Sentences with phrase «illusion of a flat surface»

He drew gestures similar to those one might make while using a touchscreen device into casting compound and then painted luminous shades of green, blue and yellow to create the illusion of a flat surface that glows like a computer screen.

Not exact matches

We live in a 3D world but all games take place on a flat surface with that illusion of depth.

It further looks at Leonardo's example and how he developed this linear perspective but then continues with the development of chair - scuro (light to dark shading) and their oil paint blending to continue developing the illusion of reality on a flat surface in their Still life paintings.

Here's Patrick Heron's take on it: But the secret of good painting — of whatever age or school, I am tempted to say — lies in the adjustment of an inescapable dualism: on the one hand there is the illusion, indeed the sensation, of depth; and on the other there is the physical reality of the flat picture - surface.

The words sit on the picture plane, creating a play between the painting as a flat surface and as a window opening onto the illusion of deep space.

The result is a tension - filled composition that emphasizes both the flat surface of the wall and an illusion of depth.

The pieces are characterized by patterns of diagonal lines, layered to give an illusion of depth on a flat surface.

Focus on the artwork of Bridget Riley and Victor Vasarely who use repeated shapes, lines, and minimal colors to create detailed paintings that generate the illusion of depth and movement on a flat surface.

Hyper Demeures is a series of pencil drawings on paper that create the illusion of three - dimensional worlds under a seemingly flat surface.

As it is of the nature of paintings to be flat objects with canvas surfaces onto which colored pigment is applied, such things as figuration, 3 - D perspective illusion and references to external subject matter were all found to be extraneous to the essence of painting, and ought to be removed.

The paint texture, marks and subtle variations in color, and bleeds / drips / rips of paint similarly create their own interference, breaking the illusion of depth and space within the pattern, and bringing the eye back to the surface of the paint, the «skin» covering the flat canvas.

While these paintings give the illusion of corporeal volume and fullness, closer scrutiny reveals the surfaces to be smooth and flat.

Reducing this analysis to a specific painting problem, Lucas explores the issue of spacial illusions through the paradox of illusionistic reproduction on a flat surface.

The surface will create light, creating an illusion of extra space — and a more flattering atmosphere for applying make - up!