If the big publishers capitulate and abandon agency, the other retailers, in order to remain competitive, will be forced to abandon their agency agreements with the publishers as well, otherwise Amazon would have the ability to underprice them.
Sometimes, I wonder
if big publishers DO know, but just don't care.
Besides,
if big publishers want to price their books at whatever, then I can do the «unknown, but an inexpensive risk» pricing on mine, and with my lower overhead, I do well with this tactic.
If the big publishers had to depend on this kind of income, they'd be done for.»
Coming at it from the other end
if the Big Publishers are so outraged at Amazon's pricing and the way it effects small book stores (which they keep trumpeting in the press) why do they keep giving Amazon the best discounts?
Even
if the big publishers are as slow to see the wisdom of this bundling model as they have been over the past five years to adapt in business - positive (rather than defensive) ways to the ebook revolution, it's worth noting here that, as is so often the case, Amazon has a secret weapon on this terrain.
(Yes, I know it takes money to make money, but
if big publishers aren't pushing short story collections — or even publishing them — that's probably a clue about the size of the market.)
And even
if the big publishers are not interested in getting in on the ground floor of book bundling, I'd be surprised if some of the smarter new compact - size publishing companies like Open Road and Turner Publishing didn't find it appealing.
The Kindle market will soon call the shots
if the big publishers won't start to embrace it rather than fight it.
If these big publishers were only publishing one book (or even only one hundred books) per month, they sure couldn't afford the big buildings.
Not exact matches
If Kickstarter were like the media institutions that dominated the 20th century — book
publishers, movie studios, record companies — the crowdfunding site's revenue would derive mostly from a few
big hits, like the Oculus Rift virtual - reality visor and the Pebble smartwatch.
Even
if publishers do widely embrace EPUB 3's accessibility features, another
big unknown is whether e-readers and other devices will support them.
But science budget expert Matt Hourihan of the R&D Budget and Policy Program at AAAS (
publisher of ScienceInsider) made some informed estimates of how the cuts would play out (assuming Congress approves all of the cuts, which is a
big «
if»).
He stands ready to help organize a boycott,
if necessary, a tactic he and other researchers used successfully in 2003 when another
big commercial
publisher, Elsevier, bought Cell Press and tried to raise its journal prices.
It could be argued that most,
if not all, of the
big - name
publishers played it safe at E3 by sticking to their franchises and annual outings.
Maarit Rossi in Finland wonders
if all classrooms might need a common «global curriculum,» and Carl Hooker in the United States writes, «
if we were starting the American school system from scratch today, knowing what skills our students will need, we could change the subjects and not base them on what
big - time
publishers want us to focus on with our students.»
«
If we were starting the American school system from scratch today, knowing what skills our students will need, we could change the subjects and not base them on what
big - time
publishers want us to focus on with our students,» writes Carl Hooker (@mrhooker).
If you're ready to take the risk that your book won't be a
big performer in the
publisher's catalog, you won't find a more interesting or exciting business.
And even
if you're successful in finding a traditional
publisher for your book, there is no guarantee you'll be offered
big money (or any money) as an advance (up front payment) on your book's sales.
If big - name
publishers make these mistakes, then self -
publishers are more at risk.
If a
publisher doesn't offer any customization, or won't even have a phone call or let you meet an editor or designer, you're just one person in a
big assembly line.
It may sound like a
big job but indie and self - published authors need to think more like a
publisher and therefore as a business
if they want to get their work to a larger audience.
If the book becomes a
big seller in ebookland, I suppose it's possible an agent or even a
big publisher might come calling.
Penguin is one of the
big publishers behind Bookish, so it will be interesting to see
if there's any connection there, or
if Bookish is ultimately scrapped in favor of Penguin's own initiative.
If you are looking to publish your book with one of the
big publishers because of their promotion abilities, read this article before you make your decision.
The reason for this is that
if Harlequin actually pulls off doing this imprint of theirs, it's highly likely that other
big NY - based
publishers will follow suit.
The problem is indeed that traditional authors expect to have their book published, get a
big advance, and
if it doesnâ $ ™ t earn out hard luck for the
publisher - they have to take risks.
If Book Expo wants to become a trade show where authors
big and small can get a chance for their books again, then it has to help
publishers make these major shifts.
This will allow Adobe to clip the ticket on a
big chunk of the ebooks sold
if it gets the kind of support it's hoping for among ereader hardware manufacturers (Sony has already announced Digital Editions support for a future Sony Reader), e-bookstores,
publishers etc..
One of the
biggest advantages of having your book published by a leading traditional
publisher is the sales and distribution infrastructure that will get your book into hundreds
if not thousands of stores upon release.
Authors need to focus on the
big picture first, then follow up with sentence - level work
if the problems are severe enough to frustrate an agent or a
publisher.
If any key people from D Publishing / Dymocks are reading this, I have nothing against Dymocks (or
publishers or booksellers,
big or small).
When it comes to the
big six
publishers, most of them don't allow their ebooks to be borrowed from the public library or,
if they do, charge exorbitant amounts.
Soooo, Michael,
if a person writes something, no matter how important the content, never gets it published by
Big Boy
Publisher, then that writer, or
if it's a team of writers, can not claim to be authors?
For us as
publishers it's also a real
big pain and
if we could remove DRM... we would do it so quickly,» said Malcolm.
The
big problem with the unlimited model is that
publishers want to be paid for the full amount of the book's purchase price
if a customer reads a certain number of pages.
I believe that the
Big 6
publishers will continue to lose authors to independent publishing
if they don't find a way to improve the terms of their contracts.
Even
if you hoped to end up with a
Big 5
publisher.
A Note about the Brand Name:
If you see a big name traditional publisher tied to a vanity press, here's what you need to know: it's still a vanity press if you're paying for their services or their books or to be publishe
If you see a
big name traditional
publisher tied to a vanity press, here's what you need to know: it's still a vanity press
if you're paying for their services or their books or to be publishe
if you're paying for their services or their books or to be published.
Self
publishers and small
publishers always seem to have trouble with editing, but
if the small
publisher hadn't picked up this book, would a
bigger publisher have eventually picked it up?
Anyway,
if Amazon really did buy its own
big fat pet
publisher, that could represent some major upheaval.
If you absolutely can not conceive of life without an agent and a
publisher, I would strongly recommend holding on to your rights until Amazon goes through the rounds with the
Big 5.
In any case, those who self - publish successfully are either those who have already made a name in the traditional field, or
if they are one of the few who made it
big from the start, eventually get signed up by traditional
publishers anyhow.
If the
big five abandoned print, or left it to small
publishers, they would probably make
bigger profits focusing on digital.
(Although I'm guessing that
if they got a contract with a
big traditional
publisher whose editor told them to cut out all - ing words at beginnings of sentences or lose the contract, they'd probably accede.)
And since most
big publishers still aren't doing this,
if you're self - publishing the free campaign is the Ace up your sleeve; the one trick they can't match us on.
If this is true and Hachette holds out... and then the same thing happens with another
big 5
publisher... suddenly you don't have 25 % of all the available trade books available on Amazon.
If this were a love fest, then
publishers would not have all reduced royalty rates on ebooks in lock step fashion when ebooks went
big.
Well, Amazon takes a cut out of that, and
if you the author are not also the
publisher, the
publisher takes a
BIG cut out of that, and
if you have an agent, they take a cut, and eventually, a trickle of income slides into the author's pocket from the sale of that book.
If you're a genre reader, too, most of the titles you're likely to be interested in will in fact be from the
big publishers that use agency pricing.