Sentences with phrase «if other studios»

Criterion's reputation precedes them; if any other studio put out a minor 60 - year - old film looking this terrific, I'd feel compelled to lavish them with praise.

If any other studio had produced Lost Legacy, we would bow down before its brilliance and hail a stupendous talent.

Not exact matches

On the other hand, if the major studios drop the ball and successful new studios never materialize, we could lose out in one of the few creative tech industries where Canada is a real player.

However, if it fails to meet analyst's estimates, and teeters close to DreamWorks Animation's Thanksgiving debut, the studio could have a larger problem on its hands with only one other film — about a racing snail — out later this year.

Even if you can afford membership to one studio, it's hard to try other ones out.

While a lens like that is totally not in our budget, if I was frequently taking portraits for work I'd definitely look into investing in one — taking this shot was effortless and there was little to no light and lots of other stuff going on in the studio.

Paint at an art studio - If you or your significant other like to paint check out your local art studio for classes.

If you have a studio or yoga community that's interested in these or other yoga - related topics, please contact me!

The Arlington studio has childcare if doing other classes.

Ride DC has a community ride (free for new customers) every Saturday (if you get Colin W I really liked his class), and I think other studios may have those sort of deals as well Good luck!

If it can inspire other studio filmmakers to remember what it used to mean to make movies with a social conscience, well, wouldn't that be something to see?

If the pilfering of «80s films must continue (though ideally, it will stop, soon), the other studios could learn a thing or two from what Paramount did here with «Footloose.»

Nothing on Lionsgate's 2014 schedule of YA novel adaptations, horror, and other genre films suggests that the studio is going to start churning out critically praised films, but with another Hunger Games installment due this year, the studio should remain in the green financially, if not score-wise.

Although it's refreshing to see a major studio take a gamble on a modestly budgeted film targeted towards adults (even if it stars one of the most bankable actors in the world), when that movie is as passively mediocre as «Focus,» you can understand why other studios have been afraid to pull the trigger.

It is a studio film so I don't really know if there was any other way to end this film without it feeling either farfetched or lazy or anticlimactic.

And it's a damn fine place to be if you can get there (perhaps Martin Scorsese is the only other American filmmaker who can make epics of this nature at the studio level).

Rating: 7/10 — it's easy to forget that there are other animation studios in Japan beside Studio Ghibli (here it's Madhouse), but despite some obvious flaws, The Girl Who Leapt Through Time is a positive reminder; engaging and unpretentious, it's a movie that treats its more serious themes with genuine integrity, while adding a lively sense of humour, all of which makes for an entertaining, if not entirely polished, viewing experience.

Liongate's 2017 Blu - ray release comes less than 48 hours after the movie's win for Best Picture (as well as two other Oscars), and though it's great timing, I wonder if the studio should have waited a bit.

Yet «The Cloverfield Paradox» has far more in common with two other contemporary space - set sci - fi studio outings, if only because they all share the same retrograde vision of otherwise compelling female characters.

RUN STUDIO: Entertainment One / DryWrite / Wigwam Films TEAM: Phoebe Waller - Bridge (w, ep), Vicky Jones (ep), Emily Leo (ep) LOGLINE: Revolves around ex-lovers who made a pact 15 years ago that if they ever needed to escape life, they could send each other a simple text message — «RUN» — and impulsively disappear together.

The venerable studio probably had too many wannabe players on their dance card last year with «Interstellar,» «The Gambler» and «Top Five,» but found success when «Selma» landed a Best Picture nomination (even if was snubbed in some other key categories).

We'll see next month if the early preview can generate ticket sales for «Zoo,» as competition stiffens from heavy hitter at other studios.

Chinese audiences obviously want to see Hollywood films and are paying to see them, no matter if the studio take is around 25 % compared to other countries.

If the theaters cave and show the film, then I would expect Disney and the other major studios to push harder in the future on this issue and other areas that put the theaters at a further disadvantage.

The other studios can't afford to try that tactic — they can only push to see if they can win.

There has been some consternation this year, possibly more so than I can personally remember for some time, about studios pushing for «category fraud,» or the act of angling for an award that does not necessarily fit the category in which it is being angled for, usually due to the other category leading to a higher likelihood of winning even if it may not be entirely accurate or moral to do so.

On the other hand, as if to distinguish itself from Disney's photorealistic Dinosaur CGI, the studio opts for a cartoony character design.

Though «Big Hero 6» doesn't pique my interest nearly as much as the studio's 2012 hit «Wreck - It Ralph,» here's hoping that it's a giant success, if only because it may lead to more animated versions of other forgotten Marvel properties in the future.

The studio boss (Sid Caesar, Grease) consents, if Funn can round up some big name stars to attach to the picture, which Funn does in seeking Burt Reynolds (Smokey and the Bandit), Liza Minnelli (Arthur), Anne Bancroft (The Graduate), Paul Newman (Cool Hand Luke), James Caan (The Godfather), and others.

But there were countless properties owned by other studios, like Back to the Future and Teenage Mutant Ninja Turtles, all of which needed to be negotiated if Ready Player One wanted them to make an appearance in the film.

Before that I had written a movie that Roland Emmerich is producing that became my writing sample that I got hired for Tomb Raider off of but, I also had just come out of the Transformers writers room which I don't know if you know much about writer rooms but basically, on some major pieces of IT the studio will bring together a team of writers to work, almost like they would work in a television writers room, where you work collaboratively with other writers and you come up with ideas.

In other words, it's as if studios were filling blockbuster movies with scenes that their target audience didn't necessarily want.

It will take a decade or longer, but I'm sure movie studios and, if they actually become popular, eBook publishers, will go through a period of attempting to «protect» media files (translation: keep you from reading what you buy for a Kindle on any other eBook reader).

This might not work if you live in a studio apartment though — and the dog my also start urinating in other areas of the house if you don't solve the problem.

This opens up a great new oppurtunity for others to experience the coveted Apartment or even the business class studios, especially if travelers are trying to put together a round the world trip with one way itineraries, although they need to note the seasonal nature of the route.

If you are keen to practice at a local yoga studio or other wellness community, Cabo San Lucas and San Jose del Cabo both offer a few great options.

It also has the smallest line - up of games with all it's gems being developed internally, so if you want quality games, you have to wait for first / second party studios and other exclusive games (ala MGS4) to really get the full worth of this console.

(I am getting one on 10/28 for SSOD, mind you) Cons: less powerful hardware than direct competitors, multi-plat games look worse 80 % of the time on X1 and the other 20 % only look equal to PS4 (never better), less 1st party studios making new games and IPs than competitors, a basically ruined relationship between MS and the consumer due to lies and 180's (makes me happy, wouldn't have ever bought the X1 if I HAD to get Kinect), I could go on... these are not me bashing the system, they're literally facts Pros: I can watch TV while I play my game, I can «snap» achievements while playing, I can watch football, and then basically nothing else I guess I am old school and use my game systems for games and media playing only.

If they build tons of studios, they can churn out high quality games like not many other businesses are even capable of doing.

And as if that's not enough, THQ is also shutting down their Concrete Games studio, expecting «a substantial number of the studio's employees to be offered positions in its other studios ``.

Some positions are not studio specific although others are; so if anyone is interested they should check out our website for further details.

That being said, he noted that the studio has other ideas as well, so Fangus Klot is not guaranteed to be the next original Oddworld title if and when the studio gets enough capital for it.

If that's what you're seeing from a place like BioWare, owned by EA, a place where I worked for seven years; if that's what you're seeing from Visceral now closing and going to this other Vancouver studio; what it means is that the linear single - player triple - A game at EA is dead for the time being.&raquIf that's what you're seeing from a place like BioWare, owned by EA, a place where I worked for seven years; if that's what you're seeing from Visceral now closing and going to this other Vancouver studio; what it means is that the linear single - player triple - A game at EA is dead for the time being.&raquif that's what you're seeing from Visceral now closing and going to this other Vancouver studio; what it means is that the linear single - player triple - A game at EA is dead for the time being.»

The studio promises that if the $ 100,000 funding is met, the studio can bring more of Hellgore's story, multiplayer, and other features into full development.

If they do a good job packaging their software for other developers to use, they can have a very profitable business while other game studios get the serious kick in the pants they've been needing to start producing GOOD LOOKING Wii games.

«When it came to Gone Home, other characters were never really on the table, because we knew we weren't capable of it,» says Fullbright co-founder Karla Zimonja, when I ask if the studio's breakthrough was always designed with isolation in mind.

Hell if sony are smart they'll get one of their other studios to employ her.

Am pretty sure, if they manage to pull of Resistance 2, other big developing studios will probably try to gobble them up and that is when Sony might step in and make them theirs.

If you've read reviews of this small indie from an unproven studio about a sports game that isn't Football (both American and European) or the others in the Big - Four, you've probably heard the hype that has been built up from pre-release word of mouth.

Even if Zipper (or any other first - party studio, for that matter) had re-used assets like Nihilistic have done, it still would've turned out better than this...