With this element excluded from Brown's dialectical affirmation
of death, the «eternal Now» becomes what it is more honestly in Eliade: an Eternal Return in
illo tempore, a return to eternity, a regression.
And, although budgets vary, yes, even established midsize publishers are not above trying to shove as much
of the illustration cost as they can onto the author, or telling the author to find a coauthor to do the
illos and share the royalties with him or her.