Sentences with phrase «illusion of visible»

[1] Western art had been, from the Renaissance up to the middle of the 19th century, underpinned by the logic of perspective and an attempt to reproduce an illusion of visible reality.

Not exact matches

(I would argue that the baby boom and the suburban explosion which led to the momentary illusion of mainline prosperity through the «50s only superficially ran against a trend already visible in the Depression and the «30s.)

Anxiously I followed my thoughts, as from layer to layer they descended towards the foundation of my consciousness, and, scattering one by one all the illusions which until then had screened its windings from my view, made them every moment more clearly visible.

By contrast, it features a different heat signature than its actual signature along the vertical axis, thus forming a different type of illusion, which is visible but not displaying the reality.

It is fine to leave the tab showing on the outside of the glued column; it will not be visible in the illusion.

Trace the edge of your lips, or just outside of them to create the illusion of a plumper pout, and then fill them in to avoid seeing any visible lines later.

We saw an influx of details running directly down the middle from Amsale's beaded illusion backs (think: a completely sheer swatch of fabric with only beads sewn down the middle) to Angel Sanchez and Honor for Stone Fox Bride's lone swatch of sheer fabric amidst a sea of visible skin.

It is a project that arises the illusion of generating a change, making visible the need of emotional education and giving answer to that need in the childhood.

The works boldly recall the first steps of Gray's process, which begins in clay - work: the marks of the artist's hands, fingers and tools are visible and palpable, giving the illusion that the stone is as malleable as the initial clay sculpting.

«At times... they present the illusion of an almost corrugated surface,» he explained, «until the visible weave of the canvas tautens it, pulling out its creases, as it were.

Through the work of twenty contemporary artists — including Julio Le Parc, Danh Vo, Antoni Muntadas, Marcel Broodthaers — the visitor is invited along the way to create his own path between the opposite polarities of black and white, day and night, visible and invisible, realty and illusion.

The boulder doesn't so much levitate as rest, supported by two all - too - visible metal brackets that diminish the illusion of this massive object floating in space.

Similarly, Jessica Labatte sets up elaborate arrangements of colored paper, but in the process of photographing she makes visible what is barely there between the lens and the subject, such as tiny debris and dust particles that give the illusion of painted brush strokes.

An impish reference to Duchamp's infamous last major artwork Étant donnés (Given)(1946 - 66), Give In is an optical illusion, visible only through a key hole in an old wooden door; instead of Duchamp's tableau of a nude woman lying on her back, Turk presents his audience with a distorted examination of self, through the lens of the artist.

Films unfold in time, and the illusion of motion in film becomes visible through the continuous projection of still images by a beam of light onto a screen.

The completed tableau is visible only from out - with the gallery, creating an illusion of depth and volume that is unfulfilled by the interior of the installation.

In his second photographic series called «Plenty Of Fish In The Sea», Bas presents young boys playing in the sea with self - made shark fins; while diving, only the shark fins are visible and therefore the illusion of being confronted with real sharks is createOf Fish In The Sea», Bas presents young boys playing in the sea with self - made shark fins; while diving, only the shark fins are visible and therefore the illusion of being confronted with real sharks is createof being confronted with real sharks is created.

The weave of the raw canvas was visible within the painted forms, and, at the same time, the visibility of the canvas beneath the painted surface negated the sense of illusion and depth.

But in the context of the paintings that were included in that first Julian Stanczak show at Martha Jackson Gallery, the term was interpreted not only to refer to what is visible, but rather to have something to do with optical illusions.

«Far from harmonizing the individual stripes by colour, Louis usually vibrates them, creating an illusion of painterliness in their optical flicker... [at times] they present the illusion of an almost corrugated surface, until the visible weave of the canvas tautens it, pulling out its creases» (J. Elderfield, Morris Louis, exh.