Sentences with phrase «illustrated cataloguing presenting»

A full colour richly illustrated cataloguing presenting new scholarship and insights on the artist, with texts by Barbara Dawson, Martin Harrison, Rebecca

This beautifully illustrated catalogue presents 120 of Emin's neon works, introduced by essays from curator Bonnie Clearwater and the artist and writer Gary Indiana.

In conjunction with the exhibition, SFMOMA will publish a richly illustrated catalogue presenting highlights from the Fisher Collection.

Not exact matches

The lavishly illustrated scholarly exhibition catalogue presents the research findings of Research Associate in Art Melissa Walt, and Ellerton M. and Edith K. Jette Professor of Art Ankeney Weitz.

David Zwirner: 25 Years will be accompanied by an illustrated catalogue revisiting the nearly 400 exhibitions presented by the gallery since 1993.

Lévy Gorvy will also present an exhibition of Agnetti's work in New York in summer 2017, accompanied by an illustrated catalogue featuring new scholarships well as the artist's writings.

The show features paintings and works on paper by the artist from 1981 to present; the fully illustrated catalogue features an essay by the art historian Richard Shiff and biographical notes compiled by Robert Kudielka.

This richly illustrated and strikingly designed catalogue, the most authoritative volume ever published on this prolific artist, presents nearly 400 reproductions of artworks from across his oeuvre and documentary photographs of his creative process.

A fully illustrated catalogue has been published in conjunction with the exhibition, presenting the original essays by Mel Bochner from 1967 and John Coplans from 1968, as well as a history and analysis of Serial Art by art historian Mark Gisbourne, commissioned specifically for the exhibition.

This fully illustrated catalogue constitutes the first survey of his work from the late 1990s to the present and features essays by the art critic Barry Schwabsky and Aspen Art Museum Director Heidi Zuckerman Jacobson.

The Museum presents critically acclaimed exhibitions that travel to major museums and are regularly accompanied by fully - illustrated, scholarly catalogues.

The exhibition will be accompanied by a richly illustrated catalogue in Estonian and English, which will be presented at Kumu on 5 April.

This lavishly illustrated, 240 - page catalogue, also titled Zoo, contains an introduction by the show's curators, Marie Fraser and François LeTourneux, texts presenting each of the artists, and a typology describing the relationship between humans and animals as reflected in natural history, philosophy, fiction, and science.

The exhibition is accompanied by an illustrated catalogue which includes an ongoing project by David Batchelor, a collection of thoughts on colour from notable thinkers and artists from antiquity to the present day.

Future Present presents a complete, lavishly illustrated catalogue raisonné of the collection, which includes painting, sculpture, drawing, installation, photography and video.

Related Publication The Kongo across the Waters exhibition is accompanied by a 450 page publication available in the Museum Shop which presents a collection of richly - illustrated essays and a catalogue of the exhibition with superb photography.

In addition to presenting important artworks, the exhibition will convey the political foment of an era that saw both the emergence of Conceptual art and the rise of the Women's Rights, Civil Rights, and anti — Vietnam War movements, and will illustrate the period's experimental impulses through catalogues, artist publications, periodicals, photographs, and ephemera from key exhibitions and events.

Designed as a reference work, the richly documented and illustrated catalogue, with a preface by Jean - Yves Tadié, presents all the lots in chronological order, and is a genuine biography of the writer.

The fully illustrated companion catalogue will present the most up - to - date scholarly research, reexamining Savage's place in the history of American sculpture and positioning her as a leading figure who broke down the barriers she and her students encountered while seeking to participate fully in the art world.

Compiled and edited by art historian Eva Meyer - Hermann, the catalogue raisonné will illustrate and document approximately 500 paintings by the artist from 1975 to the present day.

A catalogue raisonné of the artist's paintings that will illustrate and document approximately five hundred paintings from 1975 to the present day is currently being prepared by David Zwirner Books in collaboration with Studio Luc Tuymans.

Comprised of paintings, drawings, sculpture, prints, ceramics, and a home movie made by Picasso in 1929, «Picasso: Minotaurs and Matadors» is presented in an innovative installation designed by the Stirling Prize - winning architecture firm Caruso St. John, and is accompanied by a fully illustrated catalogue with essays by Richardson, noted Picasso scholars Michael FitzGerald and Gertje Utley, and historian of Greek art and archaeology Clemente Marconi.

The multi-site exhibition will be presented at the Bronx Museum of the Arts, Wave Hill, and 1285 Avenue of the Americas Art Gallery, and will be accompanied by a fully illustrated catalogue.

pp. 90 - 91 (another example exhibited and illustrated) New York, City Hall, Public Art Fund Presents Roy Lichtenstein at City Hall, November 19, 2003 — October 2004 (another example exhibited) London, Gagosian Gallery; New York, Gagosian Gallery, Roy Lichtenstein: Sculpture, Organized with the Roy Lichtenstein Foundation, New York, June 6 — October 22, 2005, pp. 106 - 107 (another example exhibited and illustrated) Madrid, Fundación Juan March, Roy Lichtenstein: de principio a fin, February 3 - May 7, 2007, p. 26 (another example exhibited and illustrated) Paris, Pinacoth èque de Paris, Roy Lichtenstein: Évolution, June 15 - September 23, 2007, p. 191 (another example exhibited and illustrated) Museo de Arte de Ponce, Andy Warhol y Roy Lichtenstein, May 1 — August 31, 2008 (another example exhibited and illustrated) Art Institute of Chicago; Washington, D.C., National Gallery of Art; London, Tate Modern; Paris, Centre Georges Pompidou, Roy Lichtenstein, May 16, 2012 - November 4, 2013, p. 118 (another example exhibited and illustrated)(no. 62, p. 161 in Pomidou catalogue) New York, FLAG Art Foundation, Roy Lichtenstein: Nudes and Interiors, February 8 — May 17, 2014, pp. 51 - 52 (illustrated) New York, FLAG Art Foundation, Roy Lichtenstein: Intimate Sculptures, June 26, 2014 - January 31, 2015 (another example exhibited)

The exhibition will be accompanied by a fully - illustrated scholarly catalogue presenting artist's influential bodies of works in their full context — the most comprehensive study of his work so far.

S3, p. 111 (another cast illustrated) Pierre Schneider, Matisse, New York, 1984, pp. 340, 348 - 349, 392, 394, 399, 416, 420, 431, 489, 493, 524, 536, 541, 544 - 545, 557, 562, and 566 - 567 (another cast illustrated, p. 546) Guy - Patrice Dauberville and Michel Dauberville, Henri Matisse chez Bernheim Jeune, vol 2, Poitiers, 1995, p. 1411 (present cast illustrated) Claude Duthuit, Henri Matisse, Catalogue raisonné de l'oeuvre sculpté, Paris, 1997, no. 30, no. 129, p. 74 (present cast listed, p. 74 and another cast illustrated, p. 75) Pierre Daix, Picasso et Matisse revisités, Neuchâtel, 2002, p. 62 Matisse: Painter as Sculptor, exh.

David Zwirner: 25 Years will be accompanied by an illustrated catalogue that will take the readers for a journey of revisiting nearly 400 exhibitions that were presented by the gallery since 1993.

Documenting the artist's first major solo museum exhibition in the United States, this catalogue illustrates and discusses a selection of her most significant works from the mid-1990s to the present.

A fully illustrated catalogue, with an essay by Hunter Drohojowska - Philp, accompanies the exhibition, which is presented in association with Frank Lloyd Gallery, Santa Monica, CA.

An illustrated catalogue of the same title accompanies Chaotic Harmony, co-published by The Museum of Fine Arts, Houston, and the Santa Barbara Museum of Art and distributed by Yale University Press, The catalogue presents one of the first overviews of the artists, subjects, and themes in contemporary Korean photography, with scholarly essays by Tucker and Sinsheimer; a chronology of post-World War II developments by noted photographer and curator Bohnchang Koo; an exhibition checklist; and brief biographies of the artists, compiled by MFAH photography curatorial assistant Natalie Zelt.

The exhibition is accompanied by a fully illustrated catalogue edited by Henriette Huldisch with additional contributions by Edith Decker - Phillips and Emily Watlington, published by Hirmer Verlag in association with the MIT List Visual Arts Center.The exhibition is presented as part of a citywide partnership of arts and educational institutions organized to recognize the outsized role greater Boston has played in the history and development of technology.

Featuring art by Winslow Homer, Rockwell Kent, and Georgia O'Keeffe, and poetry by Herman Melville, Lydia Sigourney, Walt Whitman, Robert Frost, and William Carlos Williams, the exhibition will present new scholarship and an illustrated catalogue by Alyce Perry Englund, former Richard Koopman Associate Curator of American Decorative Arts at the Wadsworth Atheneum Museum of Art and current Assistant Curator of American Decorative Arts at the Metropolitan Museum of Art.

A version of the exhibition was presented last fall at the RISD Museum in Providence, RI, which was accompanied by a fully illustrated catalogue with texts by Dan Nadel, Robert Cozzolino, Brian Chippendale, Dominic Molon, Roger Brown, John Smith, Naomi Fry, Michael Rooks, Nicole Rudick, and Judith Tannenbaum.

Presented in collaboration with Fondazione Lucio Fontana, it includes a fully illustrated 300 page catalogue published by Paris Musées.

Compiled and edited by art historian Eva Meyer - Hermann, the catalogue raisonné illustrates and document approximately five hundred paintings by the artist from 1975 to the present day.

This is the first time that paintings from Hirst's Visual Candy series have been presented together exclusively, and it will also be Gonzalez - Torres» first two - person show in London.The exhibition will be accompanied by a fully illustrated catalogue, which includes an interview with Hans Ulrich Obrist and an essay by Blain Southern's Chief Curator and Director of Exhibitions, Mario Codognato.