Sentences with phrase «illustrated catalogue also»
Featuring works by a world - class roster of artists including Francis Alÿs, Fiona Banner, Lynda Benglis, Louise Bourgeois, Tracey Emin, Alex Katz, Sarah Lucas, Mike Nelson, Cindy Sherman, John Stezaker and Wolfgang Tillmans, this fully illustrated catalogue also includes essays by Glenn Adamson, Frances Borzello, Nicholas Cullinan and Amelia Jones, as well as a selection of quotes by influential writers and theorists as chosen by some of the artists included.
https://shop.whitechapelgallery.org/ Not exact matches
Compiled and edited by exhibition curator Jason Andrew, the catalogue also features an essay by the curator; two unpublished interviews with Tworkov and Irving Sandler; a reprint of the 1953 Art News article Tworkov Paints a Picture with essay by Fairfield Porter and photographs by Rudolph Burckhardt; historic photographs and unpublished contact sheets by Robert Rauschenberg of Tworkov at Black Mountain College 1952; as well as illustrated artist chronology.
Lévy Gorvy will also present an exhibition of Agnetti's work in New York in summer 2017, accompanied by an illustrated catalogue featuring new scholarships well as the artist's writings.
It will also include an illustrated catalogue raisonné.
The exhibition will also be accompanied with an illustrated catalogue with essays in English by Kurt De Boodt and Paul Dujardin, Christine Eyene, and Dr. Antigoni Memou.
The exhibition is accompanied by a fully illustrated catalogue that emphasizes the importance of understanding Morisot's work in light of her dialogue with contemporary artistic movements — impressionism, but also post-impressionism and symbolism.
Exhibition Catalogue: The exhibition is accompanied by a fully illustrated catalogue that emphasizes the importance of understanding Morisot's work in light of her dialogue with contemporary artistic movements — Impressionism, but also Post-Impressionism and SCatalogue: The exhibition is accompanied by a fully illustrated catalogue that emphasizes the importance of understanding Morisot's work in light of her dialogue with contemporary artistic movements — Impressionism, but also Post-Impressionism and Scatalogue that emphasizes the importance of understanding Morisot's work in light of her dialogue with contemporary artistic movements — Impressionism, but also Post-Impressionism and Symbolism.
The exhibition is accompanied by a fully illustrated catalogue that emphasizes the importance of understanding Morisot's work in light of her dialogue with contemporary artistic movements — Impressionism, but also Post-Impressionism and Symbolism.
The catalogue will also include an extensive illustrated chronology of Chin's career by Lisa Crossman, PhD, numerous entries on specific artworks, and a comprehensive bibliography.
This lavishly illustrated, 240 - page catalogue, also titled Zoo, contains an introduction by the show's curators, Marie Fraser and François LeTourneux, texts presenting each of the artists, and a typology describing the relationship between humans and animals as reflected in natural history, philosophy, fiction, and science.
A richly illustrated catalogue Van Doesburg and the International Avant - Garde: Constructing a New World is also available, in English only, edited by Gladys Fabre and Doris Wintgens Hötte (240 pages and 250 colour illustrations).
The publication also includes catalogue raisonne of the artist's Infinity Rooms, an illustrated chronology and artist biography.
The exhibition also will include an illustrated catalogue co-created with Marshall McClure.
VMFA will publish a fully illustrated catalogue for each exhibition; those catalogues also will be available in the VMFA Shop when the tours begin.
Calder, encouraged by Christian Zervos (publisher of Cahiers d'Art) to exhibit at Galerie Maeght, also illustrates the catalogue and the exhibition poster.
The MCA has also published a fully illustrated catalogue that includes essays by exhibition curators Naomi Beckwith and Dieter Roelstraete, as well as by leading musicians, composers, artists, and scholars.
A fully illustrated color catalogue, with an introduction by Eliza Rathbone, curator of the Phillips Collection, Washington, D.C., and essays by Anne de Staël, the artist's daughter; André du Bouchet, well - known French poet; Dominique Levy and Simon Studer, co-organizers of the exhibition, is also available through the Gallery.
The catalogue will reproduce the Impressions of Dallas series in its entirety for the first time, and will also illustrate many other paintings, watercolors, drawings, and prints by Grosz, as well as many historic photographs of Dallas.
Also included in the catalogue are: Serra's Notes on Drawings; an illustrated chronology related to the artist's drawing production; a selected exhibition history; and a selected bibliography.
It is accompanied by an exhibition catalogue that includes a catalogue raisonné of Rosenquist's graphic works and also illustrates many of his preparatory collages.
ICA and HOK have co-commissioned seven new works, and will also co-produce a fully illustrated catalogue published by Sternberg Press with contributions by scholars Tom Holert and Homay King.
To accompany the exhibition, the MCA has also published a fully illustrated catalogue that includes essays by Dieter Roelstraete, Mark Godfrey, Janine Mileaf, and Simon Starling.
The exhibition is also accompanied by a fully illustrated 105 - page colour catalogue, available online, in venue and through Cornerhouse Distribution priced at # 10.
She also co-authored and edited the 348 - page, fully illustrated exhibition catalogue.
A 100 page fully - illustrated catalogue will accompany «50's New York» and Freilicher will also be the subject of a forthcoming biography written by Karin Roffman (Farrar, Straus, Giroux).
This is the first time that paintings from Hirst's Visual Candy series have been presented together exclusively, and it will also be Gonzalez - Torres» first two - person show in London.The exhibition will be accompanied by a fully illustrated catalogue, which includes an interview with Hans Ulrich Obrist and an essay by Blain Southern's Chief Curator and Director of Exhibitions, Mario Codognato.