This is
illusionism at its finest — refined down to a beautiful binary of black and white.
Not exact matches
I wouldn't put these in an abstract expressionist camp; like Gomez's, there's a photographic, calculated
illusionism makes them look magically impressionistic
at first and less interesting upon further inspection.
This includes paint (another tool
at her disposal); Color Field painting; the brushstroke, squiggle, and line; Chinese and Japanese art; Indian miniatures; abstraction; figuration; abstract
illusionism; inspirational posters; children's book illustrations; greetings cards; thrift store merchandise; wheels from bicycles, go carts, and strollers; buttons; embroidery and appliqué; mythology; essays on other artists.
The works are rendered in a dynamic style that
at once denies and promotes traditional painterly
illusionism, thus reflecting the creative visions
at stake during this watershed moment.
Originally trained as a sculptor but interested in painting for its
illusionism and color, Fuchs moved from sculptural installation to painting after her two - year residency
at the Core Program.
The volume, published on the occasion of the solo exhibitions held
at Passerelle Centre d'art contemporain in Brest and Villa Croce Museo d'arte contemporanea in Genova, collects the images of the works produced in the last two years on the relationship between the activities of the intelligence agencies and the practices of magic and
illusionism in the Cold War era.
Visiting Robert Ruello's third solo exhibition
at Inman Gallery, I was reminded of the term «abstract
illusionism,» which critic Barbara Rose coined in the late 1960s to describe painters using trompe - l'oeuil devices to create spatial and other pictorial illusions in non-representational painting.
A new exhibition
at the Whitney Museum of American Art is rescuing the panorama from the historic abyss, and revalorizing its intoxicating technological
illusionism with an installation by artist T. J. Wilcox.
A new exhibition
at the Whitney Museum of American Art is rescuing the panorama from the historic abyss, revalorizing its intoxicating technological
illusionism.
In 1955, for the exhibition «Mouvements»
at the Denise René gallery in Paris, Victor Vasarely and Pontus Hulten promoted in their «Yellow manifesto» some new kinetic expressions based on optical and luminous phenomenon as well as painting
illusionism.
In this film, artist Diana Al - Hadid creates sculptures and drawings that embrace
illusionism and the unknown, culminating in the exhibition The Vanishing Point (2012)
at Marianne Boesky Gallery in New York.
With a formal reference to both Hard Edge and
Illusionism the paintings appear
at rst sight as large paper collages.