I don't count «Gone With the Wind,» which romanticizes the domestic struggle at Tara as much as it does the relationship between Scarlett and Rhett, blames everything on the Union Army, and largely
ignores the role played
by Southern
men out of uniform as opportunists, marauders, cheats and rapists who took advantage of Southern women, white as well as
black.
This doesn't make him «better» than his genre counterparts Jax or Balrog, but shows the many narratives posibilities
ignored by routine might - makes - right representations of
Black men.