Sentences with phrase «illustrated by my photography»

Most entries are illustrated by my photography, and more of my images can be seen in my photo gallery.

Most entries are illustrated by my photography, and more of my images can be seen in my photo gallery.

Most entries are illustrated by my photography, and more of my images can be seen in my photo gallery.

Most entries are illustrated by my photography, and more of my images can be seen in my photo gallery.

Most entries are illustrated by my photography, and more of my images can be seen in my photo gallery.

Not exact matches

The book is full of Sara's wholesome, approachable recipes beautifully illustrated by Hugh's virtuoso photography.

The film equivalent of a stroll through the Louvre, the documentary Visions of Light: The Art of Cinematography collects interviews with many of modern - day Hollywood's finest directors of photography and is illustrated by examples of their best work as well as scenes from the pictures which most influenced them.

These resources are supported by Videos I have made using my own work to illustrate the tips and guides - They can be found http://bit.ly/1HEaYOo Portfolios and interviews can be stressful for students - and lengthy for teachers to prepare students for - considering the time constraints of A-Level teaching - so I made this resource to help both teachers and students: — RRB - The resources are also available to view @ http://linkd.in/1TtnJU9 Please check out my other resources for Photography and Fine Art on TES and on be.net / grw

Automobile offers a rich and varied examination of the automotive universe in all its forms - delivered by our stable of first - class editors and freelance contributors and illustrated with vibrant photography.

Automobile offers a rich and varied examination of the automotive universe in all its forms — delivered by our stable of first - class editors and freelance contributors and illustrated with vibrant photography.

Created in cooperation with the Carroll Hall Shelby Trust and officially licensed by Carroll Shelby Licensing, Inc., Shelby Mustang Fifty Years is lavishly illustrated with rare, historic photography and modern color images to chronicle the story of these amazing cars, from the initial collaboration with Ford to today's record - setting high - tech muscle.

A field guide to snakes of Belize (The Belize Zoo and Tropical Education Center), by Tony Garel and Sharon Matola, 1996, is a compressive guide illustrated with color photography and includes habitat maps.

All screenshots credited to Nintendo of America Photography: Stephanie Carmichael Super Mario Adventures written by Kentaro Takekuma, illustrated by Charlie Nozawa, and printed in Nintendo Power magazine.

Superbly illustrated with stunning photography, the projects are grouped thematically by chapter, including Form, Texture, Juxtaposition, Light and Mass, to elucidate their architectural qualities.

This richly illustrated catalogue includes essays by Glenn Adamson, author of The Craft Reader and Deputy Head of Research and Head of Graduate Studies, Victoria Albert Museum; Britt Salvesen, Department Head and Curator, Wallis Annenberg Department of Photography, Los Angeles County Museum of Art; science fiction author William Gibson; and Julie Joyce, AICA - USA member and Santa Barbara Museum of Art Curator of Contemporary Art.

An accompanying, fully illustrated publication will include an essay by art historian and curator Camille Morineau; rarely seen photography by Bob Adelman that captured the creation of the original Greene Street Mural; and extensive documentation relating to Lichtenstein's twelve realised and four unrealised murals.

Featuring both digital and 35 mm work by approximately 30 young artists, the images in Selected Shots illustrated the students» enthusiasm for photography and their excitement to explore various genres, from portraiture and still life to more abstract and manipulated techniques.

Riverside, UCR / California Museum of Photography, University of California, The Garden of Earthly Delights: Photographs by Edward Weston and Robert Mapplethorpe, 1995, p. 50 (another example exhibited and illustrated).

This fully illustrated catalogue was published to accompany the exhibition, Alexander Calder: MULTUM IN PARVO and features archival material, installation photography, and original sketches by Santiago Calatrava that reveal the architectural process in response to Calder's ideas and work.

The sumptuously illustrated book (with 149 color and 71 black - and - white illustrations), co-published by Chinati and Yale University Press, begins with an introductory essay surveying the history of Judd's work in Marfa, then presents the individual installations at the museum in chronological order, with stunning photography.

The exhibition will be accompanied by a fully illustrated catalogue featuring short fictional narratives on individual photography by Vassar students and professors as well as artists.

Accompanied by a generously illustrated catalogue with essays by Brandt, Joshua Takano Chambers - Letson, Alexandra Chang and Muna Tseng, the Grey Art Gallery exhibition makes a strong case for Tseng's photography - based performances as an essential critical intervention in the historical representation of the Asian «other» in the West — and one that is rooted in an interventionist queer practice.

Originally conceived by collector, photographer, and publisher F.C. Gundlach, The Heartbeat of Fashion illustrates the history of fashion photography in the broadest sense and documents how fashion is a central part of our lives.

The name was inspired by a well - known text in The Pencil of Nature (1844 — 1846), a groundbreaking photographically illustrated book by William Henry Fox Talbot, the pioneer of 19th century picture making in both optical and chemical aspects of photography.

Related Publication The Kongo across the Waters exhibition is accompanied by a 450 page publication available in the Museum Shop which presents a collection of richly - illustrated essays and a catalogue of the exhibition with superb photography.

Designed by acclaimed Madrid practice This Side Up, in close collaboration with the artist, the publication features a specially - conceived artist's cover, a poster of his largest «palette» work to date, and extensive photography by Thierry Bal, illustrating the process of creating the new bodies of work featured in the exhibition.

Design director by day, modern - day Renaissance man by night Andrew Bellamy has just released the beautiful new book Analogue Photography: A Reference Manual for Shooting Film, a volume he wrote, designed and illustrated, finishing it off with a custom typeface.

Though primarily photography, A Green and Pleasant Land includes film, painting and sculpture by over 50 artists, illustrating the various concerns and approaches to landscape pursued by artists from the 1970s to now.

Its collection - featuring painting, sculpture, works on paper, including photography, prints, illustrated books and electronic media - includes masterpieces by Pablo Picasso, Georges Braque, Fernand Leger and Alexander Calder, plus the biggest outsider art collection in France.

This multi-media exhibition features graphic novels, text, photography, video work, and drawing by teens as they illustrate defining moments in their lives and demonstrate their unique, individual voices.

The exhibition will be accompanied by a fully illustrated catalogue with an essay by Francis Hodgson, Professor in the Culture of Photography at the University of Brighton and photography critic of the FinaPhotography at the University of Brighton and photography critic of the Finaphotography critic of the Financial Times

The exhibition is accompanied by a fully illustrated catalogue featuring archival material, installation photography, and original sketches by Santiago Calatrava that reveal the architectural process in response to Calder's ideas and work.

With more than 100 works by 16 artists, Debating Modern Photography is the first exhibition to provide a substantial consideration of the group since 1992, and is unique in its inclusion of pictorialist examples to illustrate the debate.

This is illustrated by the documentary photography of Diane Arbus, that focuses on members of minorities in New York City, and the video art of the Korean - American Nam June Paik (1932 - 2006).

Contemporary portrait photography is best illustrated by the camera work of Diane Arbus (1923 - 1971) and Annie Leibovitz (b. 1949).

Contemporary documentary photography is represented by the camera art of Don McCullin (b. 1935), James Nachtwey (b. 1948) and Steve McCurry (b. 1950); while street photography is best illustrated by the work of Garry Winogrand (1928 - 1984), Ed Ruscha (b. 1937) and Nan Goldin (b. 1953).

In addition to its collection of some of the greatest 20th century paintings, MoMA's collection includes works of drawing, mixed media, printmaking, architecture and design, illustrated books, fine art photography, film and electronic media, as well as works of sculpture by nearly all the great modern European sculptors.

The illustrated catalog includes new photography of the work in situ and documentation of her cross-disciplinary collaborations, along with newly commissioned essays by scholars, including Alexander R. Galloway (Professor of Media, Culture and Communication at NYU) and Laurent Stalder (Chair for the Theory of Architecture at the ETH in Zurich).

By illustrating multiple perspectives of this city through monochromatic drawings, Bechtle quietly shapes the pauses and shadows that find or leave us and displays how photography, memory and personal history influence these meticulous compositions.

An illustrated, print - on - demand catalogue will accompany the exhibition, with essays written by Deborah Irmas as guest curator along with Eve Schillo, Assistant Curator, LACMA, and the team at the Wallis Annenberg Photography Department at LACMA, along with a foreword by SJMA's Oshman Executive Director Sayre Batton.

An illustrated catalogue of the same title accompanies Chaotic Harmony, co-published by The Museum of Fine Arts, Houston, and the Santa Barbara Museum of Art and distributed by Yale University Press, The catalogue presents one of the first overviews of the artists, subjects, and themes in contemporary Korean photography, with scholarly essays by Tucker and Sinsheimer; a chronology of post-World War II developments by noted photographer and curator Bohnchang Koo; an exhibition checklist; and brief biographies of the artists, compiled by MFAH photography curatorial assistant Natalie Zelt.

Street photography is illustrated by Garry Winogrand (1928 - 1984) and Nan Goldin (b. 1953), while postmodernist portraiture is exemplified by Diane Arbus (1923 - 71) and Annie Leibovitz (b. 1949).

Trevor Paglen: Sites Unseen is organized by John Jacob, SAAM's McEvoy Family Curator for Photography, and is accompanied by a fully illustrated catalogue.

A 176 - page exhibition catalogue features an essay by Elizabeth Siegel, associate curator of photography, The Art Institute of Chicago; an interview by Paul Martineau, associate curator of photography, J. Paul Getty Museum, Los Angeles; and an illustrated chronology by Brett Abbott, curator of photography and head of collections, High Museum of Art, Atlanta.

Since then, John Elderfield of painting and sculpture, Deborah Wye of prints and illustrated books, and Peter Galassi of photography have all retired after tenures at the museum of three decades or more, replaced, respectively, by Ann Temkin, Christophe Cherix, and Quentin Bajac.

Published on the occasion of his tenth solo exhibition at David Zwirner in 2011, this richly illustrated catalogue debuts an extensive project by Stan Douglas that chronicles the burgeoning discipline of press photography in North America during the postwar period.

Edited by Eva Meyer - Hermann, it surveys nearly two hundred works that were vital to his artistic development and features an illustrated chronology with archival images and installation views of the works from this period, as well as new photography of each of the paintings.

The exhibition will be accompanied by an illustrated brochure in this fully immersive exhibition that debuts a feature film, original photography, and an artist - designed Augmented Reality App.

illustrates through landmark works by Jan Groover (1943 — 2012), Joel Meyerowitz (b. 1938) and others the blossoming of artists» use of color photography that followed in the wake of Szarkowski's celebration of Eggleston.

The finalist entries included video, flash animation and photography, but the winning one, by two Pratt Institute architecture students, employed good old - fashioned paper and other nonvirtual materials to build three - dimensional flow charts illustrating the links between human activities, emissions and possible global climatic outcomes.