Sentences with phrase «identity projects as»

In - house marketing roles in law firms have historically focused largely on «the classics» of professional services marketing — business development (co-ordinating RFP responses and assisting with client pitches), event management (client seminars and firm receptions) and brand identity projects as well as oversight of firm print collateral (brochures,... [more]

In - house marketing roles in law firms have historically focused largely on «the classics» of professional services marketing — business development (co-ordinating RFP responses and assisting with client pitches), event management (client seminars and firm receptions) and brand identity projects as well as oversight of firm print collateral (brochures, folders, cards, etc.).

Not exact matches

Bitcoin originated (and remains) as a public - interest non-profit project by a programmer (who's identity is not known) who wanted to create a tamper - proof private non-state currency.

The Bhagavad - Gita is literally translated as «song of God» and is a discussion between Lord Krishna and his student, Arjuna, on revealing one's spiritual identity and a relationship with God, says Vaisesika Dasa, founder and president of the Motel Gita project, the group behind the effort.

Since the end of the postwar economic boom, new strategies have been used to stimulate consumption — especially strategies aimed at American youth that project sexual activity as instant fulfillment and violence as the locus of machismo identity.

When I find myself putting on this «best face» as a pastor's husband I am often living in to the identity that is being projected on me.

First, this term has become an expression of self - representation, which Dalit activists and writers have chosen both in recovering their past identity and in projecting themselves as a collective whole?

The main thrusts of Rank's theory are particularly useful when counseling with persons caught in severe independence - conformity conflicts (such as some adolescents) those who are paralyzed about finishing a project or chapter of their lives (e.g, pre-graduation anxiety attacks) and in danger of sabotaging the successful completion of something they really value; those who are afraid to make decisions or try something new which they want but which may mean giving up old securities; couples who are struggling to find satisfying closeness without either of them losing their identity and autonomy heir lives (e.g., pre-graduation anxiety attacks) and in danger of sabotaging the successful completion of something they really value; those who are afraid to make decisions or try something new which they want but which may mean giving up old securities; couples who are struggling to find satisfying closeness without either of them losing their identity and autonomy.

He is homosexual and undertook this project as a way to understand why his parents didn't do a better job of accepting and nurturing his own «identity.»

In the meantime, check out God and The Gay Christian as well as The Reformation Project, which seeks to equip LGBT Christians and allies to reform church teachings on sexual orientation and gender identity (and which has a conference coming up in November).

Following the closure of cold pressed juice company Juice Served Here, co-founder and former CEO Alex Matthews now tasked with the job of evolving the visual identity for Forager Project as the plant - based food and beverage brand's new chief marketing officer.

The Apricot project has been pivotal in the evolution of Cascade Brewing's identity as a producer of Northwest sour ales since 2007.

However, in less developed regions, local energy drink brands are emerging and gaining distribution as a more affordable alternative to multinationals, adding pressure for major players to project a brand identity that consumers from New York to Beijing want to be associated with, and pay more for.»

In 2016 the Prize was awarded to Venezuelan chef María Fernanda Di Giacobbe for her Cacao de Origen project, a network involving education, entrepreneurship, research and development around cocoa as a source of identity, culture and economic wealth in Venezuela.

We work directly with brand owners as well as design agencies and printer / converters to provide unique packaging solutions which project brand identity and protect brand equity.

On the contrary, regional identities in the North of England could be mobilised as part of an inclusive political project that seeks to nurture shared civic and democratic values and bonds — a plan that «speaks to the people» and aims at actively involve them in the construction of a better future for their region.

When the purpose is to revive a broad collective identity, the danger is to regress into an «us» versus «them» mentality, entailing troubling exclusion and discrimination As for the use of identity politics inside a protest movement, one of its dangers is to create artificial divisions hampering the emergence of a common project.

By conducting surveys in Russia and Ukraine, using representative samples of the populations of both countries, this project seeks to unpick the elements which make up the national identity of Russians and Ukrainians, with particular emphasis given to Ukraine's varied and contested regions, such as Eastern Ukraine and Crimea.

Contributions include discussions on racial disparities in special education placements, the intersection of disability with other identity variables such as gender and sexuality; the exploitation of disabled bodies to generate resources for humanitarian projects; and suggestions for how a human rights framework can promote inclusivity and better health outcomes.

But the Genographic Project's main goal is not to answer questions about personal identity; its purpose is to collect as much genetic information as possible from people around the world.

This is a unified scientific project that aims to study the behavior of human beings as evolved biological organisms who live in groups, form networks and coalitions, are governed by formal institutions and informal norms, produce and exchange scarce resources and are motivated by identities, ideals and beliefs.

There are plenty of other laughs earned by the entire cast, including Seth Rogan as a producer who can't believe he's involved in the project at all, and a group of other great actors, who's identities can't be disclosed because the surprise of seeing them in their roles is too damn funny to reveal now.

At the 2016 Teaching & Learning Conference, Benjie Howard and Wade Colwell - Sandoval of New Wilderness Project demonstrated exemplary practice in building from a foundation of identity in their session, «Connecting Deeply Across Difference — Engaging Youth as Equity Stewards.»

Through their projects they construct theoretical knowledge of multiliteracies as they become digital storytellers of their own identities, and they construct technological pedagogical content knowledge (TPCK) about how to integrate such digital video technology in their future classrooms.

She found that students who were involved with making digital video projects benefitted tremendously: «Clearly, these students were drawing on their lifeworlds as resources in their [digital video] composing, but also critiquing those lifeworlds, reframing neighborhood identities, and using their collaborative work as a persuasive move aimed at change» (p. 77).

Please join NEP and the Black Teacher Project as we partner to explore the crucial work of building relationship and understanding among and across race identity groups, with a focus on using racial affinity group structures in sustained collaborative work contexts.

One day it will be commonplace for everyone to have a device the size of a thin smartphone that can be used as such, but can also project an HD screen onto a wall, access every bit of data that person ever needs, and contain information that ties it directly to that person's identity and no one else.

The economics of a neoliberal project as vast as AAA games development means that whether it's a workforce, an identity, or a certain silhouette, people will always be exploited.

When art project Hello Ruby needed a new identity and website design for its comprehensive children's computing brand, they called upon creative agency Kokoro & Moi to develop its online and offline presence, as well as work on various brand applications and products.

The arts - based event showcases site - specific works by «established and emerging artists, whose projects will amplify and articulate global and local issues of a diverse range,» we're told, and as such the look and feel of the identity takes a suitably neutral and pared - back approach.

Unified through the explorations of the perceived and projected self, the participating artists examine the notions and visual representation of identity as formed and influenced by place, culture, gender, and conformity.

This performative exploration of identity is dealt with a frame at a time; superimposed signifiers of multiple identities — yet timeless in nature — as we project the self through an ever - changing slideshow of a mask on still at a time.

Featuring exhibitions, a residency, curated events, and a publication, the project seeks to explore possibilities for a critical aesthetics and poetics of diaspora, approaching «nostalgia» as a vehicle for negotiating «place» in migration (against the «nostalgic» as a mode of representation); and spatial, oral and aural forms of «leisure» as processes of inscribing, translating and performing identity, memory, and territory.

The experience projected by Naming the Money is as much that of the migrant or émigré as the slave — people whose personal identities are undone and remade according to pressures exerted by global political and economic forces.

JJC The Tate started out as a nation - defining institution, inasmuch as it attempted to define a «national» art, at a moment when national identity was important and dynamically self - projecting.

That original iteration of the project was intended as an homage to the Skate Circle, a community of roller dancers in Central Park that have been a part of New York City's identity for years and part of the fabric of its cultural life.

Among the most significant media artists in contemporary times, Hershman Leeson is broadly recognized for her pioneering projects exploring the relationship between humans and technology, identity, surveillance, and the use of media as empowerment against censorship and repression.

The Whitney Biennial of 1993 put identity politics — as both theme and curatorial project — at the forefront of its mission, creating arguably one of the most political exhibitions in history.

In addition to addressing concerns of identity and gender, this project calls attention to Gutierrez's heritage as a bi-racial Latin American: «I am committed to glorifying the beauty and artistry of Guatemalan crafts and textiles, both preserving traditional representations of dress, and bringing them into the 21st century are crucial in sustaining Guatemala's indigenous artisan communities.

Butterflies are a recurring theme for Erika Harrsch (presented by RoFa Projects, Potomac), as their distinctive shapes and flock patterns become the basis for exploring migration, sexual identity, immigration reform, and physical boundaries.

At the project's center is an unknown continent and culture called Kentifrica, a meditation upon what can and can not be mapped when dealing with the ramifications of identity as an elusive anchor.

Their project uses traditional landscape architecture, such as a conventional English garden maze, to expose the instability of identity in the United States.

In the Sunroom Project Space, Priyanka Dasgupta and Chad Marshall create an installation that uses traditional landscape architecture, such as a conventional English garden maze, to expose the instability of identity in the United States.

Inviting a community of Santa Monica based youth into the Artist Lab, while simultaneously realizing a body of work based on objects and texts found in an estate sale at Chinatown's Charlie James Gallery, Fallah has represented a circle of life in his project: portraits of identity constructed forensically on behalf of the deceased, contrasting with his portraits at 18th Street made collaboratively with youth to describe their lives as yet unknown.

; Alter Ego: A Decade of Work by Anthony Goicolea; Hybridity: The New Frontier; Aftermath: Witnessing War, Countenancing Compassion; Seeing Now; Wild Card: The Art of Michael Combs; Dis - semblance: Projecting and Perceiving Identity; Albano Afonso: Self - Portrait as Light; and Pop Stars!

Opening Reception: As We Were Saying: Art & Identity in the Age of «Post» September 12th, 6:00 — 8:00 pm EFA Project Space 323 W. 39th St, 2nd Floor Affiliated Exhibition: As We Were Saying: Art & Identity in the Age of «Post»

Experimental Conversations: As We Were Saying: Art and Identity in the Age of «Post» Tuesday, October 21, 7:00 pm EFA Project Space 323 W. 39th St, 2nd Floor Affiliated Exhibition: As We Were Saying: Art & Identity in the Age of «Post»

The cutting edge dance project dives deep into identity politics, following Yamamoto's own journey as a queer Japanese immigrant to the United States.

The Unknown Play Project with Alexis Clements Wednesday, October 8, 6:30 pm EFA Project Space 323 W. 39th St, 2nd Floor Affiliated Exhibition: As We Were Saying: Art & Identity in the Age of «Post»

Recent exhibitions include: As We Were Saying: Art and Identity in the Age of «Post,» curated by Claire Barliant, The Elizabeth Foundation, New York (2014); Michael Wang: Global Tone, Foxy Production (2013); Liquid Autist, curated by Daniel Keller, Kraupa - Tuskany Zeidler, Berlin (2013); Spaces for Drawing, The Hite Collection, Gangman - gu, Seoul (2013); Differentiation Series, Primetime Gallery, Brooklyn, NY (solo); Carpenter Center for the Visual Arts, Harvard University, Cambridge, MA (two - person); and Carbon Copies, Foxy Production (solo project)(all 2012).