Sentences with phrase «if anyone in this film»

Almost everyone is talking about Cooper getting an Oscar Nomination for his role as Pat, however, I feel that if anyone in this film deserves an award it's Jennifer Lawrence.

Not exact matches

«I think my movie, personally, is one of the most important films that have ever been made in America... I don't know if anyone is going to see it, but I feel the film is going to take care of itself in time and be around as long as there are films.»

Early in my challenge I had heard about the Summer Screen series at Somerset House, and keen to include one of the evenings in my 30 Dates by 30 Challenge, I posted on Facebook to ask if anyone had a friend who might like to go and watch an outdoor film with me.

Also some variants 70 mm film is projected at 48 fps (Disney's «Soaring» Ride and some of the documentaries put out in the 1990s if I'm not mistaken and it also looks amazing, and certainly didn't have anyone complaining.

Anyone who is interested in the history of film technology and cinema can certainly take something away from Side by Side, even if it is just learning the opinion of Robert Rodriguez or Danny Boyle.

If the film succeeds, they have other projects waiting in the wings, including multiple X-Men sequels (can anyone say «franchise»?).

I still love this film to this day and I recommend it to anyone with kids or to someone who wants to watch a great story that doesn't care if it is in the form of a 60's Disney cartoon.

Here's what clout can get you: If anyone other than Robert Zemeckis and Tom Hanks were involved in making a film version of «The Polar Express,» no one would suspect for a minute that it would be any good.

I don't know if anyone has made the comparison yet (I've avoided most reviews), but the film reminded me quite a lot of Michael Mann's neo-noir «Thief,» both in narrative drive and in stylistic signature.

If your kids are old enough to watch a film without constant supervision, you'd probably to well to drop them off and check out another film in the cineplex while its showing, as this is almost completely devoid of interest for anyone who has seen more than five movies in their lifetime.

Films that might have fit this putative strand included the charming but overlong Timeless Stories, co-written and directed by Vasilis Raisis (and winner of the Michael Cacoyannis Award for Best Greek Film), a story that follows a couple (played by different actors at different stages of the characters» lives) across the temporal loop of their will - they, won't - they relationship from childhood to middle age and back again — essentially Julio Medem - lite, or Looper rewritten by Richard Curtis; Michalis Giagkounidis's 4 Days, where the young antiheroine watches reruns of Friends, works in an underpatronized café, freaks out her hairy stalker by coming on to him, takes photographs and molests invalids as a means of staving off millennial ennui, and causes ripples in the temporal fold, but the film is as dead as she is, so you hardly notice; Bob Byington's Infinity Baby, which may be a «science - fiction comedy» about a company providing foster parents with infants who never grow up, but is essentially the same kind of lame, unambitious, conformist indie comedy that has characterized U.S. independent cinema for way too long — static, meticulously framed shots in pretentious black and white, amoral yet supposedly lovable characters played deadpan by the usual suspects (Kieran Culkin, Nick Offerman, Megan Mullally, Kevin Corrigan), reciting apparently nihilistic but essentially soft - center dialogue, jangly indie music at the end, and a pretty good, if belated, Dick Cheney joke; and Petter Lennstrand's loveably lo - fi Up in the Sky, shown in the Youth Screen section, about a young girl abandoned by overworked parents at a sinister recycling plant, who is reluctantly adopted by a reconstituted family of misfits and marginalized (mostly puppets) who are secretly building a rocket — it's for anyone who has ever loved the Tintin moon adventures, books with resourceful heroines, narratives with oddball gangs, and the legendary episode of Angel where David Boreanaz turned into a Muppet.

However, if this sounds as if the most important film festival in the self - proclaimed cultural capital of the world is basically just a bunch of leftovers, we challenge anyone not to be tempted by the delectable, if familiar, offerings.

If anyone's really interested I can provide an explanation below, but basically my list includes 2012 films released in Australia in 2013 through to 2013 films that won't come out here until 2014.

The most notable example of this occurs early on in the film when Zuri (Forest Whitaker) asks if anyone is willing to challenge T'Challa for the power of Black Panther.

Verdict: The vampire movie might feel played out for most of us, but if anyone was going to find something new in it, it was Jim Jarmusch, who delivers with «Only Lovers Left Alive» his best, and most purely enjoyable, film in years.

If anyone can feel the pain of a movie not turning out quite as one had hoped, it's a bunch of Hollywood actors, Rogen explained in their approach to the film.

John Krasinski's new horror film, A Quiet Place, received a warm welcome after a recent showing at SXSW, even if Krasinski himself — who co-wrote, directed, and stars in the film — jokingly questioned why anyone would make such a tense, jump - scare ridden film.

Tony Black revisits Avengers: Age of Ultron one year on to see how it holds up... One of my main outlets is podcasting, and recently I asked online if anyone would like to do a speculative episode of my film show in which we «fix» a broken movie, discussing why it failed and how we -LSB-...]

In fairness the film doesn't do any false advertising in its selling, the trailer is pretty accurate to the tone and joke level of the movie, and why anyone would want to see this if they hadn't seen the first film, is a mystery to mIn fairness the film doesn't do any false advertising in its selling, the trailer is pretty accurate to the tone and joke level of the movie, and why anyone would want to see this if they hadn't seen the first film, is a mystery to min its selling, the trailer is pretty accurate to the tone and joke level of the movie, and why anyone would want to see this if they hadn't seen the first film, is a mystery to me.

David: If anyone can name a more engrossing actress in film today than Isabelle Huppert, I would be surprised.

If anyone can name a more engrossing actress in film today than Isabelle Huppert, I would be surprised.

I don't think anyone expected «Let Me In,» the remake of the Swedish winter - dark vampire thriller «Let the Right One In,» to show up this year, being both a remake and a horror film, but this perfectly - realized film surely deserves a nod as much as (if not more than) most films that made the cut.

America's foremost CGI rappers are back, and this time, they're starring in a film that takes the never - fail «premise based on an easily resolvable misunderstanding, if only anyone would talk to each other» to even sadder heights.

And in its identification of several possible «suspects,» all with access to firearms, the film makes a powerful (if sidelong) case for stricter gun - control: In a culture where anyone can get their hands on a weapon, everyone could be the shootein its identification of several possible «suspects,» all with access to firearms, the film makes a powerful (if sidelong) case for stricter gun - control: In a culture where anyone can get their hands on a weapon, everyone could be the shooteIn a culture where anyone can get their hands on a weapon, everyone could be the shooter.

It is everything I like in a film, big performances, stylistic rigour, difficult themes, and that it utterly doesn't give a shit if anyone likes it or not.

The sequel to this year's box office smashing Avengers: Infinity War (which'll be the 19th film in the MCU, for anyone who's counting), Avengers 4 — or, if you want to be official, the Untitled Avengers Sequel — is set to arrive in UK cinemas in April 2019 to bring about the end of the franchise's Phase Three.

If unsavory imagery is all it takes to get your heart racing, perhaps you'll find it intense, but anyone who has seen any of the R - rated horror films to come out in the last couple of years has seen gorier, grislier and much more harrowing.

If you've bothered to read this far, you have probably already surmised that Wilson isn't able to make anything of this film, especially since there isn't anyone else in the cast who is a comedian in his / her own right to play off of.

If you watch this film and don't feel emotions or a feeling of disgust in the pit of your stomach, regardless of where you are from, you are far more callous than I could ever imagine anyone being.

It has the advantage of being the one movie that is truly like no other nominee in any category — seriously, a black and white silent film in 2011, that takes balls of steel to make — and most importantly, it's being distributed by the Weinstein Company, and if anyone can turn a film like this into an Oscar winner, it's Harvey Scissorhands.

Even the extras give the film a feel of authenticity, as if danger could erupt at any moment, in any neighborhood, from anyone.

THE SOCIAL NETWORK was one of my favourite films of 2010, and if anyone can make people talking in a room exciting, it is Sorkin & Fincher.

If anyone in America has seen The 100 - Year - Old Man Who Climbed Out a Window and Disappeared, we haven't met them, but at least the makeup branch of the Academy appreciated the simulated aging in the history - spanning film.

«Only Lovers Left Alive» The vampire movie might feel played out for most of us, but if anyone was going to find something new in it, it was Jim Jarmusch, who delivers with «Only Lovers Left Alive» his best, and most purely enjoyable, film in years.

The movie will likely do well, if not great, but he's such a homophobic douchebag that I wonder if anyone starring in the film did any research before signing on.

Going against the grain of its very premise, it also posits that anyone with a costume can be a superhero, as we see dozens, if not hundreds, of the foolhardy come out of the woodworks in order to be the next Kick - Ass, despite the fact that Kick - Ass himself seems to have learned few skills beyond that which we saw him perform in the first film.

These extras will certainly excite and impress anyone who has an interest in how films are made, and, if one had the resources, one could go out and re-make Panic Room after watching this set — that's how in - depth it is.

«I don't know if anyone even knows this yet, but Samm Levine, and it's looking like Martin Starr, will also be in the film,» he told Vulture after also revealing that he will make a cameo in the movie.

Cassavetes gave his actors the option to do nothing, and reassured them that the consequence of their inaction wouldn't be held against them, and would be accepted by him, and by the film, with gratitude for their naturalness, «Anyone can sit down and have a drink in a natural way if you don't force them to do things they don't really feel... what is needed between actor and director is a mutual understanding of human problems.»

The fan who sent me information on the screening says that if there is a good turnout the theater owner will be likely to schedule more Matthew Barney films, so anyone in the area should try to attend.

In the end, this is probably a good thing — if there's one thing I've learned from the 1998 Sam Raimi film A Simple Plan, you can't trust anyone with a large sum of money and (spoiler alert for a film released almost twenty years ago) unless you're Bill Paxton you'll probably end up dead.