Jennifer Bartlett: New Paintings, 1998 Text by Kay Larson 46 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-39-5 A fully -
illustrated catalog of Jennifer Bartlett's 1998 breakthrough exhibition at the Locks Gallery in Philadelphia.
A fully
illustrated catalog of the exhibition includes a conversation with Alice Quinn, director of the Poetry Society of America and former poetry editor of The New Yorker, that elucidates the back - stories and the processes of Wynne's art.
Not exact matches
Snyder's story
illustrates the power
of looking beyond the genome, the complete
catalog of an organism's genetic information.
In a handsomely
illustrated text, Stuart
catalogs the medical uses — both valuable and dubious —
of a wide variety
of plants.
Most
of the images used to
illustrate the RCW
catalog were created using the SuperCOSMOS Sky Survey, with red = hydrogen - alpha, blue = UKST Blue and green = UKST Infrared.
Surveying some
of the titles prominently advertised in Corwin Press's fall 2002
catalog illustrates the problem.
The colorful
catalogs are well -
illustrated, showing parts numbers and even the most minute details
of the cars.
The two share a dedication to the diversity
of New York City and, in his introduction to the fully
illustrated catalog, he describes her as an essayist on canvas.
Featuring an intergenerational slate
of artists, the exhibition is amplified by archival materials, audio platforms, a new collaborative opera to be performed live, and a fully
illustrated exhibition
catalog.
This richly
illustrated catalog, published to accompany Bradley's midcareer survey organized by the Albright - Knox Art Gallery in Buffalo, presents the full range
of Bradley's unique approach to language, abstraction and the evolutions
of style.
At its most recent count, over 6,800 works by 833 artists make up the Rubells» collection; this
catalog illustrates 880
of these works by 250
of the artists.
This beautifully
illustrated catalog accompanies the first major museum retrospective
of the painter Norman Lewis (1909 - 1979).
The exhibition is accompanied by a comprehensive and richly
illustrated catalog in which several essays reconsider the importance
of drawing in Guston's art.
The accompanying fully
illustrated exhibition
catalog, published by the AFA in association with Yale University Press, surveys the activities and contributions
of women painters who worked in Paris in the late 19th century, and provides an examination
of the sociopolitical conditions that shaped the culture
of the period.
Examples from his major series over the years (including body prints, found object assemblages, basketball chandeliers, basketball drawings, Kool - Aid drawings, and tarp paintings) will be featured and a fully
illustrated catalog authored by Kellie Jones, a professor
of art history and archeology at Columbia University, will accompany the exhibition.
The exhibition is accompanied by a forthcoming 168 - page
illustrated catalog that explains for the first time Gaines's creative process for each body
of work.
* The exhibition is accompanied by a fully
illustrated catalog with an essay by Mark Rosenthal, titled Reflecting on the Coordinates
of Wayne Thiebaud's Art (quote from p. 7).
This richly
illustrated catalog, published to accompany Bradley's mid-career survey organized by the Albright - Knox Art Gallery in Buffalo, presents the full range
of Bradley's unique approach to language, abstraction and the evolutions
of style.
Procession: The Art
of Norman Lewis will be accompanied by a fully
illustrated scholarly
catalog and related programming.
Beautiful, one -
of - a-kind
catalogs illustrating major exhibits are created to celebrate the artist and the event.
The exhibition will be accompanied by a fully
illustrated catalog, including several examples
of the artist's writing and sketches.
A fully
illustrated catalog includes essays by Charlotta Kotík and Philip Rylands, director emeritus
of the Peggy Guggenheim Collection.
The exhibition will be accompanied by an
illustrated catalog published by Glenstone and distributed by Artbook DAP, featuring an essay by Briony Fer, previously unpublished diary entries by Louise Bourgeois annotated by Philip Larratt - Smith, an introduction by Emily Rales, and installation images
of the exhibition.
In Retroactive II (1963)-- a painting
illustrated in the
catalog but not on the wall at MoMA — some white paint outlines a pointing - hand gesture in a picture
of the recently assassinated President John F. Kennedy, separating it from the rest
of his body and turning it into an emblematic indication
of the painting's power to interpellate its viewer.
Published in conjunction with this century's first retrospective
of this defining figure in postwar art, this richly
illustrated catalog reframes Rauschenberg's widely celebrated Combines (1954 — 64) and silkscreen paintings (1962 — 64) in fresh ways.
It offends no one (because it takes no risks), squanders the museum's deep and rich
catalog (because it cherry - picks to
illustrate not the best contemporary painting but contrived ideas about painting), and most egregiously apes curatorial models developed by other, younger institutions with a fraction
of MOMA's artistic, financial, and authorial acumen.»
Catalog Forrest Bess: Seeing Things Invisible is accompanied by a fully illustrated catalog, published by the Menil Collection, and includes an essay by Claire Elliott, assistant curator of the Menil Collection and organizer of the exhibition, and a contribution by Robert
Catalog Forrest Bess: Seeing Things Invisible is accompanied by a fully
illustrated catalog, published by the Menil Collection, and includes an essay by Claire Elliott, assistant curator of the Menil Collection and organizer of the exhibition, and a contribution by Robert
catalog, published by the Menil Collection, and includes an essay by Claire Elliott, assistant curator
of the Menil Collection and organizer
of the exhibition, and a contribution by Robert Gober.
A fully
illustrated, 262 page
catalog in Chinese and English with text from all
of the artists will accompany the exhibition as well as a complementary audio tour.
Earlier last week, following the court's final decision to grant Prince's appeal they released this statement as well as an
illustrated catalog detailing all thirty works (twenty - five
of which were deemed non-infringing) comparing the work
of Patrick Cariou to that
of the Richard Prince works in question.
The accompanying exhibition
catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery
of Art and the University
of Chicago Press, is a richly
illustrated scholarly study
of the history
of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology
of Dwan's life and professional activities and a complete exhibition history
of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department
of modern art at the National Gallery
of Art.
Cézanne Portraits is accompanied by a fully
illustrated catalog with essays by John Elderfield, chief curator emeritus
of painting and sculpture at the Museum
of Modern Art, New York; Mary Morton, curator and head
of the department
of French paintings at the National Gallery
of Art; and Xavier Rey, director
of the Musées de Marseille.
To provide insight into the art and artist's significance, a fully
illustrated catalog was produced and features essays by Charlotta Kotík and Philip Rylands, director emeritus
of the Peggy Guggenheim Collection, plus contributions by prominent Eastern European scholars.
An
illustrated catalog is available with an essay by David Moos, Curator
of Contemporary Art at the Art Gallery
of Ontario, Toronto.
The fully -
illustrated catalog accompanies an exhibition at Locks Gallery and further documents additional representative examples
of Bartlett's abstract work, with an essay by Ann Landi.
LOUISE BOURGEOIS: AN UNFOLDING PORTRAIT Hundreds
of the fraught French sculptor's prints and
illustrated books, accompanied by a new online
catalog.
The exhibition will be accompanied by a series
of free, engaging public programs and a full - color,
illustrated catalog published by SMMoA and distributed by DAP.
This richly
illustrated catalog offers a comprehensive view
of Nauman's work in all mediums, spanning drawings across the decades; early fiberglass sculptures; sound environments; architecturally scaled, participatory constructions; rhythmically blinking neons; and the most recent 3D video that harks back to one
of his earliest performances.
Published in conjunction with Lévy Gorvy's exhibition
of the work, this fully
illustrated catalog features a newly commissioned essay by Michael Bracewell based on a recent interview with the artists, an original poem by Kostas Anagnopoulos, newspaper reviews from the Sonnabend exhibition and a facsimile
of the postal sculpture A Day in the Life
of George & Gilbert, the Sculptors (1971).
A comprehensive and lavishly
illustrated 384 - page
catalog documenting the exhibition is published and distributed by the Santa Monica Museum
of Art and DAP.
The exhibition is organized with the cooperation
of the artist and Metro Pictures, and will be accompanied by a fully
illustrated catalog featuring essays by Francesco Bonami and Betsy Berne.
Challenging a common function
of the conventional exhibition
catalog, the images are speculative rather than documentary: a set
of 10 drawings by artist Matthew Rana
illustrates his interpretation
of the works in the show prior to the manifestation
of the exhibition.
The exhibition is accompanied by a fully
illustrated catalog copublished by Yale University Press and written by Diane Waggoner; with additional essays by Russell Lord, Freeman Family Curator
of Photographs, New Orleans Museum
of Art and Jennifer Raab, assistant professor in the history
of art, Yale University.
On view in the West Building
of the National Gallery
of Art, Washington, from March 4 through May 28, 2018, the exhibition is accompanied by a fully
illustrated catalog, presenting an in - depth exploration
of the evolution
of Mann's art, and a short film highlighting her technical process.
The exhibition has recently been on view at Matthew Marks Gallery, New York and is accompanied by a fully
illustrated 144 - page
catalog of the same title, published by Fraenkel Gallery and Matthew Marks Gallery.
Each year, VisArts selects an artist to
illustrate each
of its four course
catalogs.
A well
illustrated catalog on the Poindexter collection, The Most Difficult Journey: The Poindexter Collections
of American Modernist Painting, is available for purchase through the Yellowstone Art Museum.
Bending the Grid: Pat Lay: Myth, Memory and Android Dreams is documented by an
illustrated catalog, including an essay by the guest curator Lilly Wei and an interview with independent art curator, writer and chairman
of the board
of Independent Curators International, Patterson Sims.
Marlborough Chelsea is proud finally to exhibit the large cosmology
of the work (accompanied by a fully
illustrated catalog) to inspire and promote a progressive, positive view
of America's past in the hope to help make a better future.
The exhibition will be accompanied by a fully
illustrated catalog with an essay by Glenn Adamson, Head
of Graduate Studies, Research Department, Victoria & Albert Museum, London.
Richard Diebenkorn: Works on paper, 1955 - 1967, is accompanied by a fully
illustrated exhibition
catalog, with an introductory essay by Rachel Federman, Assistant Curator
of Modern and Contemporary Drawings at The Morgan Library & Museum.