Patterns and gestures are visually at odds with grids and conical
illusionistic shading.
Not exact matches
«Three primary colours, as the source of endless sequences of tones... The
shades and forms emerge through the constant blending of brushstrokes; they create an
illusionistic space, without any need for me to invent forms or signs» — Gerhard Richter «Richter succeeded in taking the inpaintings to a threshold where they exist — period.
`... Colour in painting brings with it the possibility of constructing luminosity, — not an
illusionistic depiction of illumination and
shade, but an actual source of particular light.