Sentences with phrase «idols of modern»

With a sensitive probing they uncovered the idols of modern man and showed the judgment of God against them.

The sacralized nation - state is one of the great idols of modern history.

Not exact matches

the negation of ideology, the political secularization of the doctrine of original sin, the cautious sentiment tempered by prudence, the product of organic, local human organization observing and reforming its customs, the distaste for a priori principle disassociated from historical experience, the partaking of the mysteries of free will, divine guidance, and human agency by existing in but not of the confusions of modern society, no framework of action, no tenet, no theory, and no article of faith, a distrust of the systems and processes of the idol of self and of the lust for power and status, scorn to all approaches of ideology and meta - narrative.

But if the early church could survive — and in fact, thrive amidst persecution — when it included both Jews and Gentiles, zealots and tax collectors, slaves and owners, men and women, those in support of circumcision and those against it, those staunchly opposed to eating food that had been sacrificed to idols and those who felt it necessary, then I think modern American Christianity can survive when it includes democrats and republicans, biblical literalists and biblical non-literalists, Calvinists and Arminians... so long as we're not rooting for one another's demise.

Fundamentalism is the modern phenomenon by which people, perhaps afraid of the uncertainties of the future, and certainly distrustful of the modern world, have raised their Holy Scripture into a tangible idol.

There is little need for another novel satirizing the narcissism and superficiality of our celebrity - obsessed culture, but what distinguishes Beha's book is the insight that modern people, now deprived of being the apple of God's eye, must create elaborate and dramatic false idols to satisfy the human need to know that someone, anyone, is taking stock of their lives, however contrived and superficial they may be.

It is part and parcel of modern football, particularly in an age where the growing FIFA franchise and Football Manager games give access to simulated intelligence towards various hidden gems and soon - to - be idols.

The great impact of the Golden Era of bodybuilding can still be felt today, most especially in terms of aesthetics — modern bodybuilders, motivated by their idols, spend countless hours in the gym working hard on the perfection of their bodies.

One of my favorite modern rocker fashion idols is Demi Lovato.

If Call of Duty 4: Modern Warfare was a breathtaking painting done by a master, then the sequels are all pale imitations created by amateur artists looking to replicate their beloved idol, always failing to realise that no matter how good the imitation it will never be truly great in its own right.

The people who inhabit the avatars of these modern idols would often be nothing like their on - screen personas, were it not for the dumptrucks full of money involved.

2016 Passman, Melissa, Art in Focus, (interview), April Boucher, Brian, «11 Booths I could hardly tear myself away from at Nada New York», artnet.com, May 6 Sutton, Benjamin, «Nada New York Gets Nasty», hyperallergic.com, May 6 Shaw, Michael, The Conversation Podcast, episode # 135, theconversationartistpodcast.podomatic.com, April 15 2015 Griffin, Jonathan, «Reviews in Brief: Max Maslansky», Modern Painters, February, p. 77 Cherry, Henry, «Escaping Monotony with Max Maslansky», Reimagine (online), February Diehl, Travis, «Critics» Picks: Max Maslansky», artforum.com, May 5 Los Angeles Review of Books, lareviewofbooks.org, (image), June 21 Hotchkiss, Sarah, «Sexy Sculpture Fills CULT's Summer Group Show», kqed.com, July 27 CCF Fellowship for Visual Artists 2015, catalog, p9 Archer, Larissa, «Review: Sexxitecture / Cult, San Francisco,» Frieze, October, pp260 - 261 2014 Hutton, Jen, «Max Maslansky», Made in L.A. 2014, catalog, Hammer Museum, Los Angeles Miranda, Carolina A., «Datebook: Boxing painters, teen idols, and John Altoon's short career», The Los Angeles Times, June 5 Zimskind, Lyle, «Channing Hansen's Quantum Paintings are Really Knit», Los Angeles Magazine Blog.com, July 17 Finkel, Jori, «Painting on Radio Canvas», The New York Times, February 7 Khadivi, Jesi, «Curated in L.A», interview with Michael Ned Holte, Kaleidoscope, Summer, pp.110 - 115 Gill, Noor, «' Made in L.A 2014» at Hammer Museum displays work by artists like Max Maslansky», DailyBruin.com, August 4 Hernando, Gladys, «The White Album», catalog, Richard Telles Fine Art, Los Angeles, p. 28 Plagens, Peter, «Exhibit a Creation of Show, Not Tell», The Wall Street Journal, August 19 Berardini, Andrew, Art Review, September Dhiel, Travis, «The Face Collector», essay for Sniff The Space Flat on Your Face catalog, pp. 15 - 18 Griffin, Jonathan, «Highlights 2014», Frieze.com, December 19 New American Paintings, issue 115, Pacific Coast, December 2014 / January 2015, pp. 118-121 2013 Perry, Eve, «Not Taking the 1990s Very Seriously», Hyperallergic.com, (web), March 27 Griffin, Jonathan, «Made in Space», art agenda.com, (web), March 28 Smith, Roberta, «Art in Review: Made in Space», The New York Times, August 1 «Made in Space at Gavin Brown and Venus Over Manhattan», Contemporary Art Daily, August 6 «Group Show at Tif's Desk at Tom Solomon», Contemporary Art Daily, July 28 2011 MacDevitt, James, Object - Orientation, catalog, Cerritos College Art Gallery Dambrot, Shana Nys, «Web Diver: Turning Strangers» Online Photos into Paintings», LA Weekly, May 2010 Beautiful Decay, (www.beautifuldecay.com), July 22 2007 «Allegorical Statements», Los Angeles Times, May 17, p. E3 2006 Bellstrom, Kristen, «The Art of Buying», Smart Money Magazine, May 2006, pp. 111 - 13 Impression (Ism): Contemporary Impressions, catalog, City of Brea Art Gallery, Brea, CA, March 2005 The Armpit of the Mole, a drawing compilation, Fundació 30 km / s, Paris, France

1956 - 1968 Sioux City Art Center, Sioux City, IA, Marilyn Monroe, Life as a Legend HVCCA — Hudson Valley Center for Contemporary Art, Peekskill, NY, Size Matters — XXL - recent Large - scale paintings Galerie Leu, Munich, Group Show Museum Dhondt - Dhaenens, Deurle, Belgium, Verzameling Roger en Hilda Matthys - Colle Vonderbank Artgalleries — Berlin, Berlin, Prime Time — Idols and Icons Mireille Mosler Ltd., New York, Tease Walker Art Center, Minneapolis, MN, Picasso and American Art CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Le cinque anime della scultura Woodward Gallery, New York, When Art Worlds Collide; The 60's CeSAC (Centro Sperimentale per le Arti Contemporanee) Caraglio, Italy, Collectors 1 — Collezione La Gaia Oklahoma City Museum of Art, Oklahoma City, OK, Breaking the Mold: Selections from the Washington Gallery of Modern Art, 1961 - 1968 Burkhard Eikelmann Galerie, Dusseldorf, News on Paper The Dayton Art Institute, Dayton, OH, Marilyn Monroe; Life as a Legend Maxwell Davidson Gallery, New York, The Painted Lady Stiftung Schleswig - Holsteinische Landesmuseen — Schloss Gottorf, Schleswig, Schönwahnsinnig The Columns, Seoul, Temptations Galerie Hafenrichter & Flügel, Nuremberg, New Arrivals and Classics Princeton University Art Museum, Princeton, NJ, Pop Art at Princeton; Permanent and Promised Bank Austria Kunstforum, Vienna, Fondation Beyeler: EROS in der Kunst der Moderne Josef Lebovic Gallery, Sydney, NSW, International & Australian Works on Paper Contessa Gallery, Cleveland, OH.

Zwriner and Wirth Gallery, New York Drawing from the Modern, 1975 - 2005, Museum of Modern Art, New York Idols of Perversity.