His illusionistic drawings were often created on found ledgers and used oblique projection.
The solo exhibition will also showcase
illusionistic drawings made with dry pastel and sculptures made of compressed jute, newspaper and old clothes — works that Nai is increasingly earning renown for.
Not exact matches
1 How to create an
illusionistic space and to
draw from first hand observation using blind
drawing skills, contour line
drawing, upside - down
drawing and mark - making.
Thus, with no formal training in sculpture, but an interest in exploring the
illusionistic potentials of three - dimensional space, Simpson began making constructed forms, both wall based and freestanding, from corrugated cardboard, some titled Corrugated
Drawings (1978 — 1980).
The method is also described as
illusionistic, since creators were making
drawings based on the representational form that was suggesting itself.
Chapter's presentation will include eight new
illusionistic graphite
drawings depicting, as it would happen, frames.
These renderings are then executed in acrylic paint and overlaid with enlarged
drawings painted with a vinyl paint that alternately reinforces the
illusionistic space of the painting and calls to attention the physical reality of the paintings» two - dimensional linen support.
While artists such as Vija Celmins, Rudolf Stingel and Paul Sietsema employ
illusionistic painting and
drawing, others» use of materials is surprising — Thomas Demand's video of what appears to be a rainstorm is made from animated candy wrappers; Susan Collis» sculpture of construction debris is fashioned from exotic hardwoods, mother of pearl and silver.
His gunpowder, pigment, and pastel
drawings of words incorporate industrial typefaces and
illusionistic renderings of text that flow like ribbons or liquid across the paper.
Her newest works emphasize the ceiling as pictorial space,
drawing inspiration from Renaissance and Baroque murals that made ceilings into
illusionistic, mythological zones.
In creating the
drawings, Voigt first maps the movements of her entire body, and then translates her full - body experience into a symbolic language of
illusionistic organic shapes that float on a flat background.
Using an
illusionistic and architectural approach, Chow's eight
drawings recalled elements and narratives that one would encounter in everyday life, the unsettling factor of an elegance long forgotten, as if leaving the fair behind.
Many paintings hovered close to sculpture,
drawing attention to the idea of a painting as an object rather than an
illusionistic scene.
In Alice Sielle «s 3D Blue and Gold Segments (1978),
drawing, within a shallow
illusionistic space is more prominent.
Her paintings and
drawings suggest visual landscapes without necessarily depicting an
illusionistic space.