Sentences with phrase «illusionism as»

Comprising more than 40 paintings and a related group of drawings, prints and other Dalí ephemera, «Salvador Dalí: The Late Work» will also explore the artist's enduring fascination with science, optical effects and illusionism as well as his connections to such artists of the 1960s and 1970s as Andy Warhol, Roy Lichtenstein and Willem de Kooning.

Not exact matches

Refuting Noël Carroll's statement that the semiotic theory of illusion overestimates the power of representations, Wheatley follows the arguments of Baudry, Richard Allen's projective illusionism and Gregory Currie's impersonal imagining to argue that, while watching a film, the spectator is unaware of their actual relationship between the cinematic apparatus and their position as a viewer unless the film forces them to be aware of it.

Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that tradition through the use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and representation and juxtaposes gestural brushwork and photographic media, affords a crucial link to late 20th - century abstraction.

Trudy Benson, for one, means that literally, with an illusionism inspired by software as much as history.

Abstract illusionism comes to mind, with painters such as James Havard airbrushing shadows under squiggles of paint.

Illusionism may be an integral component of the art of painting, but when it's put forth as style — denatured, slick, and wholly self - referential — it can make for vacuous going.

She recalls another time when abstraction was chafing against its limits, in what Barbara Rose briefly heralded as «abstract illusionism.»

The next phase of Havard's career, during the 1970s, was devoted to this «abstract illusionism,» as the dealer Allan Stone dubbed it.

This recent group of volumes has been a pleasure as I play with illusionism, very different from most of my other textile work and closer to my painting.

As Newman captured «streaks of light» in his zips, De Luca captures the atmosphere of contemporary light and color derived from varying visual sources such as advertisement and mass media, conflating modernist abstraction with contemporary illusionism and sensational effectAs Newman captured «streaks of light» in his zips, De Luca captures the atmosphere of contemporary light and color derived from varying visual sources such as advertisement and mass media, conflating modernist abstraction with contemporary illusionism and sensational effectas advertisement and mass media, conflating modernist abstraction with contemporary illusionism and sensational effects.

Originally trained as a sculptor but interested in painting for its illusionism and color, Fuchs moved from sculptural installation to painting after her two - year residency at the Core Program.

In 1967, she went so far as to write a letter to Artforum, challenging Judd and Morris for asserting that sculpture was the preferred art form for resisting illusionism and the «death of painting.»

7 In actuality, however, Rauschenberg played a bit more daringly with the spatial effects engendered by photography, pressing photographs (and fine art reproductions) into service as markers of perspectival illusionism so as to pit them against the Combines» otherwise flatbed expanses (not unlike the manner in which he utilized the actual openings he sometimes incorporated into such works).

These two approaches articulated very early on in its history this kind of work's almost paradoxical dynamic: that one can read a monochrome either as a flat surface (material entity or «painting as object») which represents nothing but itself, and therefore representing an ending in the evolution of illusionism in painting (i.e. Rodchenko); or as a depiction of multidimensional (infinite) space, a fulfillment of illusionistic painting, representing a new evolution — a new beginning — in Western painting's history (Malevich).

In this way my paintings integrate traditional illusionism and contemporary formalism: they are convincing representations of actual objects as well as abstract arrangements of light, shape, and color.

as a departure point, Ikon's exhibition explores Flavin's straightforward rejection of illusionism whilst asserting the importance of the context of artistic experience over art for art's sake.

Maychack studied art in the San Francisco Bay Area, and absorbed its traditions of assemblage, trompe - l'oeil illusionism and personal mythology; but also the post-minimalist interest in imbuing emotion and presence into abstract structures; he cites the personal, idiosyncratic work of Jessica Stockholder and Martin Puryear as major influences.

As an artist writing about art, Judd demonstrated that art could be seen solely as physical and material fact, arguing against the long European tradition of illusionisAs an artist writing about art, Judd demonstrated that art could be seen solely as physical and material fact, arguing against the long European tradition of illusionisas physical and material fact, arguing against the long European tradition of illusionism.

In 1955, for the exhibition «Mouvements» at the Denise René gallery in Paris, Victor Vasarely and Pontus Hulten promoted in their «Yellow manifesto» some new kinetic expressions based on optical and luminous phenomenon as well as painting illusionism.

With a formal reference to both Hard Edge and Illusionism the paintings appear at rst sight as large paper collages.

By refusing to adopt the «old values» of traditional art and asserting the flatness and objectivity of the canvas he was not rejecting completely the energetic brushstrokes of Abstract Expressionism, as is often suggested, but insisting on the development of the overall surface without relying on the illusionism that comes from the visual brushstrokes or the sense of depth that the inclusion of color might imply.

He paired down his art to its limits, stripping away anything he considered extraneous to its self - sufficient identity as an art object: no illusionism, no allusions to emotion or metaphor, no conventional aesthetic or composition judgment.

For over three decades, Jacqueline Humphries has reacted to predictions of painting's obsolescence, employing both traditional and contemporary methods to position the medium's historical binaries — such as authenticity and simulation, handmade and mechanical, and literalism and illusionism — in tight and competing proximity, suspending them from resolution.

By referencing animistic notions by which artists ascribe a spiritual core to individual works, as well as 20th - century avant - gardes that mined the human subconscious and practiced a kind of social awareness, Kim's work has developed around the visual tradition of illusionism.