Her staining method emphasized the flat surface over
illusory depth, and it called attention to the very
nature of paint on canvas, a concern
of artists and critics at the time.
«It is as though he [Joan Miro] had decided to condense all that he loves most — women, the night, stars, birds, dewdrops at dawn, into small
paintings, while emphasizing the precarious
illusory nature of our existence.»