Sentences with phrase «if playing to the galleries»

«These sitters dominate the front of their settings, as if playing to the galleries, while behind them various details suggest activity in the backgrounds,» Rudolph and Soltis write.

Not exact matches

Inevitably, if you just try to play without making a mistake and there is no risk to your game, surprise surprise, the other team is going to overwhelm you and turn your end of the ice into a shooting gallery for two and a half periods.

If indeed Henry wants to justify his job as a pundit he should apply objectivity rather than playing to the gallery.

A break from this his conservative beliefs to embrace the contemporary beliefs in football management that places emphasis on winning titles instead of to be playing good entertaining football without winning the PL and the CL titles which amounted to playing to the gallery will be most welcomed next season if Le Prof will change from his conservative thinking to contemporary thinking..

Bonaroca: - Agreed with the team selection with the exception of Iwabi who tends to be a bit ambitious to score goals,, but if he starts playing for the gallery then he should be withdrawn and Mr Wenger has enough youngsters to replace him..

That said, a date can be free — there are free days at museums, gallery openings, street festivals, open mike nights at nightclubs, etc. — or close to free, like making you dinner (nothing fancy, but it's the thought), renting a movie and massaging your feet, playing guitar and singing for you (if he can), etc..

If something awesome happens while you are playing, holding the Capture button will save the last 30 seconds of gameplay and add it to your Gallery — you can then edit and trim the footage as you wish before posting it to Facebook or Twitter.

The leader told his party's conference today that if Labour won a general election, it would introduce the cash boost to help pupils learn to play instruments, learn drama and dance and have «regular access» to theatres, galleries or museums in their local areas.

You have an indie rogues gallery of characters to play with, along side the several original characters that Lab Zero have created so there is no shortage of interesting party members to fight with if Indivisible gets made.

If you want to see more you can also watch some new videos from this morning, more videos from the same series, some more gameplay from a few days ago, a gallery of recent screenshots directly from Capcom, another batch of videos and screenshots, even more gameplay, the trailer that revealed the Rotten Vale area (which unfortunately won't be in the beta), the reveal, and my own recording of a quest I played at Tokyo Game Show.

The gallery's director played the same role before for Deitch Projects, and if Jeffrey Deitch turned his usual blind eye to abstraction, it would look like this.

This exhibition features a new spatialization of Sala's The Present Moment (in B - flat)(2014) and The Present Moment (in D)(2014), in which he rearranges Arnold Schoenberg's «Verklärte Nacht» [Transfigured Night](1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.

This exhibition features a new spatialisation of Sala's The Present Moment (in B - flat)(2014) and The Present Moment (in D)(2014), in which the artist rearranges Arnold Schoenberg's Verklärte Nacht [Transfigured Night](1899) to create the sense that individual notes, abstracted from the composition, travel freely throughout the gallery before accumulating and playing in repetition as if trapped in a spatial impasse.

If you've seen a mob of people thronging along Main Street on a Saturday night or noticed live rock or blues music filling the air (or playing outdoors), then you've been close to The White Room Gallery.

I think for me the gallery system still has a valuable part to play if for no other reason than allowing people to see the work in 3D.

It played second fiddle to the grander National Gallery, from which it had recently become independent, and had a rambling and uneven collection divided into «British art» and «modern foreign paintings», as if contemporary art were a vice conducted mainly overseas.

2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.

I always destroy the work if anyone looks passive» — L. YIADOM - BOAKYE «I want the work to be pulled out of the air somehow, to play God and exploit that power of creation in paint» — L. YIADOM - BOAKYE «It's not a person, it's not a portrait; it's a painting, and everything that goes on within it qualifies the other elements» — L. YIADOM - BOAKYE The centrepiece of Lynette Yiadom - Boakye's major 2012 exhibition Extracts and Verses at Chisenhale Gallery and subsequently of her Turner Prize show in 2013, Bound Over to Keep the Faith is a monumental and compelling vision.

But, if your art is accepted in the gallery system, expect to play by their rules.

If he wants to make a change, he has a clear choice; to continue to play Don Quixote for the peanut gallery or to produce something constructive that is actually worthy of publication.

OnePlus hasn't included much bloatware for watching video here — you'll be able to watch your own videos through the gallery by default, and there's also YouTube and Google Play Movies if you're a more dedicated consumer of video and movies.

If on the other hand you prefer to play things safe we have an exhaustive gallery to give you a taste of the latest version.