Sentences with phrase «identity of the artist in»

Not exact matches

Upon careful analysis, at least ten such points become apparent: (1) Blake alone among Christian artists has created a whole mythology; (2) he was the first to discover the final loss of paradise, the first to acknowledge that innocence has been wholly swallowed up by experience; (3) no other Christian artist or seer has so fully directed his vision to history and experience; (4) to this day his is the only Christian vision that has openly or consistently accepted a totally fallen time and space as the paradoxical presence of eternity; (5) he stands alone among Christian artists in identifying the actual passion of sex as the most immediate epiphany of either a demonic or a redemptive «Energy,» just as he is the only Christian visionary who has envisioned the universal role of the female as both a redemptive and a destructive power; (6) his is the only Christian vision of the total kenotic movement of God or the Godhead; (7) he was the first Christian «atheist,» the first to unveil God as Satan; (8) he is the most Christocentric of Christian seers and artists; (9) only Blake has created a Christian vision of the full identity of Jesus with the individual human being (the «minute particular»); and (10) as the sole creator of a post-biblical Christian apocalypse, he has given Christendom its only vision of a total cosmic reversal of history.

Artist's National Portrait Gallery show, tying in with C4 series, explores British identity, including that of jailed cabinet minister

Identity is at the heart of artist Stéphanie Solinas's tantalising exhibition in San Francisco, where she explores how others see us

Dr Jago Cooper said: «For the millions of indigenous peoples living in the Caribbean before European arrival, caves represented portals into a spiritual realm, and therefore these new discoveries of the artists at work within them captures, the essence of their belief systems and the building blocks of their cultural identity.»

The fine line between failure and success is as thin as the thread that separates love and tragedy, and in this tale of a self - destructive artist attempting to regain his identity after a harrowing bout with commercial success, one man finds out just how difficult it can be to built a stable future on the foundation of an uncertain past.

In the comics, Legion / David (created by writer Chris Claremont and artist Bill Sienkiewicz) is the son of Professor Charles Xavier and Gabrielle Haller, has dissociative identity disorder, and Omega - level (read: HOLY SHIT) mutant abilities.

On the other hand, her creative partner JR is quite literally an unknown quantity: the visual artist and street photographer's identity is uncertain, and while he has directed a handful of films, including a short starring Robert De Niro, to my knowledge he has made no significant splash in the world of cinema until now.

That being said, of all the films discussed herein, Monster remains the most productively enigmatic, dredging up questions of art and the artist in tension (and the individual and gender identity) with more urgency than the others.

In this challenging and lyrical piece, the artist problematizes structuralist and post-structuralist notions of interiority / identity to arrive at a catharsis of shape and texture.

In «The Shape of Water,» Richard Jenkins plays a commercial artist in the early 1960s, forced by the times to keep his identity as a gay man closeteIn «The Shape of Water,» Richard Jenkins plays a commercial artist in the early 1960s, forced by the times to keep his identity as a gay man closetein the early 1960s, forced by the times to keep his identity as a gay man closeted.

Learning objectives To develop a detailed collage on oneself and to discover how other artists have represented their own identity - Cindy Sherman, Barbara Kruger and Mariel Amelia Showing examples of composition planning of collage - drawing out ideas for collage Using a text artists like Miss Wilcox and adding in words to add to identity image of oneself - adding in text in the photoshop work and then in the fabric work.

CECILE GUIDOTE - ALVAREZ UNESCO Artist for Peace, 2003 / UNESCO DREAM Center 2011 President, International Theatre Institute's Cultural Identity and Development Committee Delivered October 16, 2012 at UNESCO Headquarters, Paris All of us here in Paris: Goodwill Ambassadors, Artists for Peace and Champions for Sports in this historic gathering are committed to help carry out the -LSB-...]

In the Australian Curriculum: The Arts, intercultural understanding enables students to explore the influence and impact of cultural identities and traditions on the practices and thinking of artists and audiences.

«Kabuki» creator David Mack has illustrated three of Dark Horse Comics «Mignolaverse covers for the month of February 2015, the same month the final issue of «Fight Club 2» — a book that Mack, as cover artist, has had a major role in its visual identity — is scheduled for release.

In Yashar Azar Emdadian's video performance Des - Integration (2012), the artist shaves his torso in a public space, his body becoming the boundary between a migrant's molting of personal identity and his integration into another culturIn Yashar Azar Emdadian's video performance Des - Integration (2012), the artist shaves his torso in a public space, his body becoming the boundary between a migrant's molting of personal identity and his integration into another culturin a public space, his body becoming the boundary between a migrant's molting of personal identity and his integration into another culture.

In 2013, starting in Paris and Brussels, and now London, Pullman is building with both emerging and established living artists, a contemporary art collection that explores an essential aspect of our times: the re-emergence of cultural identities in a modern world marked by universality and cultural mixing.&raquIn 2013, starting in Paris and Brussels, and now London, Pullman is building with both emerging and established living artists, a contemporary art collection that explores an essential aspect of our times: the re-emergence of cultural identities in a modern world marked by universality and cultural mixing.&raquin Paris and Brussels, and now London, Pullman is building with both emerging and established living artists, a contemporary art collection that explores an essential aspect of our times: the re-emergence of cultural identities in a modern world marked by universality and cultural mixing.&raquin a modern world marked by universality and cultural mixing.»

In this session, Allegorithmic technical artist and Substance Jedi Vincent Gault will share some tips and tricks for texture artists who want to up their game, and more importantly, preserve the visual identity of their project no matter what its size.

These issues are hardly confined to race, of course — curators of exhibitions on gender, nationality, and other aspects of identity routinely encounter artists who decline to participate because they don't want to be considered in the context of «women artists,» «Jewish artists,» and so on.

In an epoch when older painters tended to work for forty years exploring the same image, Wool blew willy - nilly through different images, often concurrently, challenging traditional notions about artist identity and branding and paint handling as well as the Modernist notion of progress.

The Intersectional Self, an exhibition centered on gender and feminist politics in the age of trans - identity, features the work of artists Janine Antoni, Andrea Bowers, Patty Chang, Abigail DeVille, Ana Mendieta, Catherine Opie, Adrian Piper, Genesis Breyer P - Orridge, Cindy Sherman, and Martha Wilson.

The body and identity is at the very heart of the artist's work; Kessling presents photographic and video works placing herself in a form of subverted self - portrait.

Acclaimed artist and filmaker Lynn Hershman Leeson discussed women in art now, identity and consumerism, examining the first 45 minutes of her 80 - minute film!

Ed McGowin presents a selection from his Name Change project in which the artist legally changed his name twelve times and created new identities and corresponding bodies of artwork.

In describing her distinguished practice, the gallery said she has «emerged as a central voice in a generation of American artists questioning constructed societal historical narratives and the performative crafting of identitIn describing her distinguished practice, the gallery said she has «emerged as a central voice in a generation of American artists questioning constructed societal historical narratives and the performative crafting of identitin a generation of American artists questioning constructed societal historical narratives and the performative crafting of identity.

Her breakthrough painting, the work that established her artistic identity and announced the arrival of a major artist, is «Mountains and Sea» (1952), currently touring in an exhibition of Abstract Expressionist...

For younger artists today, Hendricks's work provides an important touchstone as they articulate their own identities and question perceptions of race in America.

The work on view focuses on artists in the collection whose practices respond to issues of identity, gender, class, power, and the values that contribute to our social fabric.

The artist talks about her new show, Unknown Women, in which she explores concealment of identity, t...

Among her groundbreaking exhibitions and publications over the past forty years are The Russian Avant - Garde, 1910 - 1930: New Perspectives; German Expressionist Sculpture; Degenerate Art: The Fate of the Avant - Garde in Nazi Germany; Exiles + Émigrés: The Flight of European Artists from Hitler, Made in California: Art, Image, and Identity, 1900 — 2000, and exhibitions of David Hockney, Ed Kienholz, Ken Price, Maria Nordman, Sharon Lockhart, and Alexander Calder, several of which featured installations designed by Frank Gehry.

Featuring four artists from the exhibition and moderated by MAM director Lora Urbanelli, the panel examines the insights achieved by, and challenges inherent in, creating a history of a relatively recent era, many of whose key issues — surrounding identities, digital technologies, and globalization — remain urgent today.

Kessling works across a range of media such as photography, film, and performance, and here the images reflect performative tools for exploring identity, often juxtaposing the artist's own body with objects and materials such as dust sheets, clay, fabric and paper bags used with transformative effect — the temporal nature of the performative movement frozen in a single gesture — a single still from an action, or a response to an art - historical identity.

Organized by MOCAD senior curator at large Jens Hoffmann (also deputy director of the Jewish Museum in New York) and Pablo León de la Barra (UBS MAP Latin American curator at the Guggenheim), the group exhibition stems from a decades - long conversation between the two curators about the identity and diversity of Latin American artists.

Beginning in the Renaissance with representations of mythological, religious, and literary themes, the most famous artists of the time were commissioned to commemorate pivotal historical events that defined national identities.

Rirkrit Tiravanija's use of Annlee — the manga character, whose rights have been bought by artists Pierre Huyghe and Philippe Parreno — in his video Ghost Reader, captures the complex issues of copyright, identity, subject - hood, and emotion in our changing society.

NEWS The forthcoming Institute of Contemporary Art Los Angeles (ICA LA) introduces a bold new logo and brand identity designed in collaboration with Los Angeles artist Mark Bradford.

The participating artists in Embodying have been influenced by issues of identity and community, literature, pop culture, and encounters with nature.

Its unique, hand - painted pattern in turquoise, red, and orange — colors that the artist associates with his childhood on the beaches of Lagos — is inspired by Dutch wax batik print, which Shonibare has called the «perfect metaphor for multilayered identities».

It was clear in a series of self - portraits by Justin Vivian Bond — who is best known for experimental cabaret performances — that were displayed at the New Museum last fall, and seemed to casually but definitively announce Bond's identity as a trans artist.

PANELS / LECTURES 2004 «Contemporary Photography», slide lecture and critique class, Art Center College of Design, Pasadena, CA «Identity Politics in Contemporary Art», instructor: Jean Rasenberger, Art Center College of Design, Pasadena, CA «Artists in Their Studios», instructor: Eve Fowler, Art Center College of Design

Born in Medellin in 1932, the Colombian artist is listed among great artists of modern painting and sculpture with a unique pictorial identity due to his instantly recognisable and much loved corpulent figures.

While portraiture has illustrated political and social circumstances throughout history, the artists in this exhibition try to transform portraiture into a genre that can hold its own weight amongst the innovations of the contemporary art world by using Neel's portraiture as inspiration means to address the complexities of personal identity.

«[Lorna Simpson] has emerged as a central voice in a generation of American artists questioning constructed societal historical narratives and the performative crafting of identity.

Indeed, the social histories and identity politics explored in work made during the Civil Rights, Black Power, and Black Arts Movements is being investigated by a new generation of scholars and curators, bringing attention to overlooked artists central to the era, AfriCOBRA artists in particular.

In the early 1990s Turk explored issues of authorship and identity by making a number of works based on his own signature that comment on the value that the artist's name confers onto a work.

Zanele Muholi at Yancey Richardson «Zanele Muholi» Through December 9, 2017 Visual artist and activist Zanele Muholi's arresting work revolves around themes of blackness and queer identity in South Africa.

Curated by Nicole J. Caruth, the exhibition focuses on «contemporary artists who Grace Jones has influenced and inspired, and artists who address black bodies and queer identity in ways that recall aspects of Jones» oeuvre,» she said in an interview with Crave.

Wǒmen (我们): Contemporary Chinese Art showcases work by a selection of contemporary Chinese women artists who engage with issues of identity formation in a globalized society marked by rapid urbanization and the incursion of digital technologies in China.

While still studying, the artist created a series of imaginary portraits, including the Rayski Head and Onkel Bernard, beginning to focus on German identity in the post-WWII era.

Those all - too - human flaws contribute to a broader portrait of an artist who understood, perhaps more astutely than his peers, the cultural moment in which they were immersed as identity politics and the popularity of the photographic medium shifted to center stage.

This display encompasses many artists taking different political positions and of differing identities and backgrounds, but a lot of the work on display is looking at how social and political experience is reflected in broader visual culture, including pop culture.