; Goodwin is deliberately blurring identity and historin maritime history; Goodwin is deliberately blurring identity and history.

«It has been a unique and uncanny pleasure to recreate an iconic film concerned with authenticity in the very location of Vertigo, and to learn about the «ghosts» haunting both museums, providing ample material for a project questioning identity and representation, in this era where fiction and reality have become increasingly blurred», states Lynn Hershman Leeson.

The figure is also bathing in liquidity — a perfect metaphor for paint — naked, in pleasure, but also abjectly covered in smudges, swiveling, scrubbing, identity blurred.

As they push and pull across the screen, the silent, blurred image evokes a dreamlike state, engaging onlookers in an intimate moment while simultaneously leaving viewers to guess their identities and their intentions.

Joshua Flint (previously) paints scenes in relationship to the way we access old memories in our mind, blurring motions and obscuring the identities of his works» subjects.

Among the highlights of its first eight years are: Bernd Alois Zimmermann's harrowing Die Soldaten, in which the audience moved «through the music;» the unprecedented six - week residency of the Royal Shakespeare Company in their own theater rebuilt in the drill hall; a massive digital sound and video environment by Ryoji Ikeda; a sprawling gauzy, multi-sensory labyrinth created by Ernesto Neto; the event of a thread, a site - specific installation by Ann Hamilton; the final performances of the Merce Cunningham Dance Company across three separate stages; the New York Philharmonic performing Karlheinz Stockhausen's sonic masterpiece Gruppen with three orchestras surrounding the audience; WS by Paul McCarthy, a monumental installation of fantasy, excess, and dystopia; a sonic environment that blurred the boundaries between artist and audience created by the xx; an immersive Macbeth set in a Scottish heath and henge by Rob Ashford and Kenneth Branagh; tears become... streams become..., a genre - defying collaboration between artist Douglas Gordon and pianist Hélène Grimaud, which flooded the Armory's drill hall with an installation of water, light, and music; and HABEAS CORPUS, a performance and installation by Laurie Anderson based on the story of a former Guantanamo Bay detainee that examines lost identity, memory, and the resiliency of the human body and spirit.

Describing the current state of net art and digital feminism, she uses both of the artists as examples of women whose explorations in digital identity blur the boundaries between art and life.

From the studio as a site of labor, to one that blurs production, performance, and spectacle, to a concept that defines the artist's own identity, the exhibition features artists who, in response to changing socio - economic influences, represented new modes of working and living that would subsequently spread across society.

In 2016 he created a series of outdoor sculptures for the 2016 Olympic Games in Rio de Janeiro, depicting athletes whose identities were blurred behind the motion of Olympic events such as diving, high jump and swimminIn 2016 he created a series of outdoor sculptures for the 2016 Olympic Games in Rio de Janeiro, depicting athletes whose identities were blurred behind the motion of Olympic events such as diving, high jump and swimminin Rio de Janeiro, depicting athletes whose identities were blurred behind the motion of Olympic events such as diving, high jump and swimming.

In the 1990s, Wolff Olins helped a disparate constellation of British museums — Tate Britain, Tate Modern, Tate Liverpool, and Tate St. Ives — develop a unifying identity, with the family name in blurred letters as if spray - painted with a nearly empty caIn the 1990s, Wolff Olins helped a disparate constellation of British museums — Tate Britain, Tate Modern, Tate Liverpool, and Tate St. Ives — develop a unifying identity, with the family name in blurred letters as if spray - painted with a nearly empty cain blurred letters as if spray - painted with a nearly empty can.

The blurred boundaries of the letterforms and subtle tonal shifts ask the viewer to reconsider their visual acuity, and in turn, the nuanced issues of race, gender and identity.

This group exhibition blurs the lines set in place to demarcate what is kept private and what is for public consumption, while exploring the complexities of identity, memory and subjectivity in relation to Black Womanhood.

Lipman recreates such images in clear glass, draining them of color and substance, which blurs the identities of each form.

His work is multidisciplinary and often draws upon themes of cultural production and identity in relation to history; blurring the distinction between fiction and reality.

Founded in 1979, the New York City - based practice established its identity through self - generated conceptual art and architecture installations, before reaching international prominence with large - scale cultural and civic projects such as the Blur Building at the Swiss Expo 2002 in Yverdon - les - Bains; the Institute of Contemporary Art, Boston; the Lincoln Center for the Performing Arts redevelopment project and the High Line, both in New York; as well as the Broad museum in Los Angeles and the recently completed Zaryadye Park near Red Square in Moscow, which opened in September 2017.

Appearing as Antinova in scripted and non-scripted performances for over a decade, Antin has blurred the distinction between her identity and that of her character.

Porcelain, according to the artist, is the connecting link between the two cultures; and identity is stylishly fashioned in these finely crafted works quietly defining the blurred lines that bled out from global colonialism.

In her portraits and landscapes, Opie establishes a level of ambiguity — of identity and place — by exaggerating masculine or feminine characteristics, or by exaggerating the distance of the shot, cropping, or blurring her landscapes.

Blurring the distinction between object and subject, concrete and abstract, real and imaginary, Thomas constructs complex portraits, landscapes, and interiors in order to examine how identity, gender, and sense of self are informed by the ways women are represented in art and popular culture.

From the studio as a site of labor; to one that blurs production, performance, and spectacle; to a concept that defines the artist's own identity; the exhibition examines the work of artists who, in response to changing socioeconomic influences, represented new modes of working and living that would subsequently spread across society.

This highlights the Bauhaus dichotomy: craft and design versus high art, blurring these boundaries and that of Ruby's identity with the artwork, and the nature of physicality in terms of an artist's practice.