Sentences with phrase «illustrated catalogue»

The exhibition is accompanied by a fully illustrated catalogue with essays and other contributions by an interdisciplinary group of fifteen scholars.

As with each exhibition at the gallery the show featured a fully illustrated catalogue with important essays.

A richly illustrated catalogue accompanies the exhibition with essays by leading scholars of Iranian art, modern art and cultural criticism.

Additional information about the works is presented in the richly illustrated catalogue compiled by the curators.

A beautiful, fully illustrated catalogue of the exhibition featuring essays by its curators and guest scholars, as well as entries on all the artists in the exhibition, is available now.

The exhibition is accompanied by a beautifully illustrated catalogue, impressive website, and multiple educational resources.

Moreover, the show which included four works recently acquired by the museum, comes with a fully illustrated catalogue containing several essays.

A full - color illustrated catalogue of the exhibition will be available.

The exhibition is accompanied by a fully illustrated catalogue conceived in close collaboration with the artist.

The exhibition is accompanied by a fully illustrated catalogue with key historical texts and reflections by younger curators and writers on the impact of this pivotal moment in American culture.

The exhibition is accompanied by a fully illustrated catalogue with an essay by the curator, an interview with the artist, and three commissioned essays by specialists in the field.

The exhibition is accompanied by a substantial, richly illustrated catalogue.

A fully illustrated catalogue of the installation is forthcoming.

In 2017, she opened a traveling museum show, Gloves Off, with accompanying fully illustrated catalogue published by SUNY Press.

-- Hannah Höch is accompanied by a fully illustrated catalogue co-published by Prestel at the special exhibition price of # 29.95.

The exhibition is accompanied by a richly illustrated catalogue edited by Victoria and Albert Museum Theater and Performance curators Victoria Broackes and Geoffrey Marsh, with essays by Camille Paglia, Jon Savage, Howard Goodall, Christopher Breward, Oriole Cullen, Nicholas Coleridge, and a roundtable discussion with Sir Christopher Frayling, Philip Hoare, Mark Kermode, and Geoffrey Marsh.

The lavishly illustrated catalogue for Dive Deep features a revealing interview with the artist.

Museum Ludwig aims to change that with a retrospective, accompanied by the artist's first fully illustrated catalogue in English.

The ICA and Skira / Rizzoli have co-published a comprehensive illustrated catalogue designed by Stefan Sagmeister.

Diebenkorn in New Mexico is accompanied by a 154 - page illustrated catalogue featuring a foreword by Charles M. Lovell, Director of the Harwood Museum of Art and co-curator of the exhibition, and essays by Mark Lavatelli, artist, art critic, and professor of humanities at Medaille College in Buffalo, New York; Gerald Nordland, a leading Diebenkorn scholar; and Charles Strong, artist and independent co-curator.

This comprehensive, lavishly illustrated catalogue offers the first in - depth survey of the incredibly vital but often overlooked legacy of Los Angeles's African American artists, featuring many never - before - seen works, some of which were previously considered lost.

It will be accompanied by a fully illustrated catalogue authored by Clayton Press.

The fully illustrated catalogue which accompanies this exhibition includes statements by Dore Ashton, William Bailey, John Elderfield, and Catherine Lampert, among others, attesting to the respect and vast following Forge had as an artist, a writer and a person.

The Aspen Art Museum exhibition of Yang's work will be accompanied by a fully illustrated catalogue copublished with the Museum of Modern Art Oxford, which is staging a concurrent exhibition of Yang's work in the summer of 2011.

- The exhibitions are accompanied by a fully illustrated catalogue entitled Creating Ourselves, exhibition price: # 24.99 with essays by Glenn Adamson, Frances Borzello, Emily Butler, Nicholas Cullinan, Amelia Jones and Lydia Yee, as well as an interview between Iwona Blazwick and collector Maria Sukkar.

The exhibition is accompanied by a fully illustrated catalogue as well as a new book as part of the Modern Artist series, by Jessica Morgan.

will be accompanied by a comprehensive illustrated catalogue featuring an essay by author, associate professor of Art History and Fine Arts at the University of Southern California Suzanne Hudson

A beautifully illustrated catalogue written by exhibition curator Stephen Coppel, with the assistance of Jerzy Kierkuc - Bielinski, offers an introduction to the principal themes and episodes in American prints of this period will accompany the exhibition.

A beautiful illustrated catalogue produced by the RA with Ai Weiwei's studio, featuring an exclusive interview with the artist and the RA's Tim Marlow, coloured images and essay contributions from curators and experts.

A fully illustrated catalogue distributed by Holzwarth Publications, will accompany the exhibition.

This full - color illustrated catalogue raisonné reproduces every work the artist made between 1982 and 2004 and includes exhibition histories and public collection information for them.

A full colour richly illustrated cataloguing presenting new scholarship and insights on the artist, with texts by Barbara Dawson, Martin Harrison, Rebecca

Featuring 270 objects in an array of media including painting, works on paper, books and ephemera, sculptures, video art and installations, this richly illustrated catalogue also includes scholarly essays by museum curators and academics specializing in art history, intellectual history, Asian studies and Postcolonial religious and cultural studies and representing a range of interdisciplinary perspectives.

Brook Andrew: Eye to Eye will be accompanied by a full colour illustrated catalogue featuring essays by the exhibition curator, Geraldine Barlow; Anne Loxley, Penrith Regional Gallery; Associate Professor Nikos Papastergiadis, School of Culture and Communication, University of Melbourne; and Professor Lynette Russell, Centre for Australian Indigenous Studies, Monash University.

The exhibition is accompanied by a fully illustrated catalogue co-produced by ICA and Kunsthalle Wien, which is published by Sternberg Press and features an extensive conversation with Nathalie Du Pasquier and curator Luca Lo Pinto, as well as short essays by Andrew Ayers, Dafne Boggeri, Barbara Radice, Steve Piccolo, and Lodovico Pignatti Morano.

This extensively illustrated catalogue documents an eponymous group exhibition curated by Simon Morris at Bury Museum & Sculpture Centre, England, from August - November 2016, featuring work by:

Designed by Manuel Raeder in close collaboration with the artist, this fully illustrated catalogue focuses on Haegue Yang's concurrent 2011 exhibitions at Modern Art Oxford and the Aspen Art Museum.

This richly illustrated catalogue examines the inspiration that artists drew from their materials, and their expression of darkness through 70 works on paper, all produced in shades of black, by some the 19th century's greatest artists, including Georges Seurat, Edgar Degas, Odilon Redon, Goya, and Honoré Daumier.

This extensively illustrated catalogue — the first comprehensive Reinhardt overview in 13 years — reproduces the artist's signature «black» paintings (his 60 x 60 inch canvases of the 1960s, which he considered to be his «ultimate» aesthetic expression, and «the last paintings that anyone can paint»), as well as his cartoons and photographic slide presentations.

Exhibition Catalogue: Toxic Beauty: The Art of Frank Moore is accompanied by an amply illustrated catalogue with essays by Susan Harris, renowned critic Klaus Kertess, and artist / activist Gregg Bordowitz.

The exhibition is accompanied by a wonderfully illustrated catalogue in Estonian and English.

The Art and Space exhibition is accompanied by a profusely illustrated catalogue with texts and documents contributed by artists Peter Halley, Marcius Galan, Agnieszka Kurant, Asier Mendizabal, Bruce Nauman, Damián Ortega, Sergio Prego, Alyson Shotz, Lee Ufan, and Zarina, as well as the philosopher and writer Sara Nadal - Melsió and the show's curator, Manuel Cirauqui.

An accompanying book by Anne L. Poulet Curatorial Fellow Aaron Wile, published by The Frick Collection in association with D Giles, Ltd., London, is the first illustrated catalogue of all Watteau works related to military subjects.

By the early years of the sixteenth century he was able to have a vast illustrated catalogue drawn up showing 5005 items, including pieces of the bodies of the «Holy Innocents» (babies murdered by King Herod as described in the New Testament), a thorn from the crown of thorns worn by Jesus before his crucifixion, milk from the Blessed Virgin Mary the mother of Jesus, teeth from various saints, and so on.

«Here and Elsewhere» is accompanied by a fully illustrated catalogue coedited with Negar Azimi and Kaelen Wilson - Goldie of Bidoun magazine, and featuring roundtable discussions with artists as well as critical essays by scholars and critics.