Howard Kanovitz (1929 - 2009) His works have the illusion of using figurative cut - outs Ralph Goings (b. 1928) Achieved a crystal clear style of
illusionism by using an airbrush.
Shapiro counters the sculptures»
illusionism by foregrounding their material fabrication.
In New York in the 1960s, Judd was among the first in a group of artists who challenged notions of subjectivity and pictorial
illusionism by creating art from industrial processes and materials.
Not exact matches
Trudy Benson, for one, means that literally, with an
illusionism inspired
by software as much as history.
«I represent landscape through several degrees of mediation (first
by building modest micro-sculptures, then through painting) using themes of failed geometry, failed architecture, and failed
illusionism.»
«
By shifting the public's gaze to stylistically creative black Americans and picturing them under the fused tenets of painterly
illusionism and post-Pop portraiture, Barkley L. Hendricks radically transformed modern art.
In a three - question interview with her published
by Half, she explains the difference between two painting styles that have influenced her work: Bad Painting and Abstract
Illusionism.
Stella wrote, «It is the legacy of Caravaggio's space and Caravaggio's
illusionism that tipped the scales decisively in favor of abstraction
by the middle of the twentieth century.»
7 In actuality, however, Rauschenberg played a bit more daringly with the spatial effects engendered
by photography, pressing photographs (and fine art reproductions) into service as markers of perspectival
illusionism so as to pit them against the Combines» otherwise flatbed expanses (not unlike the manner in which he utilized the actual openings he sometimes incorporated into such works).
Inspired
by Hans Hoffmann (who taught Loving's mentor Al Mullen), Loving concentrated on the tension between flatness and spatial
illusionism.
Written about
by influential critics (Judd, Lippard), and shown in prominent galleries (Martha Jackson, Pace), Lukin's work fused the Juddian «specific object» with hard - edge painting, geometric
illusionism, the exuberant palette of Pop, and a feeling for sensual curving forms that exuded a playful eroticism.
A new exhibition at the Whitney Museum of American Art is rescuing the panorama from the historic abyss, and revalorizing its intoxicating technological
illusionism with an installation
by artist T. J. Wilcox.
Olitski's remark that he wanted to «hang the weather» does convey the vaporous spatial
illusionism he induced
by overlaying sprayed colour on colour.
Influenced
by Clement Greenberg's theory of picture - plane flatness, and with an innate desire to reduce the medium of painting to its basic attributes, the Robert Ryman sought to do away with pictorial
illusionism all together.
In a work like «The Voice of Space» (1931, Guggenheim Museum, New York)
by Rene Magritte, for example, the free - associative element resides in the selection of the imagery rather than in the technique or style (which, in this case, is academic
illusionism).
By borrowing Judd's purity in forms and combining it with the raw material of the container, Davila comments on the
illusionism of the city of Miami Beach.
By refusing to adopt the «old values» of traditional art and asserting the flatness and objectivity of the canvas he was not rejecting completely the energetic brushstrokes of Abstract Expressionism, as is often suggested, but insisting on the development of the overall surface without relying on the
illusionism that comes from the visual brushstrokes or the sense of depth that the inclusion of color might imply.
By referencing animistic notions by which artists ascribe a spiritual core to individual works, as well as 20th - century avant - gardes that mined the human subconscious and practiced a kind of social awareness, Kim's work has developed around the visual tradition of illusionis
By referencing animistic notions
by which artists ascribe a spiritual core to individual works, as well as 20th - century avant - gardes that mined the human subconscious and practiced a kind of social awareness, Kim's work has developed around the visual tradition of illusionis
by which artists ascribe a spiritual core to individual works, as well as 20th - century avant - gardes that mined the human subconscious and practiced a kind of social awareness, Kim's work has developed around the visual tradition of
illusionism.
Inspirated
by the greatest illlusionists, he decided to make himself known in Italy and worldwide mixing
illusionism, cardistry and street magic, creating his own style.