Sentences with phrase «if modern culture»

Whether sex addiction is a real disorder, whether banning prostitution stops people paying for sex, and if modern culture encourages the early sexualisation of children.

If modern culture were a prize fight, organized Christianity wouldn't quite be knocked out yet, but it would certainly be on the ropes, way behind on points coming to the bell.

Not exact matches

If this takes place with the truths of Hellenic culture then there is no a priori reason to suppose it can not happen with the truths uncovered by modern science.

If I remember correctly the Lindsay Commission noted the teaching of history as the point at which rational and moral evaluations of traditional and modern cultures could be made most effectively.

I see humans read the Bible as if it were written originally by modern day americans using modern day English... one has to remember that the Bible was written from a Jewish culture of 2000 plus years ago..

The challenge to «horizontal enchantment» from people like Taylor and MacIntyre, if I may audaciously attempt to boil it down to one paragraph, is this: At the root of horizontal culture (the modern world of democratic republics and entrepreneurial economies) is the claim that people can and should Reform the world.

These are the very energies that must be synthesised in a unity of wisdom if any absolute meaning and last goal is to be offered for human striving or affirmed of the human person in a modern culture.

If the only reason you can't believe in God is based in the fact that you're all offended that the universe isn't all puppies and rainbows, then you didn't understand the contents of the Bible or its intended lessons and you just instead subscribe to New Age feel - good modern church cultures.

If the doctrine of sin received a strong emphasis in his writings, it was because he was attempting to save modern Christianity and culture from the sentimentality into which it had fallen «by its absurd insistence upon the natural goodness of man.

I am convinced that if such programmes are augmented by the vision presented by the Theology of the Body such as that put forward in «Called to Love» by Carl Anderson and Father Jose Granados, then Catholic children will not only be better able to resist the false attractions of the Culture of Death and the nihilistic philosophies of modern youth culture, they will also go on to live more complete and happierCulture of Death and the nihilistic philosophies of modern youth culture, they will also go on to live more complete and happierculture, they will also go on to live more complete and happier lives.

If they are from a biblically conservative tradition they are likely to use selected references to sexuality, marriage, and family to communicate the ideals of God in a way that will encourage and motivate people to strive for the ideal.6 This didactic use of the Bible fails to distinguish the radical difference between family life and the religious practices of ancient and modern cultures.

The question modern readers have to answer is whether the Greco - Roman household codes reflected upon in Ephesians, Colossians, and 1 Peter are in and of themselves holy and divinely instituted, or if their appearance in Scripture represents the early church's attempt to blend Christianity and culture in such a way that it would preserve the dignity of adherents while honoring prevailing social and legal norms of the day.

If these early followers had been content to withdraw from and forget their relationship to the rest of society, Newbigin says, they would have posed no threat to the Emperor and his power:» [the first century church] would have enjoyed the protection of the law — the same protection which churches enjoy in our modern culture, available for exactly the same reason — namely, that they pose no threat to the ideology which controls public life.»

If we had stayed with a god as the cause of all events, our modern culture would have been impossible.

But if it has any message for modern man, if it has any place for him to stand and fight against the demoralizing and tyrannizing structures of a culture that has been severed from its true secular responsibility to serve human need, then those Christians who know this must speak and act.

If my colleague Brad Gregory's historical assessment is true, and if Ephraim Radner's «Protestant version» of the Reformation's purported beneficial effects» that it «gave us back our consciences, granted us freedom, unleashed reason,» etc., and has given rise to modern secular institutions that have exercised caritas even better than have Christian institutions» are arguable if not actually overstated, what then are modern Christians (Protestant and Catholic) to do in the face of contemporary culture's relentless hostility to sacred thingIf my colleague Brad Gregory's historical assessment is true, and if Ephraim Radner's «Protestant version» of the Reformation's purported beneficial effects» that it «gave us back our consciences, granted us freedom, unleashed reason,» etc., and has given rise to modern secular institutions that have exercised caritas even better than have Christian institutions» are arguable if not actually overstated, what then are modern Christians (Protestant and Catholic) to do in the face of contemporary culture's relentless hostility to sacred thingif Ephraim Radner's «Protestant version» of the Reformation's purported beneficial effects» that it «gave us back our consciences, granted us freedom, unleashed reason,» etc., and has given rise to modern secular institutions that have exercised caritas even better than have Christian institutions» are arguable if not actually overstated, what then are modern Christians (Protestant and Catholic) to do in the face of contemporary culture's relentless hostility to sacred thingif not actually overstated, what then are modern Christians (Protestant and Catholic) to do in the face of contemporary culture's relentless hostility to sacred things?

Key words used religiously, if the meaning is not immediately clear in our modern culture, can be placed in their ordinary secular setting in order to clarify the meaning.

When we think of all the horror stories we've been told about what will happen if we don't follow a laundry list of rules about how to raise our children in today's modern, Western society, you can bet that pretty much none of it applied to our early ancestors (or even other cultures today).

But I also disliked the self - congratulatory culture of modern pregnancy, as if getting knocked up and deciding to keep the baby were some rare accomplishment.

If everybody's going modern, what does it mean to preserve culture?

In this modern gym culture of «arm day» and «leg day», wouldn't it be a better idea if any and every day was «spine day» or «back day»?

Our modern culture makes us feel abnormal if we wake up after a few hours, stay up for awhile and get another hour or two in the morning.

In our modern, medical birth culture, we often treat birth as if it is a procedure that we require medical professionals to perform.

88 Wood Street, Liverpool L1 4DQ Best if you're dating: a film lover If your date likes their culture on the modern side, Liverpool has its very own Foundation for Art & Creative Technology, which has exhibitions on new media, film and videif you're dating: a film lover If your date likes their culture on the modern side, Liverpool has its very own Foundation for Art & Creative Technology, which has exhibitions on new media, film and videIf your date likes their culture on the modern side, Liverpool has its very own Foundation for Art & Creative Technology, which has exhibitions on new media, film and video.

The Islamic faith has specific ideals when it comes to dating and, if you want to understand modern muslim dating, it helps to get familiar with Muslim culture.

If able to overcome these last emotional hurdles, mobile dating apps will indeed end up influencing modern dating culture far more than Match or eHarmony ever could.

If only Weitz had borrowed more from the Network branch of political culture satires instead of the rather toothless modern one that Mean Girls and Saved!

There's an intrinsic commentary on the modern news culture here with the way every outlet saturates the market with Farmer's story, and later how quick they are to turn on their pay dirt if things go awry.

There are times when it does feel as if it's trying too hard to be hip, trotting out pop - culture references and modern slang at a lightning pace.

«I have no idea if it's a modern pop culture reference or an invention of my brother's deranged brain.

If your preference is for the buzz and excitement of the city you'll be thrilled by our journeys by train in Spain as you'll visit the architecturally - stunning Valencia with its mix of Gothic, Renaissance and Baroque buildings, the historic and picture - postcard perfect Barcelona and vibrant Madrid, Spain's compelling and cosmopolitan capital which is steeped in art, culture and attractions both ancient and modern.

If you prefer to enjoy the more modern culture of Fira there are plenty of local art galleries packed with work from local artists throughout the town.

Leisure Suit Larry in the Land of the Lounge Lizards could, if presented differently, have been a commentary on the social pressures facing men in society, the stigmatization of virginity, or the objectification of women in modern culture.

If Houseago's works resonate, it is because they encompass a wide range of influences: the formal language of sculpture throughout the ages (from ancient to early modern), mythology, the natural world of plants and animals, African tribal art, cartoon imagery and contemporary music and culture (the title of the exhibition contains a fragment from the lyrics of «Wild Child» by Lou Reed and a reference to James Taylor's «Like A Circle Round the Sun»).

If one can trust Clement Greenberg, his generation also took a stand against the most modern of all cultures, kitsch.

An early member of the Chicago - based 1960s collective the Hairy Who (which later morphed into the Chicago Imagist Group), Wirsum's works speak widely to the canon of modern artists who privilege experimentation and transgression over cohesive style, and who used popular culture as if the boundaries between high and low had never existed.

If you can't get to London to disappear into «Doris's crack» in Tate Modern's Turbine Hall, then Tate Liverpool, this year's venue for the Turner prize in honour of the city's stint as capital of culture in 2008, is providing another chance to fall flat on your face.

If you're a fan of modern Japanese culture, then prepare yourself for a colourful and vibrant group exhibition, launching this May at Espacio Gallery in London.

Gerlikas employs the most traditional materials of modern sculpture, wood and brass, which require specific knowledge and meticulous hand production even if the three pieces obdurately resemble found objects, either from nature or distant cultures.

I mean so obvious if you know modern culture.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

Under modern circumstances of display and reproduction, in fact, Untitled, too, is a kind of title: a word that routinely accompanies the work as it circulates in the culture and that instructs us, if only by negation, how to view it.

If Alois Riegl's seminal text «The Modern Cult of Monuments: Its Character and Origin» (1903) posits a monument's signal purpose as maintaining human culture «alive and present in the human consciousness,» Sassolino's damnatio memoriae questions the value of history in the contemporary imaginary.

He reminds us that the grid is not always a sign of industrialized consciousness, but is also a fundamental human structure, which you find in traditional cultures around the world — that history of abstraction that the Museum of Modern Art so blindly failed to remember existed when they titled their show Inventing Abstraction as if it had never been done before.

-- Opera Campana dei Caduti — Rovereto - Italy Fishwick Papers — The Smokehouse Gallery — London MAGNET OPEN ART PROJECT — Concord, New Hampshire — USA RARITIES — Hastings / Brighton 13 ELP Annual Exhibition — Triangle Gallery — London Show Me The Monet — Royal College of Art — produced by BBC Dreams — The Freud Museum — London LightBite 2011 — Nottingham — UK Type / Script — Chapel Gallery — Ormskirk 2010 Artisti Mitteleuropei 2010 — Casa della Cultura — Calitri (AV)-- Italy Wishing — ArteOra Spazio Arte Contemporanea — Foggia — Italy The Public Are Not Invited — The Nottingham Workshop - UK ELP Box Set 2010 Launch — 242 Gallery — London 6 × 4 Postcard Exhibition — Yorkshire ArtSpace — Sheffield Link — ArteOra Gallery — group show curated by Maria Vinella — Foggia — Italy Penang International Printmaking Exhibition — Penang State Museum — Malaysia Freud Experience — solo exhibition — Freud Café Gallery — London A Suite of Lighted Rooms — Pushkin House Centre for Russian Culture - London Acqua Bene Comune — Foggia — Italy Twelve — Space Gallery — London Print for Peace 2010 — Arte AC Tecnologico Institute — Monterrey — Mexico Prize Winner — «Copertine al Tratto» 2010 — Subway Edizioni — Milan — Italy C'era una volta Pasolini — group show — Galleria Terre Rare — Bologna — Italy F.A.C.T.S. — Center for the Study in Political Graphics — Los Angeles — USA London Fashion Week — MariaFrancesca Pepe collection — Somerset House — London 2009 The Grand Plasto - Baader - Books — Kaleid Gallery — London Alexandria MiniPrint Biennal — Bibliotheca Alexandrina Conference Center — Egypt Segni 20 × 20 — Micro Macro Gallery — Turin One Night Only — group show — Shoreditch Town Hall — London Quijiang International Print Festival 2009 — Quijian — China Eco Art Project ’09 — Rome IMPACT Centerpiece 09 — SpikePrint Studio — Bristol Pasquale Siniscalco Gallery — Milan Estetica 09 — Church of S.S. Annunziata — Calitri (AV)-- Italy Premio Spazi Evasi ’09 — Francavilla al Mare (CH) Unplug — Solo show — EstremaDura Café Gallery — Verbania — Italy Eleven — ELP Group show — Banside Gallery — London Ex Libris — Group show — Meliusz Center — Debrecen — Hungary 2nd Guanlan International Print Biennial — Guanlan Museum — Shenzen — China Biennial of Humour and Satire in the Arts — Museum of Humour and Satire — Gabrovo — Bulgaria Sorry If I'm Not in Line — Factory - Art Contemporanea — Trieste Ex Libris Mini Print Biennal — Sint Niklaas Dienst Museum — Belgium CDO's and Double Clubs — August Art Space — London Adreanlina 09 — Former Jewish Fish Market — Rome Wonderland — Brothers Grimm Museum — Kessel — Germany Vigna degli Artisti 09 2008 Light One Night — Group Show — ArteOra Gallery — Foggia — Italy Temptation — Group show — Cupola Gallery — Sheffield Urban Jungle — Group show — London City Hall Orange Calls Italy - Shortlisted for the final group show — PolarExpo Space — Bergamo ArteIngenua Second Act — ArteIngenua prize 08 — Guido Iemmi Art Studio — Milan — Italy Concorso Fumetto Giovani 2008 Jury Prize — illustration — Museum of Modern Art — Foggia — Italy Second Impressions — Romford Art Institute — Essex E17 Art Trail — Kelmscott School — walthamstow — London Sustainability — Latajaka Gallery — Warsaw — Poland Wonderland — Deutsches Maerchen und Wesersagen Museum — Bad Oeynhausen — Germany Lessedra International Mini Print — Lessedra Contemporary Art Gallery — Sofia — Bulgaria Evento MUSAE 08 — Museo Urbano Sperimentale Arte Emegente — Tourism Palace — Jesolo (VE) Decarbonart — Greater London City Hall — London — curated by Katja Rosenberg Art Fusion — Live painting performance — The Hub — Aldgate East — London I Am Ten — Bankside Gallery — London 2007 Tetovo IV International Biennial — Museum of Tetovo Area — Republic of Macedonia Dontpanic Design Exhibition — 93 Feet East — London Less Common Event — The Arts Gallery — Bond Street — London Shortlisted for San Fedele Visual Arts Prize — San Fedele Gallery — Milan — Italy Media Poster exhibition — DontPanicMedia — Cargo — Shoreditch — London Museo Urbano Sperimentale Artisti Emergenti — Motta Monte Corvino — Italy PROPAGANDA III WORLD TOUR 2007 — START SOMA gallery and CSPG Center for the Study of Political Graphics Los Angeles — Phoenix Hotel — San Francisco World Annual Print Show — Lessedra Contemporary Art Gallery — Sofia - Bulgaria Triangle Artists Open Studios — Arts Unwrapped 2007 — Hackney — London Innovative — Don't Panic Media, Playstation Season — Manchester International Festival 2007 PRE: CURSORI 2007 — Aragona Castle Museum Gallery of Taranto — Italian Ministry of Culture Illustration group show — Literature Department Gallery — Florence University Draw Drawing 2 — Foundry Gallery — Shoreditch — London — London Biennale 2006 2006 Italian Factory 2006 — Finalist in the competition — Casa del Pane Gallery — Milan XHIBIT ’06 — The Arts Gallery — Holborn — London Alhambra Café Gallery — Aldgate East — London Secuestro Express — ICA Institute of Contemporary Arts — London Cinderella» s shoe — Ascoli Piceno — Italy 2005 In the city: Eye for Art — Curator Space Gallery — London From here to here — London Design Festival — London Those Who Wonder — London College of Communication — London Ofcom Office of Communications — Riverside House Southwark — London 2004 The Sound of Print — Symposium — Victoria and Albert Museum — London Ad Fab — Solo painting exhibition — Red Gate Gallery — London Berlin Design Mai — In collaboration with Shift Magazine — Germany Conversation — London College of Communications — London 2003 Ichiza Project — in collaboration with Crossroad Works

«If children are to develop the self - regulation and emotional resilience required to thrive in modern technological culture, they need unhurried engagement with caring adults and plenty of self - directed outdoor play, especially during their early years (0 - 7).»

Corporate work environments and mission objectives are important to modern employers, and many recruiters evaluate the language in a CV to determine if the candidate's personality would work well in the company's culture.

Feel free to use a creative template if you are applying to a modern company with a laidback culture.