Both renowned artists turned to the projected image in the seventies, highlighting the shifting awareness of spatial perception in the interaction between
illusionistic filmed space and a physical location.
Not exact matches
Between Spaces will include
film, installation, photography, and sculpture that address themes of nostalgia, a preoccupation with materiality, and the creation of
illusionistic and psychological shifts in space.
Richter began painting on photographs in 1989 as a way of joining seemingly opposing values: the tactile paint mark that is actually abstract and the
illusionistic depiction of real space created by the action of light on
film.