Sentences with phrase «illustrated catalogue which»

The fully illustrated catalogue which accompanies this exhibition includes statements by Dore Ashton, William Bailey, John Elderfield, and Catherine Lampert, among others, attesting to the respect and vast following Forge had as an artist, a writer and a person.

Accompanying the exhibition there is a full - colour illustrated catalogue which is still available from our website.

The exhibition is accompanied by an illustrated catalogue which includes an ongoing project by David Batchelor, a collection of thoughts on colour from notable thinkers and artists from antiquity to the present day.

Not exact matches

This section will catalogue ten characteristics which specify an eternal object, while the next will show how these characteristics are illustrated in the dance.

A «catalogue raisonné» is a systematic and comprehensive scholarly reference text in which each work known to have been executed by a particular artist is illustrated, thoroughly documented and described, giving information such as title, alternative titles, date, medium, size, inscriptions, provenance, exhibition history, and publication history, and in which each work is assigned a permanent reference number.

Night Vision is accompanied by a fully illustrated catalogue (co-published by DelMonico Books • Prestel), which includes a lead essay by Joachim Homann on the allure of the night for modern artists from Georgia O'Keeffe to Lee Krasner.

Each exhibition at the Fondation is accompanied by its own illustrated catalogue, in which the themes of the exhibition are explored in scholarly texts.

... [while other images] celebrate Africa as a continent in which the geopolitical boundaries imposed by European colonial authorities were completely dissolved... [giving] artists the freedom to... borrow visual icons from any part of the continent... This exhibition has been organized with Pace Primitive, New York, and is accompanied by a fully - illustrated color catalogue with an essay by Dr. Nnamdi Elleh, Assistant Professor of Architecture History and Theory at the University of Cincinnati, Ohio.

Following the exhibition, the gallery will publish a fully illustrated catalogue, which will include installation views as well as new scholarship by Akira Tatehata, Director of The Museum of Modern Art, Saitama and President of Kyoto City University of Arts.

The exhibition catalogue features several new works by the young Swiss artist, which illustrate the post-modern approaches of time - space compression in coexistence with the historicity and perception of our environment.

The artist has had two gallery solo exhibitions, including Comfort Zone in 2016 and From My Bedroom to Yours in 2015 which was her first ever presentation and was accompanied by a fully illustrated catalogue with three original essays.

The exhibition is accompanied by a fully illustrated catalogue»» published by MOCA and co-published by the MIT Press, which will constitute a comprehensive and scholarly examination of the artist's career.

The exhibition will be accompanied by a richly illustrated catalogue in Estonian and English, which will be presented at Kumu on 5 April.

- The exhibition is accompanied by a fully illustrated catalogue, which includes essays by Lydia Yee, Chief Curator, Whitechapel Gallery and Briony Fer, Professor of Art History, University College London.

The exhibition is accompanied by a fully illustrated catalogue, which includes essays by Miranda Lash; Eleanor Heartney, critic for Art in America; Patricia C. Phillips, Associate Provost at the Rhode Island School of Design; Patricia Covo Johnson, former critic for the Houston Chronicle; and Herb Tam, Curator and Director of Exhibitions at the Museum of Chinese in America; and poet Andrei Codrescu.

A fully illustrated catalogue accompanies the exhibition, which will include an in - depth essay by Dr Katie Hill.

Future Present presents a complete, lavishly illustrated catalogue raisonné of the collection, which includes painting, sculpture, drawing, installation, photography and video.

The exhibition will be accompanied by a fully illustrated catalogue, which will be the first publication devoted to exploring the life and work of this artist.

Mitchell - Innes & Nash will publish an illustrated catalogue in conjunction with the exhibition, which will feature an essay by art historian and writer Michael Lobel.

This extensively illustrated catalogue — the first comprehensive Reinhardt overview in 13 years — reproduces the artist's signature «black» paintings (his 60 x 60 inch canvases of the 1960s, which he considered to be his «ultimate» aesthetic expression, and «the last paintings that anyone can paint»), as well as his cartoons and photographic slide presentations.

In October - November 2006, she had concurrent shows at David Zwirner and Zwirner & Wirth, which featured oil paintings, watercolors, and drawings, and was accompanied by a fully illustrated catalogue.

Related Publication The Kongo across the Waters exhibition is accompanied by a 450 page publication available in the Museum Shop which presents a collection of richly - illustrated essays and a catalogue of the exhibition with superb photography.

A fully illustrated catalogue has been published which includes discourses on the art, statements from the artists and original works of art offered in recognition of the seminal nature of the exhibition.

Jiro Takamatsu is accompanied by a 64pp fully illustrated catalogue, which includes an in - depth essay by writer and curator Rachel Taylor.

The fully illustrated catalogue does them more justice, featuring essays by seven writers, including Philippe Cézanne, the painter's great - grandson, which discuss in full detail Fiquet's relationship with her husband, the procedures used by her husband to make these pictures, and the influence of these paintings on Juan Gris, Henri Matisse, and a host of other later artists.

Included with this volume on Richter's 1998 work is a fully illustrated and captioned catalogue raisonne of paintings from 1993 to 1998, which updates the three volume set.

On the occasion of the exhibition, a monographic catalogue will be published by David Zwirner Books, which will include new scholarship on Asawa's groundbreaking body of work by art historian Tiffany Bell, as well as an essay by Robert Storr, and an illustrated chronology.

It is a diptypch of gloss household paint and butterflies on canvas, one part painting with pink background and the other with a blue background, which illustrates the catalogue's cover.

Of the 46 lots offered, 41 sold, most above their high estimates, and the sales total just exceeded the pre-auction high estimate even though the top lot, No. 19, which was illustrated on the catalogue's cover, Robert Ryman's, «Signet 20,» passed at $ 1,100,000 far below its low estimate of $ 1.5 million.

CMA and the Figge Art Museum partnered to produce the fully - illustrated catalogue, published by Skira Rizzoli Publishing, which accompanies the exhibition.

Catalogue The exhibition is accompanied by a lavishly illustrated catalogue by Antoon Erftemeijer, the Curator of Modern Art at the Frans Hals Museum and De Hallen Haarlem, which focuses on views of the Dutch landscape by widely divergentCatalogue The exhibition is accompanied by a lavishly illustrated catalogue by Antoon Erftemeijer, the Curator of Modern Art at the Frans Hals Museum and De Hallen Haarlem, which focuses on views of the Dutch landscape by widely divergentcatalogue by Antoon Erftemeijer, the Curator of Modern Art at the Frans Hals Museum and De Hallen Haarlem, which focuses on views of the Dutch landscape by widely divergent artists.

The exhibition will be accompanied by a fully illustrated catalogue — published by MOCA and co-published by the MIT Press — which will constitute a comprehensive and scholarly examination of the artist's career.

The exhibition is accompanied by a fully illustrated catalogue, which includes a personal and poetic letter by Dumas.

To commemorate the two consecutive exhibitions, David Zwirner Books is publishing a fully illustrated catalogue called Josef Albers: Midnight and Noon — a title that nods to Albers» 1964 series of color lithographs, which brought together two opposing colour sets (blacks and greys and an array of yellows) in a single portfolio.

The exhibition is accompanied by a fully illustrated catalogue with an introductory essay by Professor Peter Osborne, which discusses the history and definition of contemporary and suggests how we might understand the word in relation to the artworks selected.

An illustrated catalogue accompanies the exhibition which includes an interview with the artist by Rachael Thomas, texts by curator and critic Beatrix Ruf and writer Declan Long, and a foreword by Enrique Juncosa, Director, IMMA.

Moreover, the show which included four works recently acquired by the museum, comes with a fully illustrated catalogue containing several essays.

Audrey Flack: Master Drawings from Crivelli to Pollock will be accompanied by a fully illustrated catalogue, which will include an illuminating essay by Robert C. Morgan and an in - depth conversation between Flack and art historian John Wilmerding.

Nathalie Du Pasquier, BIG OBJECTS NOT ALWAYS SILENT is accompanied by a fully illustrated catalogue co-produced by ICA and Kunsthalle Wien, which is published by Sternberg Press and features an extensive conversation with Nathalie Du Pasquier and curator Luca Lo Pinto, as well as short essays by Andrew Ayers, Dafne Boggeri, Barbara Radice, Steve Piccolo, and Lodovico Pignatti Morano.

Private collectors, art galleries, and major museums lent work for this exhibition, which is accompanied by a fully illustrated catalogue, with essays, by Linda Ferber, Senior Art Historian and Museum Director Emerita, New - York Historical Society; Egyptologist Floyd Lattin; and, Laura Vookles, the Museum's Chief Curator of Collections.

Anne Truitt: Works from the Estate is accompanied by a fully illustrated catalogue, which includes an in - depth essay by Art Historian Dr. Anna Lovatt.

Accompanying the exhibition is a fully illustrated catalogue, which includes an interview with Winters by the artist Richard Aldrich.

A fully illustrated catalogue, with an essay by Hunter Drohojowska - Philp, accompanies the exhibition, which is presented in association with Frank Lloyd Gallery, Santa Monica, CA.

IMMA and The Lilliput Press are publishing a fully - illustrated colour catalogue to accompany the exhibition, which includes both newly - commissioned and republished texts.

Scharftopia is accompanied by an illustrated catalogue produced by the Hillstrom Museum of Art, which includes a recent in - depth interview of artist Scharf conducted by collector Sexton, along with an essay Sexton wrote about his connection with the artist and his work.

The exhibition is accompanied by an illustrated catalogue featuring an interview with the artist, which examines the issue of how work of this nature is being preserved and reinstalled 45 years later.

Mitchell - Innes & Nash will publish a hard - cover illustrated catalogue in conjunction with the exhibition, which will feature an essay by art historian and writer Michael Lobel.

The exhibition is accompanied by a fully illustrated catalogue, published by Ridinghouse, which includes an essay by Charlie Fox.

A version of the exhibition was presented last fall at the RISD Museum in Providence, RI, which was accompanied by a fully illustrated catalogue with texts by Dan Nadel, Robert Cozzolino, Brian Chippendale, Dominic Molon, Roger Brown, John Smith, Naomi Fry, Michael Rooks, Nicole Rudick, and Judith Tannenbaum.

The exhibition will be accompanied by a fully illustrated catalogue published by David Zwirner, which will feature new scholarship by art historian Richard Shiff, an interview from 1978 with Robert Kudielka — one of her foremost critics — and an essay on the artist's wall paintings by Paul Moorhouse, 20th Century Curator at the National Portrait Gallery in London.